• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Weddings: Some Practical Advice – The End and the New Beginning

Andrew R. Motyka · October 15, 2014

FTER the Rite of Marriage is completed in the Nuptial Mass, the rest seems almost anticlimactic. You know, it’s just the miracle whereby the Creator of the universe is consumed by us under the appearance of bread and wine. No big deal.

Snarkiness aside (fat chance), the Liturgy of the Eucharist seems like no big deal because it is so much more routine to us. We have to be careful not to neglect it as “just the Mass” from this point on, because there is nothing routine about the Mass, at least not in the dull, lifeless sense. Just as we seek beauty and excellent worship in our normal parish liturgy, so should we seek it in the Nuptial Mass. Remember that the congregation at this Mass is probably from far and wide, so the Mass Ordinary that works so well on the weekends might draw a dud response from this group. Keep it simple. The Missal chants are pretty well known across the country right now (a great blessing from the new translation). Even though the adaptations of these chants are, in my opinion anyway, not particularly inspired, they are a good common repertoire for these kinds of Masses. They are much better than many of the newer settings pushed by the major publishers, to be sure.

One custom that has worked its way into the Nuptial Mass, toward the end, is the presentation of flowers to an image of the Blessed Virgin Mary. While I am reluctant to discourage any kind of devotion to Our Lady, this probably isn’t the best time for it. It would be much better placed at the rehearsal, or even directly after Mass. Private devotions like this are not particularly suited to the public act of the Mass. That said, there are far worse corruptions that have wormed their way into the wedding liturgy.

The rest is easy. While Mass should never be mindlessly easy, we are still back in the comfort zone at this point. As an additional point of advice, now that I consider the mixed congregation we have at these liturgies, is to make a good worship aid. I don’t mean the little card programs that get handed out, the “cast of characters” that make sure everyone knows who the 8th bridesmaid processing down the aisle is. I mean a full blown, texts-and-music order of service, including the full spoken responses for the congregation. If these texts are available in a hymnal or missal in the pews (I have no idea where you could find a good one of those), then that can function, too. Just make sure the congregation is made aware of these texts before the liturgy starts. Many of them are not Catholic, and some that are have not darkened the doors of a church in some time. Make them welcome and help them re-acclimate to the liturgy. For that matter, including the norms for receiving Holy Communion is a good idea, too.

I know it’s a grand cliche, but remember that this sacrament is the beginning, not the end, of a couple’s journey together toward salvation. Too often it is seen as the goal line, and “happily ever after” is the end of the story. That’s one of the reasons people overdo it with all the bells and whistles at their wedding. Put more effort into your marriage than into your wedding, and you’ll be much more successful.

And by the way, congratulations to my baby sister, Laurie, who is getting married this weekend.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

Recent Posts

  • “O Antiphons” Elevated?
  • PDF • “Music List” (Sunday, 28 December)
  • Should Catholics Sing Protestant Christmas Carols?
  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.