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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Only the Lover Sings

Fr. David Friel · October 26, 2014

AST WEEKEND, I had the honor of witnessing the marriage of two dear friends from South Philadelphia. It was a wonderful occasion, refreshing for the nobility of the celebration and the faith of the bride & groom.

South Philadelphia is a special place. Originally settled by Italian immigrants, the influence of that heritage still dominates the area. South Philly is home to super-authentic Italian restaurants, America’s oldest outdoor market, and the infamous Mummers Parade. It is the sacred soil upon which the Eagles, Phillies, and Flyers all play. Its many parishes are named after such beloved Italians saints as Monica, Nicholas of Tolentine, and Rita of Cascia.

South Philadelphians love traditions almost as much as they love cannoli. Many of their greatest traditions surround weddings, and one of them is particularly beautiful: the serenade.

N A DISPLAY that has remained a unique feature of South Philly culture, the groom is expected to “surprise” his bride at some point before the wedding (often the day before) by singing to her from the street. Originally, this was a simple affair, perhaps accompanied by a lone accordionist. Serenades have grown in modern times, however, to be a sometimes major (and costly) affair. Nowadays, they often feature Mummer string bands or DJ’s, and they are usually accompanied by food and dancing. Lights are strung up, the street is closed down, and all the neighbors join in the festivities.

Regardless of the ways in which the tradition has morphed and developed, the central feature of the serenade remains the same. Above all else, it is a time for the groom to sing to his bride, literally to “serenade” her. There is something remarkably beautiful about this. As Saint Augustine observes:

“Only the lover sings.” (Sermon 336)

It would be one thing for a groom to do this privately; that would be a good and worthy thing to do. But there is something different and equally good about this public serenade. True love, after all, is not governed by what others may think. Love “is not pompous, it is not inflated, it does not seek its own interests” (1 Corinthians 13:4-5). In much the same way, we express our love for God not only privately, but also corporately, through public worship.

One who has experienced true love knows that there is a natural impulse that impels the lover to sing. We see it throughout the Song of Songs and in the prophet Isaiah: “Now let me sing of my friend, my beloved’s song about his vineyard” (Isaiah 5:1). This impulse translates also into the sacred liturgy. If we believe that the liturgy is fundamentally a movement of love and an expression of our love for God, Who, Himself, is Love, then our liturgy should be sung!

The union of husband & wife is meant to be a sign of the manner in which God loves the world. The tradition of the South Philly serenade is much the same.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, Nuptial Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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