• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Should We Sing Patriotic Hymns at Mass?

Richard J. Clark · July 4, 2014

S AMERICANS CELEBRATE Independence Day today, I am mindful that our audience and contributors are international; there are patriotic songs that may evoke God from many countries. As an American, I can speak to our circumstance, but I will not claim to speak for others around the globe. That being said, I suspect that there are some common problems we all face.

The question of patriotic or nationalistic songs at mass is a part of a wider problem of “planning” mass according to 1 • personal preferences and 2 • what I call, “Missa de Hallmark Card”: secular and civic holidays influencing music, homilies, or other aspects of the mass.

O, I HAVE SOME PERSONAL PREFERENCES regarding American patriotic songs. I love them. I get misty-eyed at singing “America the Beautiful.” It sounds great on the organ. People sing at the top of their lungs. I get emotional. However, ideally, patriotic songs have no place whatsoever during mass. The reason is simple: sacred music for the liturgy serves one function and patriotic songs another. It is comparing apples and oranges. Nor does one diminish the other. Patriotic songs have a different milieu and serve a different purpose, even if God is mentioned.

Consider this coming Sunday, the Fourteenth Sunday in Ordinary Time. Matthew’s Gospel speaks of God’s consolation. Furthermore, even Jesus gives praise to His Father, so, should not we? “Matthew 11:25: “I give praise to you, Father, Lord of Heaven and earth…” The mass is full of praise for God. As such, the propers are fitting. This Sunday, my choir will sing a hymn version of the Introit, and my setting of the communion proper, (Gustate et videte) “Taste and See that the Lord Is Good.” When immersed into the readings and the propers, it feels out of place to put country — no matter how great our love for it — at the center of the Eucharistic Feast. Likewise, it would be incredibly odd and inconsiderate to sing a Marian Hymn at a Fourth of July Parade. Both are wonderful. Neither appropriate in the given context.

Also, the more we understand in our hearts the marriage of liturgical action and sacred music, the less patriotic hymns during mass make any sense. Vatican II reaffirmed the unique function of music within the sacred liturgy:

“Therefore sacred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action…” (Sacrosanctum Concillium § 112)

HICH LITURGICAL ACTION would God Bless America or America the Beautiful connect with the best? Entrance Procession? (perhaps during the incensing of the altar?) Offertory? Communion Procession? In these terms, I find it difficult to reconcile the texts – although composed with dignity and embedded in our country’s religious roots – with these particular liturgical actions, where Christ’s redeeming sacrifice for all is central. Furthermore, patriotic songs during mass would exist purely for their own sake, which is antithesis of the function of sacred music, which is to help us sing the texts of the mass itself.

Finally, I am mindful that this is a complex subject that evokes great emotion of very varying types. If one must sing a song of country at mass, (which I have done, and will likely do when Independence Day falls on a Sunday) the only possible consideration would be after the Final Blessing and Dismissal. Officially, the mass is over. Never, never, would one consider singing a patriotic hymn anywhere else, e.g., Offertory or post-communion. In light of accompanying the liturgical action, Patriotic hymns suddenly feel like a Salve Regina during at a Memorial Day Parade.

ADDENDUM

UNDERSTAND THE CONTEXT of my liturgical position: I am deeply interested in politics and history. I particularly enjoy reading books on American History regardless of political party. Among my favorites include Garry Wills’ Lincoln at Gettysburg and Wills’ book on Washington, Cincinatus, which describes Washington’s “abdication” of power after two terms which inspired poetry, paintings, sculpture, and music. However, do not mistake my interest in history or love of country as “conservative” or “liberal.” It is neither. I am in agreement and disagreement with both American political parties (not unlike the American Bishops and various Popes on a number of topics). Politics can be divisive. The Eucharist is Universal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: liturgical action Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

Recent Posts

  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.