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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Tu Es Petrus

Aurelio Porfiri · August 26, 2014

DON’T THINK POPE FRANCIS needs my words to defend him, because he would know very well how to do it himself. Also, to be honest, while I cannot say that I agree on everything he is doing, in general I believe that he deserves a deep respect for his actions.

Before continuing, I must ask my readers to avoid a very big mistake that is quite common in Catholic literature, the belief that if you defend Pope Francis it means you are against Pope emeritus Benedict XVI, and that if you exalt Benedict XVI it means you hate Pope Francis; neither of which is true my case. If you read my posts here and in other places, or my books and articles, you immediately will feel that I belong to the side of Benedict. Indeed I have a deep admiration and respect for him, and his ideas have influenced me a lot. This will never change. However, I realize that to put the two popes one against the other is a nonsense, as they address different problems in our society, with a different perspective and with a different worldview and background. They have different interests and priorities, and this is shown in their pastoral action.

First we face the issue of liturgy; of course Pope Benedict was very sensitive on this issue, being a lover of beauty as expressed in Catholic Tradition, a lover of music and art; this makes me feel, even now, still very close to him. My book “Il canto dei Secoli” was described by a theologian very close to Pope Benedict XVI’s teachings as deeply influenced by the thinking of the German Pope. I confirm, and still now confront myself with this great Pope. Pope Francis is a man of deep faith but the reflection about the issues surrounding liturgy is not among his priorities. He wants again to show the mercy of Jesus in a very troubled world, and is doing this with his actions, that of course are very easily misunderstood.

At present, it seems he hasn’t changed anything spectacular in the liturgy, with the exception of the document about the sign of peace, that indeed was not seen with favor from progressive liturgists. Jorge Mario Bergoglio was used to visiting the very poor in the slums of Buenos Aires and so has seen the deep frailty of our humanity. This is why I like his phrase, about the Church being a “field hospital,” because we are all weak and in need of help and forgiveness. We are all burdened with sins and we need understanding together with the need to find the right way. Cardinal Newman has said that “we are going to heaven backward”; yes, despite our efforts and a few exceptional models in the saints, we should be honest with ourselves and recognize our weak nature and our need for help, help where we are (the field hospital), to be reached where our sins most hurt.

I hope I am not mistaken when I say that Pope Francis is acting in this direction in his own peculiar way; of course, being himself a sinner too (as he defines himself when asked by an Italian journalist) he may also misread situations and commit mistakes. In that occasion we can only hope that the words of Jesus, “Tu es Petrus,” will be for him the best cure and will be enough to restore his spirit and help him in the titanic mission of giving to a lost world the only hope that can still save it.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

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