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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Remembering Cardinal Virgilio Noè

Aurelio Porfiri · July 8, 2014

AM NOT SURE if the name of Cardinal Virgilio Noè is familiar to my readers. I think it should be. Virgilio Cardinal Noè (30 March 1922 – 24 July 2011) was an Italian Roman Catholic prelate. In 1970, he was appointed the first Master of Pontifical Liturgical Celebrations by Pope Paul VI, and continued on for some time under John Paul II. Indeed, if you look at a photo from 1979, you will see Saint John Paul II celebrating Mass at Yankee Stadium on one of his trips to the USA with Virgilio Noè at his side.

He was very involved in liturgical reforms, considered always on the progressive side, and served in several high level positions in the curia, including being Secretary for the Congregation of Divine Worship and the Discipline of the Sacraments. John Paul II made him a cardinal in 1991 and it is because of this that I came to know him quite well.

In 1990 I started singing in the Capitular Choir at Saint Peter’s Basilica, and there in 1993 I was offered the position of substitute organist for the Vatican City Vicariate. Cardinal Noè became Archpriest of the Basilica in those years and was my superior. Maybe you think that he did not care, as many prelates, about who was playing and what was played. You would be hugely wrong. He would listen to everything that was sung and played, and at the end of the Mass would wait for the singers and organist in the sacristy to present them with a list of mistakes, according his own judgment. You may also think that he would just talk in general terms: you would be hugely wrong a second time. He would include the smallest of details, down to the number of seconds the organist should wait before starting the second part of a reciting tone in a psalm. One day, he was waiting for me in the sacristy and commented that my left hand did not know what my right hand was doing. It was his way of saying that I did not play very well that day.

CARDINAL NOÈ WAS AN IMPOSING FIGURE, respected and feared in the Curia. He was very kind in his dealings with other people, but wasn’t easy to approach. There was always a clear distance between him and others. Even if my liturgical sensitivity has developed in a way that is different from that of Cardinal Noè, I cannot deny that he taught me a lot. Among the things I cannot forget is the attention to detail and the need for care regarding the décor of liturgical rite.

He retired from his position as archpriest in 2002. He started to have health issues and was forced to a wheelchair. I visited him often, even after I relocated to Macau where I currently reside. Every time I visited Rome I would call and visit him in his apartment in Piazza della Citta’ Leonina, the same building as Cardinal Ratzinger. During my visits his attitude was different; I feel he was grateful that I still remembered him and he was always very happy to receive my books, many of them having something to do with liturgy. We talked about many things, including my difficulties and challenges in Asia. I enjoyed listening to him recall the people he met, many of them of historical importance.

Cardinal Virgilio Noè died in July of 2011, at the age of 89. He was a man of great culture, strong positions and ideas, and was one of the protagonists of a turbulent period in church history. What his legacy is will be asked to future historians.


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many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Virgilio Noe Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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