• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Bishop Sheen Speaks

Fr. David Friel · September 7, 2014

LONG WITH MANY OTHER devotees of the good Archbishop Sheen, I am disheartened by the events of this past week. Not only am I disappointed that work on the cause for his canonization has been stalled, but I am further embarrassed by the inter-diocesan squabbling that has the public appearance of pettiness. I have no desire to enter the fray that has ensued; instead, I would like to commandeer the occasion to share some great thoughts on preaching from the man whose canonization I still hope to attend someday.

Sheen was, without a doubt, one of the greatest evangelists of the twentieth century. His incomparable blend of superior academic prowess and spellbinding preaching style makes him well worthy of study. One day in 1979—the last year of his remarkable life—Sheen gave a collection of off-the-cuff reflections about public speaking to a religious sister at a restaurant in New York City. The following is drawn from notes that the sister frantically scrawled as she listened to him:

1. Voice tone: Plato recalls tone three or four days after hearing a talk. It’s the tonal quality that strikes an audience.

2. When listening to a speaker, count the words on each breath. Indicate each word by a dash, and each pause by a stroke. If it’s – / – /, it’s dull, flat and stale.

3. Avoid a pulpit voice. Be natural. As Disraeli said, “There’s no index of character as sure as voice.”

4. Learn the value of pauses. Never for their own sake, but for emphasis or to allow the thought to sink into the audience. They need time for digestion.

5. A whisper can have more value than a shout. Macaulay said of Pitt, “Even a whisper of his was heard in the remotest corner of the House of Commons.”

6. If there’s a commotion, disturbance, or latecomers, do not raise the voice; lower it and the audience will try to catch the whisper.

7. The audience is infallible in judging if a voice is artificial or natural.

8. Let a first sentence be interesting. Do not state the obvious, e.g. “Today we celebrate a 25th anniversary.”

9. Only nervous speakers need water.

10. If brevity is the soul of wit, the secret of oratory is “know when to quit.”

11. Before beginning, pause a few moments. As a mother cannot forget the child of her womb, we can’t forget the child of our brain.

12. Start with a low voice.

13. Audience needs a come-on; feel superior, not timid or obsequious.

14. To begin with, have a story where you came out second best.

Summary
1. Talk naturally.
2. Plead vehemently.
3. Whisper confidently.
4. Appeal plaintively.
5. Proclaim distinctly.
6. Pray constantly.

(Taken from Thomas C. Reeves, America’s Bishop: The Life and Times of Fulton J. Sheen (San Francisco: Encounter Books, 2001), pp. 381-382.

My love for Bishop Sheen stretches back to high school, when I first read his book, Calvary and the Mass. It is no exaggeration to say that this book changed my life. Later, listening to his cassette tapes in my car led to my adult acceptance of the faith in which I had been routinely raised. I consider him a friend, a teacher, and an intercessor. I shall continue to pray for his beatification & canonization.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Evangelization Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

  • 💲 5.00 💵
  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.