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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop Sheen Speaks

Fr. David Friel · September 7, 2014

LONG WITH MANY OTHER devotees of the good Archbishop Sheen, I am disheartened by the events of this past week. Not only am I disappointed that work on the cause for his canonization has been stalled, but I am further embarrassed by the inter-diocesan squabbling that has the public appearance of pettiness. I have no desire to enter the fray that has ensued; instead, I would like to commandeer the occasion to share some great thoughts on preaching from the man whose canonization I still hope to attend someday.

Sheen was, without a doubt, one of the greatest evangelists of the twentieth century. His incomparable blend of superior academic prowess and spellbinding preaching style makes him well worthy of study. One day in 1979—the last year of his remarkable life—Sheen gave a collection of off-the-cuff reflections about public speaking to a religious sister at a restaurant in New York City. The following is drawn from notes that the sister frantically scrawled as she listened to him:

1. Voice tone: Plato recalls tone three or four days after hearing a talk. It’s the tonal quality that strikes an audience.

2. When listening to a speaker, count the words on each breath. Indicate each word by a dash, and each pause by a stroke. If it’s – / – /, it’s dull, flat and stale.

3. Avoid a pulpit voice. Be natural. As Disraeli said, “There’s no index of character as sure as voice.”

4. Learn the value of pauses. Never for their own sake, but for emphasis or to allow the thought to sink into the audience. They need time for digestion.

5. A whisper can have more value than a shout. Macaulay said of Pitt, “Even a whisper of his was heard in the remotest corner of the House of Commons.”

6. If there’s a commotion, disturbance, or latecomers, do not raise the voice; lower it and the audience will try to catch the whisper.

7. The audience is infallible in judging if a voice is artificial or natural.

8. Let a first sentence be interesting. Do not state the obvious, e.g. “Today we celebrate a 25th anniversary.”

9. Only nervous speakers need water.

10. If brevity is the soul of wit, the secret of oratory is “know when to quit.”

11. Before beginning, pause a few moments. As a mother cannot forget the child of her womb, we can’t forget the child of our brain.

12. Start with a low voice.

13. Audience needs a come-on; feel superior, not timid or obsequious.

14. To begin with, have a story where you came out second best.

Summary
1. Talk naturally.
2. Plead vehemently.
3. Whisper confidently.
4. Appeal plaintively.
5. Proclaim distinctly.
6. Pray constantly.

(Taken from Thomas C. Reeves, America’s Bishop: The Life and Times of Fulton J. Sheen (San Francisco: Encounter Books, 2001), pp. 381-382.

My love for Bishop Sheen stretches back to high school, when I first read his book, Calvary and the Mass. It is no exaggeration to say that this book changed my life. Later, listening to his cassette tapes in my car led to my adult acceptance of the faith in which I had been routinely raised. I consider him a friend, a teacher, and an intercessor. I shall continue to pray for his beatification & canonization.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Evangelization Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

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