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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Breaking News! Pope Francis Refuses To Adopt “Narrative” Of Progressive Liturgists

Jeff Ostrowski · August 18, 2014

945 Pope Francis VER SINCE HIS ELECTION, irresponsible and sensationalistic journalists have created a particular “narrative” for Pope Francis. (The irony, of course, is that if they’d simply stuck with the facts about the man, they’d be amazed & inspired.) What I especially hate is when they slobber over Pope Francis, yet ignore his message, in which he glorifies Jesus Christ … not himself.

The distortions about Francis might have been created with malicious intent, but more likely result from ignorance, laziness, and (most importantly) greed. After all, it’s difficult to sell newspapers and magazines without giving stories an “angle,” and journalists don’t seem to care how genuine their angle is.

A number of picco-liturgists have subscribed to this fictitious narrative, and wake up every morning hoping Pope Francis will insert “progressive” elements to the Roman Missal. From the beginning, some have pointed out how improbable such a development would be, but the “progressive” liturgists refuse to give up hope.

At this point, it seems they’re grasping at straws.

I recently came across an article in The Tablet dealing with the recent document by the CDW on the Sign of Peace, which (though helpful and welcome) is fairly inconsequential, containing absolutely nothing new or surprising. The Tablet article could best be described as “ill-informed gossip” by a totally unqualified author with too much time on his hands; yet one can easily find hundreds more just like it!

I’ve attempted to write a parody, but I fear it’s so similar to what passes for journalism these days, it hardly qualifies as satire:

TEINWAY HAS RECENTLY BEGUN constructing pianos with a slightly different alloy than they had used before. Some say this new alloy might be cheaper than the old one (but this hasn’t been confirmed yet). If so, the Steinway corporation might have more money to spend on helping the poor, and this would obviously be a response to the pope’s initiatives. After all, Pope Francis is the first church leader ever to encourage helping those in need. Indeed, this new alloy epitomises Pope Francis’ approach to life, the Church, and the sacraments, and suggests that Pope Francis will soon make vast changes in the Church, such as allowing women’s ordination and eliminating all dogmas.

As I mentioned already, it’s highly unlikely Pope Francis will make sweeping changes to the liturgy. In spite of what some have claimed, 1 Pope Francis is not as interested in the liturgy as B16 was.

I have a secret … but please don’t tell the “progressive” liturgists. If they want to learn about a pope who made sweeping changes to the liturgy, they should study Pope Paul VI. They would be amazed at the great number of changes he made. (In fact, he left very few items untouched.) Again, please don’t tell them, because it’s quite amusing to watch them go crazy every time Francis does something, assuring us that his “secret fingerprints” are on such-and-such, and he’s secretly intending to do such-and-such, and he’s poised to make massive changes, ETC.

I HAVE TO ADMIT, there was a good deal of ignorant sensationalism about Benedict XVI, as well. People who knew absolutely nothing about how the Church operates would notice B16 wearing some vestment (which popes have worn for centuries) and declare that “big changes” are coming to the Church. Yet, when I’d walk into a local Church, nothing had changed. For example, we still had disrespectful musical styles with horrible lyrics, like a Communion meditation I heard recently at Mass:

We are the Church, we are the chosen.
We are the poor, we’ll suffer no more.
We are the victors, we’re here and we’ll triumph.
We’ll come to the light, we’ll be there with might,
and accept our cup of blessing.

(Those are the actual lyrics of the song.)

But all this has been taken to another level with the “Francis Myths.” How can people take this stuff seriously? Maybe Fulton Sheen was right. “The problem is not that modern people believe too little; the problem is, they’ll believe anything.”

By the way, if you haven’t read Fr. Friel’s article about Benedict XVI and Francis, please do so.



NOTES FROM THIS ARTICLE:

1   Fr. Anthony Ruff, who frequently presents at “progressive” gatherings like Call to Action, asserted in 2013 that Pope Francis is “more interested in liturgy” than Pope Benedict XVI.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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