• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Wakes in Church & Funerals at the Parlor

Fr. David Friel · November 2, 2014

N MANY QUARTERS, those involved in parish life and pastoral care have been experiencing a definite trend. I won’t call the trend “alarming,” but “unfortunate” and “ill-conceived” would be good descriptors. The trend concerns the location of funerals.

In the “old days,” when a member of a Catholic family died, a wake might have been held in the family home—a sort of open house. The purpose of this event was to gather as a family to mourn, tell stories, and say a few prayers together to aid in the process of corporate grief. Eventually, the age of funeral parlors arose, and these homes then became the place for wakes. A day or more after the wake, there would be a funeral Mass in the local parish church. The purpose of this event was to pray for the happy repose of the deceased, to apply the merits of Christ’s Passion to the soul of the deceased, and to pray for healing & peace among the surviving family, friends, & neighbors.

Nowadays, priests & deacons & members of bereavement committees are faced with an entirely different situation. In fact, the situation is often the reverse of what makes sense.

More and more, families are requesting that funeral prayers be offered at the funeral parlor; meanwhile, other families desire to hold the wake in church. Judging from this state of affairs, we seem to have forgotten the purpose of church buildings and funeral parlors. The trouble with funerals at funeral parlors is that they omit the Mass; the trouble with wakes in church is that they reduce a sacred space to a gathering space, often leading to noise & activity unbecoming of the Lord’s house. These mismatched locations are neither appropriate nor conducive. (I have heard of some priests trying to reclaim the sacredness of the church space by offering confessions when they have a wake in church; this strikes me as an interesting idea, though not a thorough solution.)

The structure of the Order of Christian Funerals ritual book can teach us a few lessons. For example, the first part of the funeral liturgy is the Vigil (the prayers to be prayed during the wake), which is followed by the “Transfer of the Body to the Church.” That there should be a transfer to the church is a clear sign that the ritual does not envision a viewing in the church building.

In the Order of Christian Funerals, one also finds an option provided for what is called a “Funeral Liturgy outside Mass.” This form of the funeral service is clearly not preferable, inasmuch as it omits the sacrifice of Holy Mass, which is the most essential element of the “fraternal offices of burial.” The introduction to this section of the ritual book (#178) suggests very limited occasions for its use:

1. When the funeral Mass is not permitted, namely, on solemnities of obligation, on Holy Thursday and the Easter Triduum, and on the Sundays of Advent, Lent, and the Easter Season;
2. When in some places or circumstances it is not possible to celebrate the funeral Mass before the committal, for example, if a priest is not available;
3. When for pastoral reasons the pastor and the family judge that the funeral liturgy outside Mass is a more suitable form of celebration.

Even narrower is the language of the following paragraph (#179), which states: “The funeral liturgy outside Mass is ordinarily celebrated in the parish church, but may also be celebrated in the home of the deceased, a funeral home, parlor, chapel of rest, or cemetery chapel.” I have never seen the funeral liturgy outside Mass celebrated in a church, and I would guess that this seldom actually occurs. Without a doubt, this rubric clearly underscores the fundamental significance of the location of the funeral rites.

The reasons I commonly hear families give for requesting a priest to offer the service at the funeral home are very different. Among them are these:

1. The deceased never went to church anyway.
2. Using the church costs too much.
3. It would be easier for [name-an-infirm-relative] to have it all in one day at one location.

Certainly, families sometimes have other reasons, too, but these are the most common explanations I hear for why a family is requesting a funeral service at the parlor. Obviously there is a marked disconnect between the reasons proffered by families and the parameters established by the ritual.

Much of the trouble stems from people having lost a basic understanding of what a funeral is. A Catholic funeral is not a “life celebration.” Despite what many funeral homes try to market, a Catholic funeral is not a celebration of the deceased person’s human life. You often hear it said, “A funeral is for the family, not for the deceased.” In the Catholic framework, however, this is simply not true. A Catholic funeral is very much for the deceased, and only secondarily for the comfort of those who are left behind.

In the minds of many people, the essential component of a funeral is the eulogy. This is an issue we have addressed elsewhere. Whereas words of remembrance often are the essential element of Protestant funerals, this is never the case with the funeral of a Catholic. The essential element of a Catholic funeral is always and everywhere the efficacious sacrifice of Christ as re-presented in the Mass. It is, therefore, a matter of justice to arrange a funeral Mass for one who is deceased.

Restoring funerals & wakes to their proper locations will only be achieved at the grassroots level. Parishes need to help families making funeral arrangements to understand the background of these matters. Priests need to teach their parishioners and parents need to teach their children that location matters.

As my mother often told me, there is an appropriate time—and place—for everything.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.