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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Music Rules Over Us

Dr. Peter Kwasniewski · July 3, 2014

COLLEAGUE OF MINE shared with me a text he found in a fairly obscure medieval treatise. He was very excited about its content and knew that I would be as well:

MUSIC RULES OVER US, given that we are held together through it. When nature catches in voices what she feels innate within her, she is moved with a deep, wondrous affection, since like rejoices in like. Music endows voices, removes anger, suggests and persuades to clemency. And every age, every sex, and the nature of almost all souls is moved by the judgment of music. And what about thrushes, swans, nightingales, and other sweet songed souls impelled by music to utter their loquacious comfort? Just as they breathe without labor, so too do they sing. This is a sign that music is innate in souls, since those things which have no free will with which to deliberate, produce (led by nature alone) harmonious voices, and celebrate with those singing with them. Through the comfort of music the Theban Isemenia used to heal the maladies of the Thebans. And so too did David with the royal madness [of King Saul]. And we even read that Empedocles with a swaying mode calmed the youth who was rushing at his host, since he had accused his father. The Pythagoreans, also by song, caused a light and pleasant sleep to waft over themselves; just as by other modes they used to shake off the stupor of sleep once they awoke. What shall we say about how such a diversity of souls are pleased by a variety of modes?

The author is Bernard Silvestris; the work, a commentary on Martianus Capella.

When asked the question “What is the best guardian?,” Socrates says: “Argument mixed with music. It alone, when it is present, dwells within the one possessing it as a savior of virtue throughout life” (549b). Argument mixed with music: this sounds to me like a description of Gregorian chant, which artfully combines the Word of God, the , the music of the angels. It can dwell within our souls as a savior of the theological virtues, expressing faith, spurring on hope, fueling charity.

We internalize the music we sing and listen to―it becomes a part of us, it shapes us in its image. You are what you listen to and look at, more than you are what you eat. As Pope Benedict once said, air is to biological life what the Holy Spirit is to spiritual life. What we take into our souls is the food and drink of our souls, and we will be healthy or unhealthy depending on the quality of that food and drink. If our music is that of the Holy Spirit, we will be eating and drinking the spirit of truth, the love of the Father and the Son. If our music is that of the world or the prince of this world, we will be eating and drinking the spirit of worldliness. We cannot be too careful about this dietary discernment.

What is the depth and breadth of the music you listen to? How deep into the reality of God and your immortal soul does it delve? How well does it encompass and echo the grandeur of the world around us?

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

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  • PDF • “Music List” (Sunday, 28 December)
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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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