• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

That Inscrutable Creature On The Internet

Jeff Ostrowski · September 9, 2014

884 Tridentine VER SINCE I first encountered that guy, I’ve been puzzled by him. Do you know him? I’m sure you do. That guy can be found on every major blog or forum. If the post is about blueberries, his comment is: “Here’s the Wikipedia entry on blueberries.” If the post is about furniture, his comment is: “Here’s the Wikipedia entry for furniture.” Why does he persist? Apparently, that guy feels special because he knows how to do a Google search and ardently desires that we praise him. But doesn’t he realize everyone knows how to do a Google search?

I’ve noticed a similar attitude when it comes to folks “discovering” the 1962 Missal. Certain people act as though they were the first to learn of its existence. I once saw a man displaying this attitude toward an elderly priest. I became angry and could hardly keep silent. I wanted to scream:

“Don’t you realize this priest attended the Latin Mass throughout the ’30s, ’40s, ’50s, and early ’60s? How dare you display such an attitude? Have you no sense?”

Yet, the elderly priest just stood there, perhaps realizing that words would be wasted on this person. After all, some people just don’t get it. Years after I’d started my collection of rare Solesmes books, a retired musicologist asked me—in the most serious way imaginable—if I owned a copy of the Liber Usualis. Week after week, he continued to ask me the same question. I think I eventually stopped answering him.

I know a blog author who spends inordinate amounts of time “chasing down” people he feels have stolen his exclusive news items. He desperately wants the whole world to appreciate how AMAZING he is. His plight is made more difficult by the fact that most of his “original blog articles” are copied & pasted from the Fox News Website.

HY DO I BRING all this up? The fact is, people who constantly try to POSSESS beauty & truth secretly loathe them. Truth & beauty are only valued by such people if they can be presented as “breaking news,” gaining the adulation of others. When someone describes a wonderful film, some people cannot simply nod their heads and say, “I love that film, too.” Instead, they feel compelled to say, “I saw it before you did.”

I know a liturgist who seemingly cannot help himself. Whenever anyone discusses hymnals which mutilate original texts for no good reason, he feels compelled to point out that the original version of HARK! THE HERALD ANGELS SING was “Hark, How All The Welkin Rings.” He was making this same argument all the way back in the 1990s. His students have been known to bait him by deliberately mentioning “authentic hymn words”—and without fail he tries to shock his listeners by means of the “Welkin Rings” example.

I’ve had some of my original ideas stolen by bloggers, and this used to annoy me like you wouldn’t believe. However, I’ve come to realize that truth & beauty should be loved for their own sake. It’s silly to try to “possess” them. One of my friends is fluent in eleven languages, and always seems to hear breaking news before anyone else. Yet, this same person has “ghost written” hundreds of articles going back all the way to the 1960s. Only his closest friends realize that all those brilliant ideas—for which others take credit—are the product of his brilliance.

In college, I took elementary Latin with a genius named Stanley Lombardo, even though I’d previously had four years of Latin in high school. Dr. Lombardo was probably the best teacher I ever had. Even when he was explaining the most basic concepts, I learned so much.

A PRIEST WE ONCE HAD began every sermon with verse 9 from the first chapter of Ecclesiastes: “There’s nothing new under the sun.” How true that is! What’s really interesting is to watch old presidential debates. For example, Al Gore fought George Bush about “nation building” and “overextending the U.S. military”—but you’d be amazed to see who espoused which positions. Walter Mondale fought Ronald Reagan over “an out-of-control deficit” and “terrorists illegally crossing the Mexican border”—but, again, you’d be amazed at who took which position.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.