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Views from the Choir Loft

Weddings: Some Practical Advice – Word and Vows

Andrew R. Motyka · October 1, 2014

HEW. It took a long time to get to this post; nearly as long as wedding processions seem when you are playing the organ through 11 bridesmaids.

The Liturgy of the Word in the Nuptial Mass is fairly straightforward. Any of the readings from that ritual Mass section of the Lectionary may be used in their respective places. One point I would ask you to pay attention to, and I can’t believe I even have to say this, is that you should be sure that your chosen readers can actually read. Seriously. Often, this is the role that people are asked to perform when they aren’t quite best-friendy or close-family enough with the bride or groom to become one of the eleventy-six bridesmaids or groomsmen, so they are asked to read instead. Make sure whomever you ask has experience reading at Mass, and that they practice doing so before the Mass. Otherwise, you will end up with the reader who double-clutches during Ephesians 5, or breaks out into giggles during sexy, sexy Tobit.

After the homily, the meat of the wedding ritual comes in. The vows are the sacramental form of Matrimony, so careful attention should be given to this part. While it is not required, I strongly recommend brides and grooms memorizing their vows. This is a solemn promise that you are making for the rest of your life. If you can’t remember what it is, what are you doing? It’s three sentences:

I, Y, take you, X, to be my wife. I promise to be true to you in good times and in bad, in sickness and in health. I will love you and honor you all the days of my life.

(I did that off the top of my head, by the way. 8 years married BOOM.)

There is an option for a different set of vows in the United States, as well.

There is nothing wrong with being assisted by the priest or deacon if you stumble. I think it should be relatively easy to do this from memory, however. The blessing and exchange of rings is even easier:

Y, take this ring as a sign of my love and fidelity, in the name of the Father, and of the Son, and of the Holy Spirit.

That’s it. Those are literally the only lines you have in this part of the rite.

Which brings us to the “Unity Candle.” While this practice has been allowed in many Catholic weddings in recent history, it is not a part of the Catholic Wedding at all. Before you go hog wild in unifying that candle, ask yourself this question: What is this a symbol of?

Is it a symbol of the unity of your families brought about by marriage? That’s not what marriage is. It is a unifying of two individuals.

Is it a symbol of the sacramental promise between the bride and groom? You just exchanged rings for that.

Is it a symbol of the physical unity of the spouses, that “two become one flesh?” You have sex for that. It’s a million times better than lighting a candle.

The Unity Candle isn’t just not a part of the Catholic Wedding; it’s either a false statement, or it’s redundant, or it’s trite. Of course, this might be one of those hills, depending on your parish and liturgical history.

Couples getting married should familiarize themselves with this part of the liturgical celebration more than any other. This is, after all, their part of the liturgy. The bride and the groom are the ministers of the sacrament, and deficiencies due to laziness or lack of preparation are not acceptable. This is the moment you’ve been waiting for. Do it well.


Series by Andrew R. Motyka:   “Weddings: Some Practical Advice”

FIRST PART • Introduction

SECOND PART • The Very Beginning, Part 1

THIRD PART • The End Of The Beginning, Part 2

FOURTH PART • Word and Vows

Stay tuned for more additions!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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