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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Death and Rebirth of Monastic Life

Dr. Peter Kwasniewski · October 9, 2014

0319_MC T GIVES ME JOY to recall a visit I made many years ago in France to a Benedictine monastery whose monks were living the monastic life to the hilt—chanted solemn liturgy, a demanding horarium, fasting and abstinence, much study and lectio divina, manual labor, the whole nine yards. They were living, in essence, a life indistinguishable from that of the earliest monks, in the days when water wheels represented the height of technology, quite as if the modern world, with its ever-multiplying complexities and ever-deeper confusion, simply had nothing to say to them. And they were right: it could have only spoken to them at lurid length of the world, the flesh, and the devil, when they were seeking heaven, grace, and God. They did not have a need to be up to date, rushing around with all the other people rushing around in a frantic desire to be noticed, to be relevant, to be on the cutting edge. In reality, it is the world that so desperately needs these monks and their timelessness, prayer, and peace. By being utterly irrelevant and unnoticed in their daily round of song and silence, they came to possess a medicine that heals the victims of our times.

As I participated from the sidelines in the life of these modern-day desert fathers, for whom the Eucharist was truly the font and apex of their entire being, I began to think and feel that the death of the traditional monastic life was probably, all things considered, the single worst thing that happened after the Second Vatican Council, even if it is not nearly as obvious or widespread as the general doctrinal, moral, and liturgical chaos and the ensuing wasteland. In monasteries and religious houses, observances going back for centuries were suddenly thrown off; habits were modified or discarded; the daily round of prayer was severely cut back or even replaced with novel practices; the Holy Mass lost its contemplative spirit and degraded itself in arbitrary and subjective experiments. Places that had been epicenters of devotion for towns, provinces, and countries could no longer offer thirsty laymen the concentration of prayer and purity of vision they longed for. Those who have seen the statistics know what happened: within a few years, the monastic life collapsed almost everywhere, as thousands gave up their vocations. Whole congregations and orders disappeared off the face of the earth.

Although a vastly larger number of the faithful were harmed by innovations and dissent at the parish and diocesan level, the loss of the fullness of Christian life as it is uniquely lived in convents and monasteries was a devastating blow struck to the very heart of the Mystical Body of Christ on earth. If prayer is the oxygen of the soul, as Padre Pio once said, the collapse of monastic life was like a deoxygenation of the blood and a weakening of the entire circulation throughout the body. It has often been said that the external and missionary vitality of the Church is in direct proportion to the vitality of the hidden contemplative life within her—one of the reasons a cloistered Carmelite, St. Thérèse of Lisieux, was declared co-patron of the missions with St. Francis Xavier.

We are fortunate to be alive right now in the very earliest preliminary phase of recovery, as the number of authentic monasteries of men and women very slowly grows by the mercy of God. May the Lord who loves the fruitfulness of the hidden life, the jewel of heavenly contemplation, the burning sun of interior righteousness, have mercy on us and save us, for He is gracious and loves mankind, and to Him we render glory, Father, Son, and Holy Spirit, now and always and for ever and ever, Amen.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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