• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Five Questions No Liturgist Can Answer

Jeff Ostrowski · August 5, 2014

983 Pope Paul VI Fanon ERE IN TEXAS, there’s been much discussion about undocumented minors entering the USA. A few weeks ago, in a doctor’s waiting room, I saw an argument on television about this very issue. One of the talking heads said we should accept all these minors and allow them to be USA citizens. The other said the USA cannot accept all the minors in the world who’d like to come here. Again and again, he asked this question: “How many minors can we accept? A hundred thousand? A million? Six million? Give me a number, and we’ll proceed.”

It would be totally inappropriate for me to comment on which course of action we should take. However, I must admit the 2nd man’s tactic was very effective. He insisted upon a number, and the other guy refused to answer.

WATCHING THAT MAN REFUSE to answer the question “struck a nerve” with me. For a long time, serious liturgists have been asking questions which simply will not be answered. This is perplexing. 1

                    QUESTIONS WHICH HAVE NEVER BEEN ANSWERED :

It has been asserted that music for Mass ought to be chosen according to the individual tastes of members of the congregation. But what happens when Person A likes rock’n’roll, Person B prefers jazz, and Person C likes Gregorian chant?

The Traditional Mass contained 1,182 orations. The reformers eliminated 760, and altered about half of the remaining ones. Why were these prayers deleted? Where did the Second Vatican Council ask for anything like this?

Were the liturgical reforms an effort to adapt the ancient rites for “Modern Man,” or restore a “Pristine” liturgical era? How does that square with what the Consilium’s Secretary said? “The entire revision must be carried out in accordance with the tradition of the Church.”

Some liturgists have called Gregorian chant a “weapon” and said there’s no such thing as “sacred” music. But surely not every musical style is suitable for Mass, right?

Why were clear directives of the Second Vatican Council ignored, distorted, and contradicted? For example, why was Latin eliminated in some dioceses, 2 when the Council had expressly ordered that it be preserved?


UNDOUBTEDLY, YOU NOW DESIRE to hear my brilliant solution, right? All we have to do is imitate Dom Pothier, who worked for the restoration of authentic Gregorian chant decades before it actually happened, at a time when no sane person believed his research would ever sway the current situation.

I feel it’s our duty to form some sort of coalition in support of true liturgical reform. Then, when the time comes for Rome to correct “reforms” not in accordance with the Council, the rationale will already be available. Indeed, much has already been accomplished, 3 so perhaps we could start by assembling all those statements in one place: carefully, professionally, and with discernment.

UPDATE:

Here’s a “riddle” that liturgists will understand:

The Roman Rite has gotten off track before. Homo Modernus of Paul VI is akin to the “Classicism” of Urban VIII.



NOTES FROM THIS ARTICLE:

1   Please recall, while reading this list, that the reformers began their work in earnest only after the Council ended.

2   A list of dioceses which illicitly “corrected” the Council on this point is given toward the end of this document by Msgr. Johannes Overath.

3   Dr. James Hitchcock is the husband of Helen Hitchcock, whose organization (Adoremus) is intended to suggest improvements to the Ordinary Form. Consider what he wrote in 1974:

The process of liturgical change was handled badly from a number of points of view: the people were never consulted as to their wants and needs; there was insufficient education in the new ways prior to their introduction; change was often presented as a hierarchical command to be obeyed; there were conflicting signals about the rationale for the changes (for example, was it to restore the ancient liturgy or to come to terms with modern culture?); change was piecemeal and hence doubly confusing. Although many liturgists oppose it, a permanent missal for the laity would be an important symbol at this time, implying that a new age of stability has been reached. The present welter of discardable booklets, mimeographed sheets, divergent paperback hymnals, etc. is not only confusing but appears to signify a haphazard, impermanent, jerry-built liturgy and has unfortunate psychological effects. Habits of irreverence and in attention are built up, for example, by the feeling that rites currently being used may be revised or discarded and hence are of little significance.

Dr. Hitchcock would probably be pleased with this book, published four decades after his statement.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Helen Hull Hitchcock Adoremus Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

Recent Posts

  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026
  • “Rare Photographs” • Hannibal Bugnini
  • “Regina Caeli” • More Than You Wanted To Know

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.