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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Peace and St Francis

Veronica Brandt · October 4, 2014

St Francis and the Sultan by Gozzoli St Francis’ Trial by Fire before the Sultan from a series of frescoes in Montefalco (1450-52) by Benozzo Gozzoli ODAY MANY PEOPLE ARE PRAYING for peace, especially through the intercession of St Francis, who died on Oct 3 1226 and whose feast day we celebrate today.

I bet there will be a lot of people singing Sebastian Temple’s Make Me a Channel of Your Peace. Which is a great song, but I’d like to share a few others which today brings to mind.

But first a little about the illustration there.

The 14th century book, The Flowers of St Francis, relates how he went to visit the Sultan during the 5th Crusade:

Then St Francis standing before him, inspired by the Holy Spirit, preached most divinely the faith of Christ; and to prove the truth of what he said, professed himself ready to enter into the fire. Now the Sultan began to feel a great devotion towards him, both because of the constancy of his faith, and because he despised the things of this world (for he had refused to accept any of the presents which he had offered to him), and also because of his ardent wish to suffer martyrdom. From that moment he listened to him willingly, and begged him to come back often, giving both him and his companions leave to preach wheresoever they pleased; he likewise gave them a token of his protection, which would preserve them from all molestation.

There are a lot of discussions about how accurate that retelling was, but well worth reading.


217 St Francis There is a little known hymn to St Francis beginning “Corda pia inflammantur” which can be translated as Godly hearts are inflamed. The tune is very simple – same for the refrain as for the verses. The text elaborates on St Francis receiving the stigmata. Go listen and share it. It makes a change from the Peace Prayer of St Francis.

      * *  MP3: Corda Pia – one minute audio clip with two verses out of eleven and three repeats of the refrain. The singers are my mother, my son and myself.
      * *  PDF: Corda Pia – pages 50 & 51 from A New Book of Old Hymns

Another alternative to the Peace Prayer of St Francis is the antiphon “Da pacem.” The translation runs thus, “Grant peace, O Lord, in our days, as there is no other who will fight for us, except thee, our God.”

Here is Giovanni Vianini singing the antiphon paired with Psalm 121/122:

The psalm verses are:

I rejoiced at the things that were said to me: We shall go into the house of the Lord. Our feet were standing in thy courts, O Jerusalem. Jerusalem, which is built as a city, which is compact together.

This is also in a New Book of Old Hymns. In the book this antiphon is followed by the round setting by Melchior Franck. In the new edition I clarified how the parts fit together – it is a canon in the hypodiatessaron or the second part comes in a fourth below. Here is a pdf copy of the page:

      * *  PDF: Da pacem, Domine p70 of A New Book of Old Hymns

Now, you might have noticed that both those pieces are in Latin. Aren’t there any English hymns you can recommend?

There is a novena to St Francis carried out each year at the Maternal Heart of Mary Church in Sydney. They use the hymn by Shane Leslie which begins:

Francis, thou wast lonely plying
For thy bread from door to door
Till God heard thy bitter sighing
For His Wounds and for His poor.

You can find the whole novena with the hymn (and Corda Pia) here as a pdf taken from the listing of Mass Propers of the Saints

It appears in the Westminster Hymnal of 1958 (unfortunately not in the Old Westminster Hymnal which I wrote about earlier) The meter is 87.87. I will try to find the name of the tune! (In solfege it begins: re do re fa sol fa mi re – do you recognise it?)

Zenit is promoting a new book on St Francis by Fr Cantalamessa In Love with Christ: The Secret of Saint Francis of Assisi. They are selling through Createspace, which also sells A New Book of Old Hymns and The Old Westminster Hymnal. Just letting you know.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

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