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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Only the Lover Sings

Fr. David Friel · October 26, 2014

AST WEEKEND, I had the honor of witnessing the marriage of two dear friends from South Philadelphia. It was a wonderful occasion, refreshing for the nobility of the celebration and the faith of the bride & groom.

South Philadelphia is a special place. Originally settled by Italian immigrants, the influence of that heritage still dominates the area. South Philly is home to super-authentic Italian restaurants, America’s oldest outdoor market, and the infamous Mummers Parade. It is the sacred soil upon which the Eagles, Phillies, and Flyers all play. Its many parishes are named after such beloved Italians saints as Monica, Nicholas of Tolentine, and Rita of Cascia.

South Philadelphians love traditions almost as much as they love cannoli. Many of their greatest traditions surround weddings, and one of them is particularly beautiful: the serenade.

N A DISPLAY that has remained a unique feature of South Philly culture, the groom is expected to “surprise” his bride at some point before the wedding (often the day before) by singing to her from the street. Originally, this was a simple affair, perhaps accompanied by a lone accordionist. Serenades have grown in modern times, however, to be a sometimes major (and costly) affair. Nowadays, they often feature Mummer string bands or DJ’s, and they are usually accompanied by food and dancing. Lights are strung up, the street is closed down, and all the neighbors join in the festivities.

Regardless of the ways in which the tradition has morphed and developed, the central feature of the serenade remains the same. Above all else, it is a time for the groom to sing to his bride, literally to “serenade” her. There is something remarkably beautiful about this. As Saint Augustine observes:

“Only the lover sings.” (Sermon 336)

It would be one thing for a groom to do this privately; that would be a good and worthy thing to do. But there is something different and equally good about this public serenade. True love, after all, is not governed by what others may think. Love “is not pompous, it is not inflated, it does not seek its own interests” (1 Corinthians 13:4-5). In much the same way, we express our love for God not only privately, but also corporately, through public worship.

One who has experienced true love knows that there is a natural impulse that impels the lover to sing. We see it throughout the Song of Songs and in the prophet Isaiah: “Now let me sing of my friend, my beloved’s song about his vineyard” (Isaiah 5:1). This impulse translates also into the sacred liturgy. If we believe that the liturgy is fundamentally a movement of love and an expression of our love for God, Who, Himself, is Love, then our liturgy should be sung!

The union of husband & wife is meant to be a sign of the manner in which God loves the world. The tradition of the South Philly serenade is much the same.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, Nuptial Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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  • “Simplified” Keyboard Accompaniment (PDF)

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