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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Update * Atonement Parish — San Antonio, Texas

Jeff Ostrowski · September 14, 2014

873 Atonement ODAY we attended Mass at Our Lady of the Atonement in San Antonio, TX. If you’ve not done so, please check out the series (Part 1 and Part 2), which takes you “inside the classrooms” at their wonderful parish school.

It’s difficult to hold my young child during Mass, but in spite of this, I was able to take a few iPhone recordings—totally random snippets when my son wasn’t crying—to show you the QUALITY OF SINGING they always have at Sunday Masses:

      * *  Mp3 Audio: Recorded “Live” by iPhone

Don’t forget: the choir had no idea we’d be attending today. Atonement is blessed with unbelievably superb music at their various Masses. 1

(I apologize the recording quality of my device was poor, but I wanted to give you a sample.)

EVERY PEW WAS FILLED and overflowing, and this is totally normal for them. I believe Atonement has been successful for two reasons:

(A) They’re a consistently serious parish whose Pastor never deviates from Catholic doctrine.

(B) They sacrifice to make sure their music programs succeed.

Many priests today are serious about the liturgy—which is great—but few are willing to make the sacrifices (for years and years) a good Church music program requires. This is a shame, because dignified music adds so much to the liturgical ceremonies; even more than fine architecture & beautiful vestments.

Atonement has recently undertaken a massive building project, which will basically double their (already impressive) campus. The response to their capital campaign was astounding, especially when you consider today’s climate. I’m sure their new buildings will be splendid, because every corner of their current school & church exudes magnificence … even their little pond:

872 Pond


Are you an organist? I’m told there’s a position available at Atonement. Apply soon!



NOTES FROM THIS ARTICLE:

1   I could easily have taken samples of the organ playing, too, which is always fantastic.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Our Lady Of The Atonement Academy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

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