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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Tu Es Petrus

Aurelio Porfiri · August 26, 2014

DON’T THINK POPE FRANCIS needs my words to defend him, because he would know very well how to do it himself. Also, to be honest, while I cannot say that I agree on everything he is doing, in general I believe that he deserves a deep respect for his actions.

Before continuing, I must ask my readers to avoid a very big mistake that is quite common in Catholic literature, the belief that if you defend Pope Francis it means you are against Pope emeritus Benedict XVI, and that if you exalt Benedict XVI it means you hate Pope Francis; neither of which is true my case. If you read my posts here and in other places, or my books and articles, you immediately will feel that I belong to the side of Benedict. Indeed I have a deep admiration and respect for him, and his ideas have influenced me a lot. This will never change. However, I realize that to put the two popes one against the other is a nonsense, as they address different problems in our society, with a different perspective and with a different worldview and background. They have different interests and priorities, and this is shown in their pastoral action.

First we face the issue of liturgy; of course Pope Benedict was very sensitive on this issue, being a lover of beauty as expressed in Catholic Tradition, a lover of music and art; this makes me feel, even now, still very close to him. My book “Il canto dei Secoli” was described by a theologian very close to Pope Benedict XVI’s teachings as deeply influenced by the thinking of the German Pope. I confirm, and still now confront myself with this great Pope. Pope Francis is a man of deep faith but the reflection about the issues surrounding liturgy is not among his priorities. He wants again to show the mercy of Jesus in a very troubled world, and is doing this with his actions, that of course are very easily misunderstood.

At present, it seems he hasn’t changed anything spectacular in the liturgy, with the exception of the document about the sign of peace, that indeed was not seen with favor from progressive liturgists. Jorge Mario Bergoglio was used to visiting the very poor in the slums of Buenos Aires and so has seen the deep frailty of our humanity. This is why I like his phrase, about the Church being a “field hospital,” because we are all weak and in need of help and forgiveness. We are all burdened with sins and we need understanding together with the need to find the right way. Cardinal Newman has said that “we are going to heaven backward”; yes, despite our efforts and a few exceptional models in the saints, we should be honest with ourselves and recognize our weak nature and our need for help, help where we are (the field hospital), to be reached where our sins most hurt.

I hope I am not mistaken when I say that Pope Francis is acting in this direction in his own peculiar way; of course, being himself a sinner too (as he defines himself when asked by an Italian journalist) he may also misread situations and commit mistakes. In that occasion we can only hope that the words of Jesus, “Tu es Petrus,” will be for him the best cure and will be enough to restore his spirit and help him in the titanic mission of giving to a lost world the only hope that can still save it.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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