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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Remembering Cardinal Virgilio Noè

Aurelio Porfiri · July 8, 2014

AM NOT SURE if the name of Cardinal Virgilio Noè is familiar to my readers. I think it should be. Virgilio Cardinal Noè (30 March 1922 – 24 July 2011) was an Italian Roman Catholic prelate. In 1970, he was appointed the first Master of Pontifical Liturgical Celebrations by Pope Paul VI, and continued on for some time under John Paul II. Indeed, if you look at a photo from 1979, you will see Saint John Paul II celebrating Mass at Yankee Stadium on one of his trips to the USA with Virgilio Noè at his side.

He was very involved in liturgical reforms, considered always on the progressive side, and served in several high level positions in the curia, including being Secretary for the Congregation of Divine Worship and the Discipline of the Sacraments. John Paul II made him a cardinal in 1991 and it is because of this that I came to know him quite well.

In 1990 I started singing in the Capitular Choir at Saint Peter’s Basilica, and there in 1993 I was offered the position of substitute organist for the Vatican City Vicariate. Cardinal Noè became Archpriest of the Basilica in those years and was my superior. Maybe you think that he did not care, as many prelates, about who was playing and what was played. You would be hugely wrong. He would listen to everything that was sung and played, and at the end of the Mass would wait for the singers and organist in the sacristy to present them with a list of mistakes, according his own judgment. You may also think that he would just talk in general terms: you would be hugely wrong a second time. He would include the smallest of details, down to the number of seconds the organist should wait before starting the second part of a reciting tone in a psalm. One day, he was waiting for me in the sacristy and commented that my left hand did not know what my right hand was doing. It was his way of saying that I did not play very well that day.

CARDINAL NOÈ WAS AN IMPOSING FIGURE, respected and feared in the Curia. He was very kind in his dealings with other people, but wasn’t easy to approach. There was always a clear distance between him and others. Even if my liturgical sensitivity has developed in a way that is different from that of Cardinal Noè, I cannot deny that he taught me a lot. Among the things I cannot forget is the attention to detail and the need for care regarding the décor of liturgical rite.

He retired from his position as archpriest in 2002. He started to have health issues and was forced to a wheelchair. I visited him often, even after I relocated to Macau where I currently reside. Every time I visited Rome I would call and visit him in his apartment in Piazza della Citta’ Leonina, the same building as Cardinal Ratzinger. During my visits his attitude was different; I feel he was grateful that I still remembered him and he was always very happy to receive my books, many of them having something to do with liturgy. We talked about many things, including my difficulties and challenges in Asia. I enjoyed listening to him recall the people he met, many of them of historical importance.

Cardinal Virgilio Noè died in July of 2011, at the age of 89. He was a man of great culture, strong positions and ideas, and was one of the protagonists of a turbulent period in church history. What his legacy is will be asked to future historians.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Virgilio Noe Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

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  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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