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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good Cop, Bad Cop

Richard J. Clark · September 26, 2014

N RECENT MONTHS, my young children have been obsessed with Legos and the movie. Like many shows or films made for children, they are designed to part a parent with their money; it’s all one big advertisement.

And it works. So recently, I’ve been roped into helping my children put together some rather intricate Lego designs that recreate scenes from the movie. With countless tiny pieces, it even tries the patience of an adult—at least it tried mine. I found myself strangely understanding why the dad in the movie—(a.k.a., “Lord Business”) wanted to use the “Kragle” on everything to keep all the millions of pieces in place.

Five-year-old boys are very rough with their toys. Now my son is playing with a toy comprised of hundreds of tiny, delicate pieces that took a couple of hours to put together. The pieces fall off everywhere, and he demands that it be put back together every few minutes. Where’s the crazy glue? (Yes, I went there in my mind.) I now understand Lord Business. Everything must be perfectly in place!

But behind the end result is where the true lesson is hidden. Children want so badly to discover certain things for themselves. While they may need a lot of direct help with something, the thing they try to do themselves (and sometimes fail) are the lessons that take the deepest root. Additionally, it is my presence with my children that makes the most difference, not simply the end result.

HAT TAKES LASTING ROOT in liturgy are the things we discover for ourselves, just as a child does. But this does not mean we do not teach and catechize. In fact, the importance of the liturgy demands it. But do we teach by demanding that everything be perfectly in its place, or do we lead by example and with our continued loving presence? If we do the latter, we might crack open a door for someone to discover something beautiful they did not realize before.

So, when there is deviation from the Roman Rite—whether knowingly or not—it is very tempting to use the “Bad Cop” approach, but it never works. In fact, it will cause damage. It must always be accompanied with the “Good”. Albeit with a bit of finesse, it is with a firm hand, at times we need to remind others of not only the particulars of the Roman Rite, but perhaps also the “why” behind it. This may not yield immediate results, but a firm (bad cop) but loving (good cop) approach will then yield lasting fruit.

ERHAPS THE MORE SUBTLE, yet effective approach in catechesis is demonstrated by Rembrandt’s The Return of the Prodigal Son. Henri Nouwen writes of the disparity of touch in the two hands the father places upon his son. One is firm; the other, gentle.

The father’s left hand touching the son’s shoulder is strong and muscular….That hand seems to not only touch, but, with its strength, also to hold….How different is the father’s right hand! This hand does not hold or grasp. It is refined, soft, and very tender…it wants to caress, to stroke, and to offer consolation and comfort. (Prodigal Son, pg. 111, Henri Nouwen)

The father’s approach is simultaneously firm and gentle. His hands offer direct guidance as well as safety. Ultimately, it is his presence that teaches. We are called to do the same.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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