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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung | Sacred Musician

Richard J. Clark · October 10, 2014

NE OF THE JOYS of a life in sacred music is encountering new and talented people all over the world. Such people enrich our lives beyond measure. There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

As someone who grew up in the 1970s and 1980s, I am always thrilled to meet exceedingly talented people who are half my age or at least a decade younger! They bring a fresh perspective — one quite different than those of us who lived through the early days of the Post-Conciliar Era.

One such young conductor to watch is Andrew Leung. A native of Hong Kong, he is currently The Director of Music at St. Pius X Church in Conyers, Georgia where he directs the St. Cecilia Adult Choir, two Scholae Cantorum, and the St. Dominic Savio Children’s Choir. He is also Gregorian Chant Instructor at the Trappist Monastery of the Holy Spirit in Conyers, Georgia. While in Hong Kong he studied with Aurelio Porfiri. Furthermore, Andrew recently finished a degree in Sacred Music at the Franciscan University of Steubenville in Ohio. It was there that he founded the Schola Cantorum Sanctorum Angelorum at Christ the King Chapel at the Franciscan University of Steubenville, a student group which he developed and elevated to great heights in three short years.

OST UNEXPECTEDLY, I recently received recordings from Maestro Leung of two of my sacred choral works. They were recorded this past summer by the Schola Cantorum Sanctorum Angelorum. The first is a TTB setting of O Sacrum Convivium. The second, a TTBB setting of the Ave Maria. (The SSAT version of this Ave Maria has been performed around the world by The American Boychoir. One of the finest choirs in the world, they will be featured throughout the upcoming film Boychoir starring Dustin Hoffmann and Kathy Bates.)

Leung’s recording (TTBB version) stacks up well even next to the American Boychoir’s live recording (SSAT version). The American Boychoir’s rendering is transcendently exquisite; sublime prayerfulness distinguishes Leung’s recording with the Schola Contorum Sanctorum Angelorum. How do they compare for you?

* *  1 • YouTube:  Ave Maria | SSAT | The American Boychoir, Fernando Malvar-Ruiz, Director

* *  2 • YouTube:  Ave Maria | TTBB | Schola Cantorum Sanctorum Angelorum, Andrew Leung, Director

Finally, I leave you with Leung’s beautifully prayerful recording of O Sacrum Convivium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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