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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Paradox of Liturgical Reform Amidst Human Suffering

Richard J. Clark · August 15, 2014

IKE THE WALL OF JERICHO, so it seems the world is crumbling. Certainly, there is always unrest in the world. We are accustomed to the point of indifference. But from most any perspective, there is currently a heightened degree of unspeakable human tragedy in too many parts of the world. The persecution and suffering is heartbreaking and deeply sobering. Even Pope Francis in his August 13th letter to the United Nations calls for unprecedented concrete action:

I write to you, Mr Secretary-General, and place before you the tears, the suffering and the heartfelt cries of despair of Christians and other religious minorities of the beloved land of Iraq…I encourage all the competent organs of the United Nations, in particular those responsible for security, peace, humanitarian law and assistance to refugees, to continue their efforts in accordance with the Preamble and relevant Articles of the United Nations Charter.

This lends somber perspective.

How important is the liturgy in light of grave events? A phrase that is often heard is that following the rubrics is like “rearranging the chairs on the Titanic.” At times this could ring true. In 2013, Pope Francis famously likened the Church to a “…field hospital after battle. It is useless to ask a seriously injured person if he has high cholesterol and about the level of his blood sugars! You have to heal his wounds. Then we can talk about everything else. Heal the wounds, heal the wounds….” The Pope understood that the Church is in crisis and the priority is to “heal wounds and to warm the hearts of the faithful.” (Interview with Antonio Spadaro, S.J.)

So it is an easy leap to conclude that the mass or its finer details are insignificant or may be discarded. While I do not believe for a moment this is what Pope Francis was getting at, here enters the paradox. When the soul in distress, so terrified that the only possibility is to give oneself over to a power greater than oneself, particular words and form rarely matter. Yet, the mass is our greatest prayer. Such times demand even greater reverence.

N THE FACE OF EVIL AND UNSPEAKABLE SUFFERING, action is required from the Christian soul. This action not only includes but demands prayer. For those of us who are powerless to assist except to pray, our prayer must be with earnest intent. In doing so, we do well to remember this: following the rubrics or enacting the GIRM is not the ends. It is a means towards which we find immediacy with God in prayer and therefore healing for humanity. The rubrics and the GIRM are in service to the celebration of the Eucharist. Their importance lies in what they achieve. This is why we do not dismiss them or render them unimportant. Lex Orandi, Lex Credendi, Lex Vivendi demands that our prayer has a direct connection with how we live out our lives. We pray as we believe, and therefore live.

Perhaps now is a good time to pray as we never have before.

“In the same way, the Spirit too comes to the aid of our weakness; for we do not know how to pray as we ought, but the Spirit itself intercedes with inexpressible groanings.” – Romans 8:26

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

I want to say one thing to you strongly, especially today: virginity for the Kingdom of God is not a “no,” it is a “yes!”

— Pope Francis (10/4/2013)

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