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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung | Sacred Musician

Richard J. Clark · October 10, 2014

NE OF THE JOYS of a life in sacred music is encountering new and talented people all over the world. Such people enrich our lives beyond measure. There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

As someone who grew up in the 1970s and 1980s, I am always thrilled to meet exceedingly talented people who are half my age or at least a decade younger! They bring a fresh perspective — one quite different than those of us who lived through the early days of the Post-Conciliar Era.

One such young conductor to watch is Andrew Leung. A native of Hong Kong, he is currently The Director of Music at St. Pius X Church in Conyers, Georgia where he directs the St. Cecilia Adult Choir, two Scholae Cantorum, and the St. Dominic Savio Children’s Choir. He is also Gregorian Chant Instructor at the Trappist Monastery of the Holy Spirit in Conyers, Georgia. While in Hong Kong he studied with Aurelio Porfiri. Furthermore, Andrew recently finished a degree in Sacred Music at the Franciscan University of Steubenville in Ohio. It was there that he founded the Schola Cantorum Sanctorum Angelorum at Christ the King Chapel at the Franciscan University of Steubenville, a student group which he developed and elevated to great heights in three short years.

OST UNEXPECTEDLY, I recently received recordings from Maestro Leung of two of my sacred choral works. They were recorded this past summer by the Schola Cantorum Sanctorum Angelorum. The first is a TTB setting of O Sacrum Convivium. The second, a TTBB setting of the Ave Maria. (The SSAT version of this Ave Maria has been performed around the world by The American Boychoir. One of the finest choirs in the world, they will be featured throughout the upcoming film Boychoir starring Dustin Hoffmann and Kathy Bates.)

Leung’s recording (TTBB version) stacks up well even next to the American Boychoir’s live recording (SSAT version). The American Boychoir’s rendering is transcendently exquisite; sublime prayerfulness distinguishes Leung’s recording with the Schola Contorum Sanctorum Angelorum. How do they compare for you?

* *  1 • YouTube:  Ave Maria | SSAT | The American Boychoir, Fernando Malvar-Ruiz, Director

* *  2 • YouTube:  Ave Maria | TTBB | Schola Cantorum Sanctorum Angelorum, Andrew Leung, Director

Finally, I leave you with Leung’s beautifully prayerful recording of O Sacrum Convivium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sanctus VIII”
    A few days ago, I composed a organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate. my attempt to simultaneously accompany myself on the pipe organ while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“A penalty is decreed against clerics, who, being in sacred Orders, or holding benefices, do not wear a dress befitting their Order. […] In these days, the contempt of religion has grown to such a pitch that—making but little account of their own dignity, and of the clerical honor—some even wear in public the dress of laymen…”

— ‘Council of Trent (Session 14, Chapter 6)’

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