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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Death and Rebirth of Monastic Life

Dr. Peter Kwasniewski · October 9, 2014

0319_MC T GIVES ME JOY to recall a visit I made many years ago in France to a Benedictine monastery whose monks were living the monastic life to the hilt—chanted solemn liturgy, a demanding horarium, fasting and abstinence, much study and lectio divina, manual labor, the whole nine yards. They were living, in essence, a life indistinguishable from that of the earliest monks, in the days when water wheels represented the height of technology, quite as if the modern world, with its ever-multiplying complexities and ever-deeper confusion, simply had nothing to say to them. And they were right: it could have only spoken to them at lurid length of the world, the flesh, and the devil, when they were seeking heaven, grace, and God. They did not have a need to be up to date, rushing around with all the other people rushing around in a frantic desire to be noticed, to be relevant, to be on the cutting edge. In reality, it is the world that so desperately needs these monks and their timelessness, prayer, and peace. By being utterly irrelevant and unnoticed in their daily round of song and silence, they came to possess a medicine that heals the victims of our times.

As I participated from the sidelines in the life of these modern-day desert fathers, for whom the Eucharist was truly the font and apex of their entire being, I began to think and feel that the death of the traditional monastic life was probably, all things considered, the single worst thing that happened after the Second Vatican Council, even if it is not nearly as obvious or widespread as the general doctrinal, moral, and liturgical chaos and the ensuing wasteland. In monasteries and religious houses, observances going back for centuries were suddenly thrown off; habits were modified or discarded; the daily round of prayer was severely cut back or even replaced with novel practices; the Holy Mass lost its contemplative spirit and degraded itself in arbitrary and subjective experiments. Places that had been epicenters of devotion for towns, provinces, and countries could no longer offer thirsty laymen the concentration of prayer and purity of vision they longed for. Those who have seen the statistics know what happened: within a few years, the monastic life collapsed almost everywhere, as thousands gave up their vocations. Whole congregations and orders disappeared off the face of the earth.

Although a vastly larger number of the faithful were harmed by innovations and dissent at the parish and diocesan level, the loss of the fullness of Christian life as it is uniquely lived in convents and monasteries was a devastating blow struck to the very heart of the Mystical Body of Christ on earth. If prayer is the oxygen of the soul, as Padre Pio once said, the collapse of monastic life was like a deoxygenation of the blood and a weakening of the entire circulation throughout the body. It has often been said that the external and missionary vitality of the Church is in direct proportion to the vitality of the hidden contemplative life within her—one of the reasons a cloistered Carmelite, St. Thérèse of Lisieux, was declared co-patron of the missions with St. Francis Xavier.

We are fortunate to be alive right now in the very earliest preliminary phase of recovery, as the number of authentic monasteries of men and women very slowly grows by the mercy of God. May the Lord who loves the fruitfulness of the hidden life, the jewel of heavenly contemplation, the burning sun of interior righteousness, have mercy on us and save us, for He is gracious and loves mankind, and to Him we render glory, Father, Son, and Holy Spirit, now and always and for ever and ever, Amen.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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