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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Basic Steps To Improve Music At Your Parish — Part 1

Andrew R. Motyka · July 16, 2014

WO WEEKS AGO, I was blessed to give a presentation at the annual CMAA Colloquium here in Indianapolis. My presentation was about slowly implementing the propers in the “average” parish. I will try to reproduce it sometime for a blog. For now, we here at Watershed are embarking on a similar project: what are some simple ways, some “first steps,” to improving music at the average parish level?

I think that, in order to have this conversation, we have to establish what that average parish looks like. It likely uses a mainstream hymnal, and all music selections are from the suggestions provided by those publishers. They may use hymns, “praise and worship” music, or other contemporary and traditional styles, but for the most part, the model is still the Four Hymn Sandwich. Propers are never done, and the large majority of the parish is not even aware of their existence apart from those short verses included in the missalette. Instrumentation ranges from piano to guitar, sometimes using the organ, but a capella music is never used.

NOW, AS CRITICAL AS THAT PICTURE LOOKS, I do not draw it in mockery or scorn; I draw it in realism. If we have an unrealistic view of what our parishes look like now, we have little chance of improving the liturgy to where it could be. So where does one begin? Let’s say I have been hired as the new music director of St. Everyman here. What do I do first?

IRST, we need to establish a rapport with the parishioners. Music reform doesn’t exist in a top-down model, and when you’re the new guy/gal, you don’t have a lot of capital to spend in implementing changes. Get to know the parishioners, and get to love them. When your guidance comes from a place of love, you will go much further, and they will trust you much more. Always respect people more than systems.

ECOND, and this cannot be stressed enough: go slowly. I know you see a bleak liturgical picture here, and your instinct is to change just about everything, but if you go too fast with the changes, you will lose everything. You may experience serious pushback, or worse yet, your pastor will. This is how good, talented people lose their jobs, and the person they hire after you will not be interested in moving forward. Be patient and keep your eye on the long game.

HIRD, on to the musical shifts. The very first thing you should do is start working on your pastor to intone the dialogues. These are not difficult, and there are numerous print and online resources to assist in learning to sing the Mass. The sung dialogues can be inserted right into the liturgy as described above, with no other changes. Get the people used to singing everything. Even keeping praise and worship in place, the reverence of the liturgy will be greatly improved simply by starting with a sung Sign of the Cross and Preface Dialogue.

OURTH (Jeff told us to focus on one thing, but I just can’t stop), the first actual change to the music should be at Communion. Begin singing responsorial-style psalmody during the Communion procession. It doesn’t matter whether they are propers, simple psalms, or even the singer-songwriter psalm settings so ubiquitous at the parish level. Get people used to hearing psalms as the proper music for the Mass. The hymnal isn’t the Church’s songbook; the Psalter is. Also, there is the practical matter that no one carries a hymnal to receive the Eucharist. If you use a simple antiphon response, people will be encouraged to sing even during that point of the Mass, as is the norm set forth in the GIRM (whether this is a good idea or not is a discussion for another time).

Good luck with your new parish! The above suggestions should take you no less than a year, unless you are being pushed by your pastor. Take your time and allow the new concepts to sink in before you move on to another one. Keep your eye on the prize and remember that it takes far longer to build something up than to tear it down. Start slowly and set in place improvements that will last.


7-part series:   “Basic Steps To Improve Music At Your Parish”

FIRST PART • Andrew Motyka

SECOND PART • Peter Kwasniewski

THIRD PART • Richard Clark

FOURTH PART • Veronica Brandt

FIFTH PART • Fr. David Friel

SIXTH PART • Jeff Ostrowski

SEVENTH PART • Aurelio Porfiri

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Basic Steps To Improve Parish Music, Simple Steps To Improve Parish Music Last Updated: March 1, 2025

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The frequent elisions, as in the verse “Hoc óstium arcae in látere est Genti ad salútem pósitum” (feast of the Sacred Heart) make for an unpronounceable and unsingable hymn, and slightly less so does the hymn for Christ the King.

— Archbishop Hannibal Bugnini

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