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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Should We Sing Patriotic Hymns at Mass?

Richard J. Clark · July 4, 2014

S AMERICANS CELEBRATE Independence Day today, I am mindful that our audience and contributors are international; there are patriotic songs that may evoke God from many countries. As an American, I can speak to our circumstance, but I will not claim to speak for others around the globe. That being said, I suspect that there are some common problems we all face.

The question of patriotic or nationalistic songs at mass is a part of a wider problem of “planning” mass according to 1 • personal preferences and 2 • what I call, “Missa de Hallmark Card”: secular and civic holidays influencing music, homilies, or other aspects of the mass.

O, I HAVE SOME PERSONAL PREFERENCES regarding American patriotic songs. I love them. I get misty-eyed at singing “America the Beautiful.” It sounds great on the organ. People sing at the top of their lungs. I get emotional. However, ideally, patriotic songs have no place whatsoever during mass. The reason is simple: sacred music for the liturgy serves one function and patriotic songs another. It is comparing apples and oranges. Nor does one diminish the other. Patriotic songs have a different milieu and serve a different purpose, even if God is mentioned.

Consider this coming Sunday, the Fourteenth Sunday in Ordinary Time. Matthew’s Gospel speaks of God’s consolation. Furthermore, even Jesus gives praise to His Father, so, should not we? “Matthew 11:25: “I give praise to you, Father, Lord of Heaven and earth…” The mass is full of praise for God. As such, the propers are fitting. This Sunday, my choir will sing a hymn version of the Introit, and my setting of the communion proper, (Gustate et videte) “Taste and See that the Lord Is Good.” When immersed into the readings and the propers, it feels out of place to put country — no matter how great our love for it — at the center of the Eucharistic Feast. Likewise, it would be incredibly odd and inconsiderate to sing a Marian Hymn at a Fourth of July Parade. Both are wonderful. Neither appropriate in the given context.

Also, the more we understand in our hearts the marriage of liturgical action and sacred music, the less patriotic hymns during mass make any sense. Vatican II reaffirmed the unique function of music within the sacred liturgy:

“Therefore sacred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action…” (Sacrosanctum Concillium § 112)

HICH LITURGICAL ACTION would God Bless America or America the Beautiful connect with the best? Entrance Procession? (perhaps during the incensing of the altar?) Offertory? Communion Procession? In these terms, I find it difficult to reconcile the texts – although composed with dignity and embedded in our country’s religious roots – with these particular liturgical actions, where Christ’s redeeming sacrifice for all is central. Furthermore, patriotic songs during mass would exist purely for their own sake, which is antithesis of the function of sacred music, which is to help us sing the texts of the mass itself.

Finally, I am mindful that this is a complex subject that evokes great emotion of very varying types. If one must sing a song of country at mass, (which I have done, and will likely do when Independence Day falls on a Sunday) the only possible consideration would be after the Final Blessing and Dismissal. Officially, the mass is over. Never, never, would one consider singing a patriotic hymn anywhere else, e.g., Offertory or post-communion. In light of accompanying the liturgical action, Patriotic hymns suddenly feel like a Salve Regina during at a Memorial Day Parade.

ADDENDUM

UNDERSTAND THE CONTEXT of my liturgical position: I am deeply interested in politics and history. I particularly enjoy reading books on American History regardless of political party. Among my favorites include Garry Wills’ Lincoln at Gettysburg and Wills’ book on Washington, Cincinatus, which describes Washington’s “abdication” of power after two terms which inspired poetry, paintings, sculpture, and music. However, do not mistake my interest in history or love of country as “conservative” or “liberal.” It is neither. I am in agreement and disagreement with both American political parties (not unlike the American Bishops and various Popes on a number of topics). Politics can be divisive. The Eucharist is Universal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: liturgical action Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

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