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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confusions about Inculturation

Dr. Peter Kwasniewski · September 25, 2014

N RECENT DECADES there has been a great and deep confusion about the concept of inculturation. It has been taken to mean that the Catholic faith and its practice should be changed to conform to an indigenous culture, and should assimilate that culture’s own religious beliefs and practices. In other words, Catholicism is seen as raw material and the alien culture as an agent of transformation. This is a false view. In reality, the culture to which the Catholic faith comes is in need of conversion and elevation, so whatever elements are taken from it, once duly purged of sin and error, stand as material to the “form” imparted by the life-giving Catholic faith. It is the Church that is the agent, form, and goal in any true inculturation, while the culture is the matter that receives the form from the agent for the sake of salvation in Christ.

Any culture would benefit from the insertion of the Roman Mass in its fullness. Either the culture would welcome it as a sublime expression of a divinely revealed religion, as the ceremonies and texts of the traditional Latin liturgy powerfully convey (it is in just this way that many of the Japanese are said to have reacted to the beauty and majesty of the liturgy as celebrated by the missionaries), or a hostile culture would in time be overcome by it and thus purged of ignorance, error, and sin. In no case is it ever necessary to seek, as a goal, to take elements of a prevailing heathen culture and incorporate them into the sacred culture. If there are elements that are worthy of elevation into the sacral domain, this will happen slowly, subtly, with fine discernment and discretion. Running after these elements in a kind of desperate hunt for relevancy is doomed to failure; it is a kind of whoring after ephemeral relevance, a prostitution to the present age and its malevolent prince.

THINGS THAT ARE REALLY TRUE, good, and beautiful will, as it were, line up in front of the doors of the church and beg admission; they will sue for peace, and beg pardon, and offer themselves like lambs for the sacrifice. Then we may take them up in our arms and make of them vehicles of grace. But not in any other way. As St. Augustine says: “He that believes not, is truly demoniac, blind, and dumb; and he that has not understanding of the faith, nor confesses, nor gives praise to God, is subject to the devil.” The Church does not go to the blind and dumb to ask for advice on how she should worship or what she should believe; she does not go to subjects of the devil, in desperate need of baptism, and beg them for a seat at their master’s table.

Inculturation as it has been understood and practiced by liturgical revolutionaries is one more ploy of Satan to destabilize and denature the Church of God, to water down her distinctiveness, to poison and pollute her divine cultus and human culture. This is not what the great Jesuit, Dominican, and Franciscan missionaries did; they brought forward the Catholic faith in all the splendor of its abiding truth, and by that light, they converted nations and baptized all that was noble and good in their people.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

I feel the greatest destroyer of peace today is abortion, because it is a direct war, a direct killing—direct murder by the mother herself. And we read in the Scripture, for God says very clearly: “Even if a mother could forget her child, I will not forget you: I have carved you in the palm of my hand.”

— Mother Theresa (11 Dec 1979)

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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