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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confusions about Inculturation

Dr. Peter Kwasniewski · September 25, 2014

N RECENT DECADES there has been a great and deep confusion about the concept of inculturation. It has been taken to mean that the Catholic faith and its practice should be changed to conform to an indigenous culture, and should assimilate that culture’s own religious beliefs and practices. In other words, Catholicism is seen as raw material and the alien culture as an agent of transformation. This is a false view. In reality, the culture to which the Catholic faith comes is in need of conversion and elevation, so whatever elements are taken from it, once duly purged of sin and error, stand as material to the “form” imparted by the life-giving Catholic faith. It is the Church that is the agent, form, and goal in any true inculturation, while the culture is the matter that receives the form from the agent for the sake of salvation in Christ.

Any culture would benefit from the insertion of the Roman Mass in its fullness. Either the culture would welcome it as a sublime expression of a divinely revealed religion, as the ceremonies and texts of the traditional Latin liturgy powerfully convey (it is in just this way that many of the Japanese are said to have reacted to the beauty and majesty of the liturgy as celebrated by the missionaries), or a hostile culture would in time be overcome by it and thus purged of ignorance, error, and sin. In no case is it ever necessary to seek, as a goal, to take elements of a prevailing heathen culture and incorporate them into the sacred culture. If there are elements that are worthy of elevation into the sacral domain, this will happen slowly, subtly, with fine discernment and discretion. Running after these elements in a kind of desperate hunt for relevancy is doomed to failure; it is a kind of whoring after ephemeral relevance, a prostitution to the present age and its malevolent prince.

THINGS THAT ARE REALLY TRUE, good, and beautiful will, as it were, line up in front of the doors of the church and beg admission; they will sue for peace, and beg pardon, and offer themselves like lambs for the sacrifice. Then we may take them up in our arms and make of them vehicles of grace. But not in any other way. As St. Augustine says: “He that believes not, is truly demoniac, blind, and dumb; and he that has not understanding of the faith, nor confesses, nor gives praise to God, is subject to the devil.” The Church does not go to the blind and dumb to ask for advice on how she should worship or what she should believe; she does not go to subjects of the devil, in desperate need of baptism, and beg them for a seat at their master’s table.

Inculturation as it has been understood and practiced by liturgical revolutionaries is one more ploy of Satan to destabilize and denature the Church of God, to water down her distinctiveness, to poison and pollute her divine cultus and human culture. This is not what the great Jesuit, Dominican, and Franciscan missionaries did; they brought forward the Catholic faith in all the splendor of its abiding truth, and by that light, they converted nations and baptized all that was noble and good in their people.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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