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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

That Inscrutable Creature On The Internet

Jeff Ostrowski · September 9, 2014

884 Tridentine VER SINCE I first encountered that guy, I’ve been puzzled by him. Do you know him? I’m sure you do. That guy can be found on every major blog or forum. If the post is about blueberries, his comment is: “Here’s the Wikipedia entry on blueberries.” If the post is about furniture, his comment is: “Here’s the Wikipedia entry for furniture.” Why does he persist? Apparently, that guy feels special because he knows how to do a Google search and ardently desires that we praise him. But doesn’t he realize everyone knows how to do a Google search?

I’ve noticed a similar attitude when it comes to folks “discovering” the 1962 Missal. Certain people act as though they were the first to learn of its existence. I once saw a man displaying this attitude toward an elderly priest. I became angry and could hardly keep silent. I wanted to scream:

“Don’t you realize this priest attended the Latin Mass throughout the ’30s, ’40s, ’50s, and early ’60s? How dare you display such an attitude? Have you no sense?”

Yet, the elderly priest just stood there, perhaps realizing that words would be wasted on this person. After all, some people just don’t get it. Years after I’d started my collection of rare Solesmes books, a retired musicologist asked me—in the most serious way imaginable—if I owned a copy of the Liber Usualis. Week after week, he continued to ask me the same question. I think I eventually stopped answering him.

I know a blog author who spends inordinate amounts of time “chasing down” people he feels have stolen his exclusive news items. He desperately wants the whole world to appreciate how AMAZING he is. His plight is made more difficult by the fact that most of his “original blog articles” are copied & pasted from the Fox News Website.

HY DO I BRING all this up? The fact is, people who constantly try to POSSESS beauty & truth secretly loathe them. Truth & beauty are only valued by such people if they can be presented as “breaking news,” gaining the adulation of others. When someone describes a wonderful film, some people cannot simply nod their heads and say, “I love that film, too.” Instead, they feel compelled to say, “I saw it before you did.”

I know a liturgist who seemingly cannot help himself. Whenever anyone discusses hymnals which mutilate original texts for no good reason, he feels compelled to point out that the original version of HARK! THE HERALD ANGELS SING was “Hark, How All The Welkin Rings.” He was making this same argument all the way back in the 1990s. His students have been known to bait him by deliberately mentioning “authentic hymn words”—and without fail he tries to shock his listeners by means of the “Welkin Rings” example.

I’ve had some of my original ideas stolen by bloggers, and this used to annoy me like you wouldn’t believe. However, I’ve come to realize that truth & beauty should be loved for their own sake. It’s silly to try to “possess” them. One of my friends is fluent in eleven languages, and always seems to hear breaking news before anyone else. Yet, this same person has “ghost written” hundreds of articles going back all the way to the 1960s. Only his closest friends realize that all those brilliant ideas—for which others take credit—are the product of his brilliance.

In college, I took elementary Latin with a genius named Stanley Lombardo, even though I’d previously had four years of Latin in high school. Dr. Lombardo was probably the best teacher I ever had. Even when he was explaining the most basic concepts, I learned so much.

A PRIEST WE ONCE HAD began every sermon with verse 9 from the first chapter of Ecclesiastes: “There’s nothing new under the sun.” How true that is! What’s really interesting is to watch old presidential debates. For example, Al Gore fought George Bush about “nation building” and “overextending the U.S. military”—but you’d be amazed to see who espoused which positions. Walter Mondale fought Ronald Reagan over “an out-of-control deficit” and “terrorists illegally crossing the Mexican border”—but, again, you’d be amazed at who took which position.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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