• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Jacqueline Kennedy & The Roman Catholic Liturgy

Jeff Ostrowski · October 20, 2014

755 Jacqueline Jackie Kennedy OON AFTER the assassination of her husband, Jacqueline Kennedy instructed agents to go into special archives and research the funeral of Abraham Lincoln. She wanted JFK’s funeral arrangments to resemble Lincoln’s. Because the lights were controlled by a timer—only turned on during normal business hours—the agents had to use flashlights. (How cool is that?)

But why did Jacqueline Kennedy want the funeral to be modelled after Lincoln’s? Was she acting eccentric, similar to how she insisted upon wearing her blood-stained dress as Lyndon B. Johnson was sworn in on a Roman Catholic Missal? 1

I would suggest that Catholics who grasp the crucial role played by Tradition in our Faith do not require an explanation. Nor is an explanation required for those who understand the reasons behind the Church’s insistence on LITURGICAL TRADITION, like the priest’s vestments which—because they stretch back all the way to the Roman Empire—serve as a constant reminder of our Church’s antiquity.

If Jacqueline were asked why, she’d surely reply: “Traditions are important.”

756 Richard SOME PEOPLE WILL NEVER understand this. Similarly, some people will always mock the ancient ceremonies of the Church. Wagging their fingers, they’ll exclaim: “Why use liturgical torches? Why use candles? Those were used before electric lights were invented.” They’ll continue: “Why use music and prayers from the 6th century? Why perform so many ceremonial actions during the liturgy, such as having the priest intone the Gloria and Creed, or having the subdeacon guard the paten? These actions no longer serve the practical purposes they once did.”

To respond seems pointless. Either you get it, or you don’t. I fear some people never will.

So many fall down and worship modern “oracles” like Wikipedia. If Wikipedia tells them something, they accept it. If Wikipedia disputes it, they reject it. Years ago, such people were called philistines. They mock anything they don’t understand. A case in point is Robert Schumann’s “Sphinxes” from his Carnival, Opus 9. Wikipedia says not to play them, since they’re a secret “code” from Schumann to the performer. (Schumann was a bit strange.) Yet Rachmaninov, in his recording, does something creative with them. Who’s right? I’m sorry, but I’ll take Rachmaninov over Wikipedia any day.

Sometimes it takes considerable effort to come to an appreciation for that which is great. I still can’t believe WLP’s Vice-President attended a Latin Mass JUST ONE TIME and proceeded to draw conclusions. Can you imagine? It’s like someone picking up a Shakespeare play and saying, “Oh, I spent five minutes on it, and I didn’t care for it.” Or, it’s like someone visiting a new country for twenty minutes and saying, “Oh, I spent some time there. I don’t care for that place.”



NOTES FROM THIS ARTICLE:

1   Lyndon B. Johnson was sworn in on a Roman Catholic missal instead of a Bible, since that was all they had available on Air Force One. It was John F. Kennedy’s. (It probably wasn’t the Jogues Illuminated Missal, because that wouldn’t be produced for another five decades.)

By the way, Jackie Kennedy told LBJ’s wife she wore her blood-stained suit because “I want them to see what they have done to Jack.” However, during a truly remarkable audio interview from 1964 (revealed for the first time in 2011) Jackie Kennedy reveals that she thought Lyndon B. Johnson had killed her husband. Was the bloody dress meant to send a message to LBJ? Kennedy had no regrets about refusing to take the blood-stained suit off; her only regret was that she had washed the blood off her face before Johnson was sworn in.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jacqueline Jackie Kennedy Onassis Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.