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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Wakes in Church & Funerals at the Parlor

Fr. David Friel · November 2, 2014

N MANY QUARTERS, those involved in parish life and pastoral care have been experiencing a definite trend. I won’t call the trend “alarming,” but “unfortunate” and “ill-conceived” would be good descriptors. The trend concerns the location of funerals.

In the “old days,” when a member of a Catholic family died, a wake might have been held in the family home—a sort of open house. The purpose of this event was to gather as a family to mourn, tell stories, and say a few prayers together to aid in the process of corporate grief. Eventually, the age of funeral parlors arose, and these homes then became the place for wakes. A day or more after the wake, there would be a funeral Mass in the local parish church. The purpose of this event was to pray for the happy repose of the deceased, to apply the merits of Christ’s Passion to the soul of the deceased, and to pray for healing & peace among the surviving family, friends, & neighbors.

Nowadays, priests & deacons & members of bereavement committees are faced with an entirely different situation. In fact, the situation is often the reverse of what makes sense.

More and more, families are requesting that funeral prayers be offered at the funeral parlor; meanwhile, other families desire to hold the wake in church. Judging from this state of affairs, we seem to have forgotten the purpose of church buildings and funeral parlors. The trouble with funerals at funeral parlors is that they omit the Mass; the trouble with wakes in church is that they reduce a sacred space to a gathering space, often leading to noise & activity unbecoming of the Lord’s house. These mismatched locations are neither appropriate nor conducive. (I have heard of some priests trying to reclaim the sacredness of the church space by offering confessions when they have a wake in church; this strikes me as an interesting idea, though not a thorough solution.)

The structure of the Order of Christian Funerals ritual book can teach us a few lessons. For example, the first part of the funeral liturgy is the Vigil (the prayers to be prayed during the wake), which is followed by the “Transfer of the Body to the Church.” That there should be a transfer to the church is a clear sign that the ritual does not envision a viewing in the church building.

In the Order of Christian Funerals, one also finds an option provided for what is called a “Funeral Liturgy outside Mass.” This form of the funeral service is clearly not preferable, inasmuch as it omits the sacrifice of Holy Mass, which is the most essential element of the “fraternal offices of burial.” The introduction to this section of the ritual book (#178) suggests very limited occasions for its use:

1. When the funeral Mass is not permitted, namely, on solemnities of obligation, on Holy Thursday and the Easter Triduum, and on the Sundays of Advent, Lent, and the Easter Season;
2. When in some places or circumstances it is not possible to celebrate the funeral Mass before the committal, for example, if a priest is not available;
3. When for pastoral reasons the pastor and the family judge that the funeral liturgy outside Mass is a more suitable form of celebration.

Even narrower is the language of the following paragraph (#179), which states: “The funeral liturgy outside Mass is ordinarily celebrated in the parish church, but may also be celebrated in the home of the deceased, a funeral home, parlor, chapel of rest, or cemetery chapel.” I have never seen the funeral liturgy outside Mass celebrated in a church, and I would guess that this seldom actually occurs. Without a doubt, this rubric clearly underscores the fundamental significance of the location of the funeral rites.

The reasons I commonly hear families give for requesting a priest to offer the service at the funeral home are very different. Among them are these:

1. The deceased never went to church anyway.
2. Using the church costs too much.
3. It would be easier for [name-an-infirm-relative] to have it all in one day at one location.

Certainly, families sometimes have other reasons, too, but these are the most common explanations I hear for why a family is requesting a funeral service at the parlor. Obviously there is a marked disconnect between the reasons proffered by families and the parameters established by the ritual.

Much of the trouble stems from people having lost a basic understanding of what a funeral is. A Catholic funeral is not a “life celebration.” Despite what many funeral homes try to market, a Catholic funeral is not a celebration of the deceased person’s human life. You often hear it said, “A funeral is for the family, not for the deceased.” In the Catholic framework, however, this is simply not true. A Catholic funeral is very much for the deceased, and only secondarily for the comfort of those who are left behind.

In the minds of many people, the essential component of a funeral is the eulogy. This is an issue we have addressed elsewhere. Whereas words of remembrance often are the essential element of Protestant funerals, this is never the case with the funeral of a Catholic. The essential element of a Catholic funeral is always and everywhere the efficacious sacrifice of Christ as re-presented in the Mass. It is, therefore, a matter of justice to arrange a funeral Mass for one who is deceased.

Restoring funerals & wakes to their proper locations will only be achieved at the grassroots level. Parishes need to help families making funeral arrangements to understand the background of these matters. Priests need to teach their parishioners and parents need to teach their children that location matters.

As my mother often told me, there is an appropriate time—and place—for everything.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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