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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Secret Way The Latin Mass Has Won

Jeff Ostrowski · October 27, 2014

752 Latin Mass OBODY WOULD DISPUTE that Collegeville’s Liturgical Press has been the preëminent propagandist for radical liturgical changes. They have produced three blogs:

PrayTell: geared toward “progressive” liturgists

Rock and Theology: supporting secular music in Catholic liturgies

Raids Across the Color Line: dealing with what they deem “the abhorrent amount of racism” in the USA

I haven’t spent much time reading ROCK AND THEOLOGY. Nor have I found much time for RAIDS ACROSS THE COLOR LINE (which contains posts like Growing Up Racist and Misogynist and Catholic). However, during the months I was bedridden due to illness, I spent some time going through PrayTell, with a mixture of curiosity and horror. Much could be said about PrayTell, but today I will mention one aspect only. 1

THE PRIMARY EDITOR of PrayTell is obsessed with the Extraordinary Form. He abhors it, yet can’t stop talking about it, and broaches the topic constantly—not only in his posts, but also in his comment fields. Following the announcement of Most Rev. Blase Cupich being sent to Chicago, the editor’s VERY FIRST COMMENT was to note that Cupich allegedly persecuted EF Catholics in Rapid City. 2 How embarrassing! It’s as if he’s wearing blinders, and all he cares about is whether someone dares to support in any way the Rite loved for so many centuries by so many saints.

In another post, having spoken about how wonderful it was to attend Vespers in St. Peter’s Basilica, the PrayTell editor couldn’t be content. Instead, he had to exclaim, with a double question mark for emphasis, “After such a beautiful and dignified reformed liturgy, why would anyone hanker after the unreformed preconciliar one??” Many more examples could be provided.

Perhaps you think I am frustrated by such things. After all, PrayTell is hardly alone in their “EF derangement syndrome”—many in the progressive camp do likewise on a daily basis. Some might be tempted to say:

“Why must you denigrate those who prefer the Extraordinary Form? Only a tiny minority of Catholics currently have the EF: why don’t you mind your own business? Why aren’t you bothered by other Catholics using an ancient rite, like the Byzantine Catholics? Why is it an unforgivable sin in your eyes that a small minority of Catholics worship in the EF?”

However, I never will say anything like that, because I’m glad they’re obsessed with the Extraordinary Form. Every time they denigrate it, more Catholics become curious and end up falling in love with it. Those of us who attended daily Mass in the Extraordinary Form during the 1990s remember how small the movement was, yet we knew we had a treasure that speaks directly to the hearts of men. (Even EF opponents secretly realize its power and magnificence.) We have been delighted to see how this movement has flourished.

Yesterday, I attended Mass in a city I’d never heard of. The EF Mass was packed—even though it was scheduled at a bad time—and the choir was wonderful. After Mass, I met a lady who has sixty-four (64) grandchildren and eighty-seven (87) great-grandchildren. All of her kids are practicing Catholics, and most attend the Extraordinary Form. No, friends, this movement will not die. And it certainly will not die at the hands of the PrayTell Blog, no matter how snarky their posts become.



NOTES FROM THIS ARTICLE:

1   For example, one could examine PrayTell’s ruthless and discriminatory suppression of most comments by “conservative Catholics” or their pseudo–intellectual attempts a few weeks ago to put a new spin on clown Masses.

2   I’ve taken a screen shot of this, in case the PrayTell Editor decides to remove his comment. PrayTell often removes posts, usually when their contributors are caught making a technical error describing the liturgy. For myself, I think such things ought to remain, as a matter of honesty, but nobody is asking my opinion!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, PrayTell Blog, Traditional Latin Mass Tridentine Rite Last Updated: April 28, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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