• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Secret Way The Latin Mass Has Won

Jeff Ostrowski · October 27, 2014

752 Latin Mass OBODY WOULD DISPUTE that Collegeville’s Liturgical Press has been the preëminent propagandist for radical liturgical changes. They have produced three blogs:

PrayTell: geared toward “progressive” liturgists

Rock and Theology: supporting secular music in Catholic liturgies

Raids Across the Color Line: dealing with what they deem “the abhorrent amount of racism” in the USA

I haven’t spent much time reading ROCK AND THEOLOGY. Nor have I found much time for RAIDS ACROSS THE COLOR LINE (which contains posts like Growing Up Racist and Misogynist and Catholic). However, during the months I was bedridden due to illness, I spent some time going through PrayTell, with a mixture of curiosity and horror. Much could be said about PrayTell, but today I will mention one aspect only. 1

THE PRIMARY EDITOR of PrayTell is obsessed with the Extraordinary Form. He abhors it, yet can’t stop talking about it, and broaches the topic constantly—not only in his posts, but also in his comment fields. Following the announcement of Most Rev. Blase Cupich being sent to Chicago, the editor’s VERY FIRST COMMENT was to note that Cupich allegedly persecuted EF Catholics in Rapid City. 2 How embarrassing! It’s as if he’s wearing blinders, and all he cares about is whether someone dares to support in any way the Rite loved for so many centuries by so many saints.

In another post, having spoken about how wonderful it was to attend Vespers in St. Peter’s Basilica, the PrayTell editor couldn’t be content. Instead, he had to exclaim, with a double question mark for emphasis, “After such a beautiful and dignified reformed liturgy, why would anyone hanker after the unreformed preconciliar one??” Many more examples could be provided.

Perhaps you think I am frustrated by such things. After all, PrayTell is hardly alone in their “EF derangement syndrome”—many in the progressive camp do likewise on a daily basis. Some might be tempted to say:

“Why must you denigrate those who prefer the Extraordinary Form? Only a tiny minority of Catholics currently have the EF: why don’t you mind your own business? Why aren’t you bothered by other Catholics using an ancient rite, like the Byzantine Catholics? Why is it an unforgivable sin in your eyes that a small minority of Catholics worship in the EF?”

However, I never will say anything like that, because I’m glad they’re obsessed with the Extraordinary Form. Every time they denigrate it, more Catholics become curious and end up falling in love with it. Those of us who attended daily Mass in the Extraordinary Form during the 1990s remember how small the movement was, yet we knew we had a treasure that speaks directly to the hearts of men. (Even EF opponents secretly realize its power and magnificence.) We have been delighted to see how this movement has flourished.

Yesterday, I attended Mass in a city I’d never heard of. The EF Mass was packed—even though it was scheduled at a bad time—and the choir was wonderful. After Mass, I met a lady who has sixty-four (64) grandchildren and eighty-seven (87) great-grandchildren. All of her kids are practicing Catholics, and most attend the Extraordinary Form. No, friends, this movement will not die. And it certainly will not die at the hands of the PrayTell Blog, no matter how snarky their posts become.



NOTES FROM THIS ARTICLE:

1   For example, one could examine PrayTell’s ruthless and discriminatory suppression of most comments by “conservative Catholics” or their pseudo–intellectual attempts a few weeks ago to put a new spin on clown Masses.

2   I’ve taken a screen shot of this, in case the PrayTell Editor decides to remove his comment. PrayTell often removes posts, usually when their contributors are caught making a technical error describing the liturgy. For myself, I think such things ought to remain, as a matter of honesty, but nobody is asking my opinion!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, PrayTell Blog, Traditional Latin Mass Tridentine Rite Last Updated: April 28, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting in 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The Princess of the Palatinate once described German Protestantism to Louis XIV with this formula: “In our country, everyone makes up his own little religion.” Every priest, or almost every priest, is at this point today. All the faithful have to say is “Amen.” They are still blessed when the pastor’s religion does not change every Sunday, at the whim of his reading, the foolery he has seen others at, or at his own pure fancy.

— Professor Louis Bouyer (1968)

Recent Posts

  • PDF Download • Ascension “Entrance Chant”
  • Every Artist Needs a Refuge
  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.