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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jacqueline Kennedy & The Roman Catholic Liturgy

Jeff Ostrowski · October 20, 2014

755 Jacqueline Jackie Kennedy OON AFTER the assassination of her husband, Jacqueline Kennedy instructed agents to go into special archives and research the funeral of Abraham Lincoln. She wanted JFK’s funeral arrangments to resemble Lincoln’s. Because the lights were controlled by a timer—only turned on during normal business hours—the agents had to use flashlights. (How cool is that?)

But why did Jacqueline Kennedy want the funeral to be modelled after Lincoln’s? Was she acting eccentric, similar to how she insisted upon wearing her blood-stained dress as Lyndon B. Johnson was sworn in on a Roman Catholic Missal? 1

I would suggest that Catholics who grasp the crucial role played by Tradition in our Faith do not require an explanation. Nor is an explanation required for those who understand the reasons behind the Church’s insistence on LITURGICAL TRADITION, like the priest’s vestments which—because they stretch back all the way to the Roman Empire—serve as a constant reminder of our Church’s antiquity.

If Jacqueline were asked why, she’d surely reply: “Traditions are important.”

756 Richard SOME PEOPLE WILL NEVER understand this. Similarly, some people will always mock the ancient ceremonies of the Church. Wagging their fingers, they’ll exclaim: “Why use liturgical torches? Why use candles? Those were used before electric lights were invented.” They’ll continue: “Why use music and prayers from the 6th century? Why perform so many ceremonial actions during the liturgy, such as having the priest intone the Gloria and Creed, or having the subdeacon guard the paten? These actions no longer serve the practical purposes they once did.”

To respond seems pointless. Either you get it, or you don’t. I fear some people never will.

So many fall down and worship modern “oracles” like Wikipedia. If Wikipedia tells them something, they accept it. If Wikipedia disputes it, they reject it. Years ago, such people were called philistines. They mock anything they don’t understand. A case in point is Robert Schumann’s “Sphinxes” from his Carnival, Opus 9. Wikipedia says not to play them, since they’re a secret “code” from Schumann to the performer. (Schumann was a bit strange.) Yet Rachmaninov, in his recording, does something creative with them. Who’s right? I’m sorry, but I’ll take Rachmaninov over Wikipedia any day.

Sometimes it takes considerable effort to come to an appreciation for that which is great. I still can’t believe WLP’s Vice-President attended a Latin Mass JUST ONE TIME and proceeded to draw conclusions. Can you imagine? It’s like someone picking up a Shakespeare play and saying, “Oh, I spent five minutes on it, and I didn’t care for it.” Or, it’s like someone visiting a new country for twenty minutes and saying, “Oh, I spent some time there. I don’t care for that place.”



NOTES FROM THIS ARTICLE:

1   Lyndon B. Johnson was sworn in on a Roman Catholic missal instead of a Bible, since that was all they had available on Air Force One. It was John F. Kennedy’s. (It probably wasn’t the Jogues Illuminated Missal, because that wouldn’t be produced for another five decades.)

By the way, Jackie Kennedy told LBJ’s wife she wore her blood-stained suit because “I want them to see what they have done to Jack.” However, during a truly remarkable audio interview from 1964 (revealed for the first time in 2011) Jackie Kennedy reveals that she thought Lyndon B. Johnson had killed her husband. Was the bloody dress meant to send a message to LBJ? Kennedy had no regrets about refusing to take the blood-stained suit off; her only regret was that she had washed the blood off her face before Johnson was sworn in.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jacqueline Jackie Kennedy Onassis Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

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