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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Tu Es Petrus

Aurelio Porfiri · August 26, 2014

DON’T THINK POPE FRANCIS needs my words to defend him, because he would know very well how to do it himself. Also, to be honest, while I cannot say that I agree on everything he is doing, in general I believe that he deserves a deep respect for his actions.

Before continuing, I must ask my readers to avoid a very big mistake that is quite common in Catholic literature, the belief that if you defend Pope Francis it means you are against Pope emeritus Benedict XVI, and that if you exalt Benedict XVI it means you hate Pope Francis; neither of which is true my case. If you read my posts here and in other places, or my books and articles, you immediately will feel that I belong to the side of Benedict. Indeed I have a deep admiration and respect for him, and his ideas have influenced me a lot. This will never change. However, I realize that to put the two popes one against the other is a nonsense, as they address different problems in our society, with a different perspective and with a different worldview and background. They have different interests and priorities, and this is shown in their pastoral action.

First we face the issue of liturgy; of course Pope Benedict was very sensitive on this issue, being a lover of beauty as expressed in Catholic Tradition, a lover of music and art; this makes me feel, even now, still very close to him. My book “Il canto dei Secoli” was described by a theologian very close to Pope Benedict XVI’s teachings as deeply influenced by the thinking of the German Pope. I confirm, and still now confront myself with this great Pope. Pope Francis is a man of deep faith but the reflection about the issues surrounding liturgy is not among his priorities. He wants again to show the mercy of Jesus in a very troubled world, and is doing this with his actions, that of course are very easily misunderstood.

At present, it seems he hasn’t changed anything spectacular in the liturgy, with the exception of the document about the sign of peace, that indeed was not seen with favor from progressive liturgists. Jorge Mario Bergoglio was used to visiting the very poor in the slums of Buenos Aires and so has seen the deep frailty of our humanity. This is why I like his phrase, about the Church being a “field hospital,” because we are all weak and in need of help and forgiveness. We are all burdened with sins and we need understanding together with the need to find the right way. Cardinal Newman has said that “we are going to heaven backward”; yes, despite our efforts and a few exceptional models in the saints, we should be honest with ourselves and recognize our weak nature and our need for help, help where we are (the field hospital), to be reached where our sins most hurt.

I hope I am not mistaken when I say that Pope Francis is acting in this direction in his own peculiar way; of course, being himself a sinner too (as he defines himself when asked by an Italian journalist) he may also misread situations and commit mistakes. In that occasion we can only hope that the words of Jesus, “Tu es Petrus,” will be for him the best cure and will be enough to restore his spirit and help him in the titanic mission of giving to a lost world the only hope that can still save it.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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