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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Lumen Gentium on Summorum Pontificum

Dr. Peter Kwasniewski · October 2, 2014

0319_Kwasni-90-LG N THE DOGMATIC CONSTITUTION on the Church Lumen Gentium of the Second Vatican Council, there are two paragraphs we might profitably revisit in light of Pope Benedict XVI’s motu proprio Summorum Pontificum and the ensuing difficulties many laity have faced as they work to see it widely and generously implemented.

First, there is the question of the duty of bishops. Lumen Gentium 23 reads:

For it is the duty of all bishops to promote and to safeguard the unity of faith and the discipline common to the whole Church, to instruct the faithful to love for the whole mystical body of Christ, especially for its poor and sorrowing members and for those who are suffering persecution for justice’s sake (cf. Mt 5:10), and finally to promote every activity that is of interest to the whole Church, especially that the faith may take increase and the light of full truth appear to all men. (emphases added)

As Summorum Pontificum and its later clarification Universae Ecclesiae explain, the canonical discipline of the Catholic Church recognizes the traditional Latin Mass as never abrogated, equal in legal status to the Ordinary Form, permissible everywhere to any priest who is capable of celebrating it—and a treasure to be made available to the laity, whether they request it or not, but obviously and especially if they do request it. This is “the discipline common to the whole Church,” whether an individual bishop may like it or not, and it is his duty to promote and to safeguard the law established in the motu proprio. Moreover, as these and other documents indicate, the movement to recover the more ancient liturgical use of the Roman Rite as part of our Catholic life today is precisely “an activity that is of interest to the whole Church,” as being ordered to effecting a reconciliation at the very heart of the Church. The bishop therefore has a duty to promote this activity, and he may not ignore, downplay, undermine, or feebly attend to it.

The complement to this teaching is given in Lumen Gentium 37, which speaks about the goods that the laity have the right to receive from their shepherds, and how they should handle situations where their rights or legitimate needs are not being met:

The laity have the right, as do all Christians, to receive in abundance from their spiritual shepherds the spiritual goods of the Church, especially the assistance of the word of God and of the sacraments. They should openly reveal to them their needs and desires with that freedom and confidence which is fitting for children of God and brothers in Christ. By reason of the knowledge, competence, or outstanding ability in which they may be strong, they have the ability, and at times even the obligation, to express their opinion on those things which concern the good of the Church.

Notice the strong language here: the laity have the right to receive in abundance the Church’s spiritual goods, especially the assistance of the word of God and of the sacraments. When we take this together with the legislation in Summorum Pontificum that permits not only the more ancient form of the Holy Sacrifice of the Mass but also the traditional rites of many of the sacraments, we can see that the laity may justly claim from their shepherds the provision of that abundant assistance. To this is added the freedom and the obligation, in accordance with the dignity of the baptized Christian, of making known one’s “needs and desires” and one’s “opinion on those things which concern the good of the Church.”

Let us make no mistake about it: duties and rights are correlative. The faithful have a right to receive abundant spiritual nourishment, particularly in the form of the Mass and the sacraments, and both St. John Paul II and Pope Benedict XVI clarified repeatedly that this right extends to the nourishment that many Catholics receive from the usus antiquior of the Mass and other traditional sacramental rites. For their part, the bishops have a duty to uphold universal ecclesiastical discipline (which includes Summorum Pontificum and Universae Ecclesiae) and to provide generously for the spiritual health of their flocks by meeting their needs fair and square. And how is a bishop to know which needs are legitimate and which are fraudulent? By paying heed to the voice of the teaching Church.

It all comes back to the motu proprio: are we willing or unwilling to embrace it?

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“My one great desire is that during the sacred functions all the faithful should sing the melodies of the liturgy and the sacred hymns with a full voice.”

— Pope Saint Pius X

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