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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung | Sacred Musician

Richard J. Clark · October 10, 2014

NE OF THE JOYS of a life in sacred music is encountering new and talented people all over the world. Such people enrich our lives beyond measure. There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

As someone who grew up in the 1970s and 1980s, I am always thrilled to meet exceedingly talented people who are half my age or at least a decade younger! They bring a fresh perspective — one quite different than those of us who lived through the early days of the Post-Conciliar Era.

One such young conductor to watch is Andrew Leung. A native of Hong Kong, he is currently The Director of Music at St. Pius X Church in Conyers, Georgia where he directs the St. Cecilia Adult Choir, two Scholae Cantorum, and the St. Dominic Savio Children’s Choir. He is also Gregorian Chant Instructor at the Trappist Monastery of the Holy Spirit in Conyers, Georgia. While in Hong Kong he studied with Aurelio Porfiri. Furthermore, Andrew recently finished a degree in Sacred Music at the Franciscan University of Steubenville in Ohio. It was there that he founded the Schola Cantorum Sanctorum Angelorum at Christ the King Chapel at the Franciscan University of Steubenville, a student group which he developed and elevated to great heights in three short years.

OST UNEXPECTEDLY, I recently received recordings from Maestro Leung of two of my sacred choral works. They were recorded this past summer by the Schola Cantorum Sanctorum Angelorum. The first is a TTB setting of O Sacrum Convivium. The second, a TTBB setting of the Ave Maria. (The SSAT version of this Ave Maria has been performed around the world by The American Boychoir. One of the finest choirs in the world, they will be featured throughout the upcoming film Boychoir starring Dustin Hoffmann and Kathy Bates.)

Leung’s recording (TTBB version) stacks up well even next to the American Boychoir’s live recording (SSAT version). The American Boychoir’s rendering is transcendently exquisite; sublime prayerfulness distinguishes Leung’s recording with the Schola Contorum Sanctorum Angelorum. How do they compare for you?

* *  1 • YouTube:  Ave Maria | SSAT | The American Boychoir, Fernando Malvar-Ruiz, Director

* *  2 • YouTube:  Ave Maria | TTBB | Schola Cantorum Sanctorum Angelorum, Andrew Leung, Director

Finally, I leave you with Leung’s beautifully prayerful recording of O Sacrum Convivium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The chapter secretary is authorized to write a letter beseeching a royal pardon for Caspar de Cuevas, cathedral sackbut player, who is imprisoned on a murder charge.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (23 March 1566)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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