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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Weddings: Some Practical Advice – The End and the New Beginning

Andrew R. Motyka · October 15, 2014

FTER the Rite of Marriage is completed in the Nuptial Mass, the rest seems almost anticlimactic. You know, it’s just the miracle whereby the Creator of the universe is consumed by us under the appearance of bread and wine. No big deal.

Snarkiness aside (fat chance), the Liturgy of the Eucharist seems like no big deal because it is so much more routine to us. We have to be careful not to neglect it as “just the Mass” from this point on, because there is nothing routine about the Mass, at least not in the dull, lifeless sense. Just as we seek beauty and excellent worship in our normal parish liturgy, so should we seek it in the Nuptial Mass. Remember that the congregation at this Mass is probably from far and wide, so the Mass Ordinary that works so well on the weekends might draw a dud response from this group. Keep it simple. The Missal chants are pretty well known across the country right now (a great blessing from the new translation). Even though the adaptations of these chants are, in my opinion anyway, not particularly inspired, they are a good common repertoire for these kinds of Masses. They are much better than many of the newer settings pushed by the major publishers, to be sure.

One custom that has worked its way into the Nuptial Mass, toward the end, is the presentation of flowers to an image of the Blessed Virgin Mary. While I am reluctant to discourage any kind of devotion to Our Lady, this probably isn’t the best time for it. It would be much better placed at the rehearsal, or even directly after Mass. Private devotions like this are not particularly suited to the public act of the Mass. That said, there are far worse corruptions that have wormed their way into the wedding liturgy.

The rest is easy. While Mass should never be mindlessly easy, we are still back in the comfort zone at this point. As an additional point of advice, now that I consider the mixed congregation we have at these liturgies, is to make a good worship aid. I don’t mean the little card programs that get handed out, the “cast of characters” that make sure everyone knows who the 8th bridesmaid processing down the aisle is. I mean a full blown, texts-and-music order of service, including the full spoken responses for the congregation. If these texts are available in a hymnal or missal in the pews (I have no idea where you could find a good one of those), then that can function, too. Just make sure the congregation is made aware of these texts before the liturgy starts. Many of them are not Catholic, and some that are have not darkened the doors of a church in some time. Make them welcome and help them re-acclimate to the liturgy. For that matter, including the norms for receiving Holy Communion is a good idea, too.

I know it’s a grand cliche, but remember that this sacrament is the beginning, not the end, of a couple’s journey together toward salvation. Too often it is seen as the goal line, and “happily ever after” is the end of the story. That’s one of the reasons people overdo it with all the bells and whistles at their wedding. Put more effort into your marriage than into your wedding, and you’ll be much more successful.

And by the way, congratulations to my baby sister, Laurie, who is getting married this weekend.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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