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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop Sheen Speaks

Fr. David Friel · September 7, 2014

LONG WITH MANY OTHER devotees of the good Archbishop Sheen, I am disheartened by the events of this past week. Not only am I disappointed that work on the cause for his canonization has been stalled, but I am further embarrassed by the inter-diocesan squabbling that has the public appearance of pettiness. I have no desire to enter the fray that has ensued; instead, I would like to commandeer the occasion to share some great thoughts on preaching from the man whose canonization I still hope to attend someday.

Sheen was, without a doubt, one of the greatest evangelists of the twentieth century. His incomparable blend of superior academic prowess and spellbinding preaching style makes him well worthy of study. One day in 1979—the last year of his remarkable life—Sheen gave a collection of off-the-cuff reflections about public speaking to a religious sister at a restaurant in New York City. The following is drawn from notes that the sister frantically scrawled as she listened to him:

1. Voice tone: Plato recalls tone three or four days after hearing a talk. It’s the tonal quality that strikes an audience.

2. When listening to a speaker, count the words on each breath. Indicate each word by a dash, and each pause by a stroke. If it’s – / – /, it’s dull, flat and stale.

3. Avoid a pulpit voice. Be natural. As Disraeli said, “There’s no index of character as sure as voice.”

4. Learn the value of pauses. Never for their own sake, but for emphasis or to allow the thought to sink into the audience. They need time for digestion.

5. A whisper can have more value than a shout. Macaulay said of Pitt, “Even a whisper of his was heard in the remotest corner of the House of Commons.”

6. If there’s a commotion, disturbance, or latecomers, do not raise the voice; lower it and the audience will try to catch the whisper.

7. The audience is infallible in judging if a voice is artificial or natural.

8. Let a first sentence be interesting. Do not state the obvious, e.g. “Today we celebrate a 25th anniversary.”

9. Only nervous speakers need water.

10. If brevity is the soul of wit, the secret of oratory is “know when to quit.”

11. Before beginning, pause a few moments. As a mother cannot forget the child of her womb, we can’t forget the child of our brain.

12. Start with a low voice.

13. Audience needs a come-on; feel superior, not timid or obsequious.

14. To begin with, have a story where you came out second best.

Summary
1. Talk naturally.
2. Plead vehemently.
3. Whisper confidently.
4. Appeal plaintively.
5. Proclaim distinctly.
6. Pray constantly.

(Taken from Thomas C. Reeves, America’s Bishop: The Life and Times of Fulton J. Sheen (San Francisco: Encounter Books, 2001), pp. 381-382.

My love for Bishop Sheen stretches back to high school, when I first read his book, Calvary and the Mass. It is no exaggeration to say that this book changed my life. Later, listening to his cassette tapes in my car led to my adult acceptance of the faith in which I had been routinely raised. I consider him a friend, a teacher, and an intercessor. I shall continue to pray for his beatification & canonization.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Evangelization Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The training in singing, to sing in a chorus, is not only an exercise of external listening and of the voice; it is also training for interior listening, listening with the heart, an exercise in training for life and for peace.”

— Pope Benedict XVI

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