• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Secret Way The Latin Mass Has Won

Jeff Ostrowski · October 27, 2014

752 Latin Mass OBODY WOULD DISPUTE that Collegeville’s Liturgical Press has been the preëminent propagandist for radical liturgical changes. They have produced three blogs:

PrayTell: geared toward “progressive” liturgists

Rock and Theology: supporting secular music in Catholic liturgies

Raids Across the Color Line: dealing with what they deem “the abhorrent amount of racism” in the USA

I haven’t spent much time reading ROCK AND THEOLOGY. Nor have I found much time for RAIDS ACROSS THE COLOR LINE (which contains posts like Growing Up Racist and Misogynist and Catholic). However, during the months I was bedridden due to illness, I spent some time going through PrayTell, with a mixture of curiosity and horror. Much could be said about PrayTell, but today I will mention one aspect only. 1

THE PRIMARY EDITOR of PrayTell is obsessed with the Extraordinary Form. He abhors it, yet can’t stop talking about it, and broaches the topic constantly—not only in his posts, but also in his comment fields. Following the announcement of Most Rev. Blase Cupich being sent to Chicago, the editor’s VERY FIRST COMMENT was to note that Cupich allegedly persecuted EF Catholics in Rapid City. 2 How embarrassing! It’s as if he’s wearing blinders, and all he cares about is whether someone dares to support in any way the Rite loved for so many centuries by so many saints.

In another post, having spoken about how wonderful it was to attend Vespers in St. Peter’s Basilica, the PrayTell editor couldn’t be content. Instead, he had to exclaim, with a double question mark for emphasis, “After such a beautiful and dignified reformed liturgy, why would anyone hanker after the unreformed preconciliar one??” Many more examples could be provided.

Perhaps you think I am frustrated by such things. After all, PrayTell is hardly alone in their “EF derangement syndrome”—many in the progressive camp do likewise on a daily basis. Some might be tempted to say:

“Why must you denigrate those who prefer the Extraordinary Form? Only a tiny minority of Catholics currently have the EF: why don’t you mind your own business? Why aren’t you bothered by other Catholics using an ancient rite, like the Byzantine Catholics? Why is it an unforgivable sin in your eyes that a small minority of Catholics worship in the EF?”

However, I never will say anything like that, because I’m glad they’re obsessed with the Extraordinary Form. Every time they denigrate it, more Catholics become curious and end up falling in love with it. Those of us who attended daily Mass in the Extraordinary Form during the 1990s remember how small the movement was, yet we knew we had a treasure that speaks directly to the hearts of men. (Even EF opponents secretly realize its power and magnificence.) We have been delighted to see how this movement has flourished.

Yesterday, I attended Mass in a city I’d never heard of. The EF Mass was packed—even though it was scheduled at a bad time—and the choir was wonderful. After Mass, I met a lady who has sixty-four (64) grandchildren and eighty-seven (87) great-grandchildren. All of her kids are practicing Catholics, and most attend the Extraordinary Form. No, friends, this movement will not die. And it certainly will not die at the hands of the PrayTell Blog, no matter how snarky their posts become.



NOTES FROM THIS ARTICLE:

1   For example, one could examine PrayTell’s ruthless and discriminatory suppression of most comments by “conservative Catholics” or their pseudo–intellectual attempts a few weeks ago to put a new spin on clown Masses.

2   I’ve taken a screen shot of this, in case the PrayTell Editor decides to remove his comment. PrayTell often removes posts, usually when their contributors are caught making a technical error describing the liturgy. For myself, I think such things ought to remain, as a matter of honesty, but nobody is asking my opinion!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, PrayTell Blog, Traditional Latin Mass Tridentine Rite Last Updated: April 28, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +
  • “Reminder” — Month of November (2025)
  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.