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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Lumen Gentium on Summorum Pontificum

Dr. Peter Kwasniewski · October 2, 2014

0319_Kwasni-90-LG N THE DOGMATIC CONSTITUTION on the Church Lumen Gentium of the Second Vatican Council, there are two paragraphs we might profitably revisit in light of Pope Benedict XVI’s motu proprio Summorum Pontificum and the ensuing difficulties many laity have faced as they work to see it widely and generously implemented.

First, there is the question of the duty of bishops. Lumen Gentium 23 reads:

For it is the duty of all bishops to promote and to safeguard the unity of faith and the discipline common to the whole Church, to instruct the faithful to love for the whole mystical body of Christ, especially for its poor and sorrowing members and for those who are suffering persecution for justice’s sake (cf. Mt 5:10), and finally to promote every activity that is of interest to the whole Church, especially that the faith may take increase and the light of full truth appear to all men. (emphases added)

As Summorum Pontificum and its later clarification Universae Ecclesiae explain, the canonical discipline of the Catholic Church recognizes the traditional Latin Mass as never abrogated, equal in legal status to the Ordinary Form, permissible everywhere to any priest who is capable of celebrating it—and a treasure to be made available to the laity, whether they request it or not, but obviously and especially if they do request it. This is “the discipline common to the whole Church,” whether an individual bishop may like it or not, and it is his duty to promote and to safeguard the law established in the motu proprio. Moreover, as these and other documents indicate, the movement to recover the more ancient liturgical use of the Roman Rite as part of our Catholic life today is precisely “an activity that is of interest to the whole Church,” as being ordered to effecting a reconciliation at the very heart of the Church. The bishop therefore has a duty to promote this activity, and he may not ignore, downplay, undermine, or feebly attend to it.

The complement to this teaching is given in Lumen Gentium 37, which speaks about the goods that the laity have the right to receive from their shepherds, and how they should handle situations where their rights or legitimate needs are not being met:

The laity have the right, as do all Christians, to receive in abundance from their spiritual shepherds the spiritual goods of the Church, especially the assistance of the word of God and of the sacraments. They should openly reveal to them their needs and desires with that freedom and confidence which is fitting for children of God and brothers in Christ. By reason of the knowledge, competence, or outstanding ability in which they may be strong, they have the ability, and at times even the obligation, to express their opinion on those things which concern the good of the Church.

Notice the strong language here: the laity have the right to receive in abundance the Church’s spiritual goods, especially the assistance of the word of God and of the sacraments. When we take this together with the legislation in Summorum Pontificum that permits not only the more ancient form of the Holy Sacrifice of the Mass but also the traditional rites of many of the sacraments, we can see that the laity may justly claim from their shepherds the provision of that abundant assistance. To this is added the freedom and the obligation, in accordance with the dignity of the baptized Christian, of making known one’s “needs and desires” and one’s “opinion on those things which concern the good of the Church.”

Let us make no mistake about it: duties and rights are correlative. The faithful have a right to receive abundant spiritual nourishment, particularly in the form of the Mass and the sacraments, and both St. John Paul II and Pope Benedict XVI clarified repeatedly that this right extends to the nourishment that many Catholics receive from the usus antiquior of the Mass and other traditional sacramental rites. For their part, the bishops have a duty to uphold universal ecclesiastical discipline (which includes Summorum Pontificum and Universae Ecclesiae) and to provide generously for the spiritual health of their flocks by meeting their needs fair and square. And how is a bishop to know which needs are legitimate and which are fraudulent? By paying heed to the voice of the teaching Church.

It all comes back to the motu proprio: are we willing or unwilling to embrace it?

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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