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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium Update I

Fr. David Friel · July 3, 2014

OGETHER WITH Andy Motyka, I have been enjoying some wonderful first days at the CMAA Sacred Music Colloquium in Indianapolis. This is my third Colloquium, and all the things I love about the experience are here in force: an extraordinary faculty, magnificent liturgies, good fellowship, etc. Here are a few random thoughts about highlights thus far.

We were treated to a marvelous choral evensong at Christ Church Cathedral (Anglican) on our first evening. The tone and unity of the choristers were of the highest quality and very much appreciated by those who attended the service.

I am singing in the men’s chant schola under the directions of Scott Turkington, who is returning to the Colloquium for the first time in a few years. It’s fascinating to learn from a man who is one of the true experts in the field of Gregorian chant.

Also, the number of priests in attendance is noteworthy & encouraging. There are approximately 15 priests here, which is a much larger group than usual.

When I saw on the preliminary schedule that Dr. Denis McNamara would be delivering a plenary address this year, I was very excited. In addition to all his work as an architect, Dr. McNamara has also done quite a bit of writing on the topic of sacred architecture, which is where I have chiefly encountered him. What most excited me is the fact that I don’t remember such an inter-disciplinary lecture at the other Colloquia I have attended. So, while my expectations were high, they were still far exceeded. McNamara’s presentation was engaging, fast-paced, humble, rich in theology, and filled with hope. When all is said and done, I think this may be my personal highlight for Colloquium 2014. Too soon too call? Maybe, maybe not.

One of the other highlights has been the morning solfege warm-ups with Jeffrey Morse. I regret that I was not trained in solfege at an early age, but I can notice how, in just a few days time, Jeffrey’s presentation of the Ward Method has significantly improved my solfege facility.

Finally (for now), I had the chance on Wednesday afternoon to attend a breakout session with Adam Bartlett, who presented on “Chant in English & Spanish.” After some discussion of the challenges with composing vernacular chant, Adam traced a bit of the history of the various resources that have become available in recent years for singing the propers. The group received many insights into the Lumen Christi project, which is one of the greatest recent contributions to the field. (For an good, albeit informal, review of Barlett’s latest Lumen Christi Simple Gradual, click HERE.)

Many exciting things still lie ahead this week. I’m grateful to be in this terrific city, surrounded by so many people who want to sing with the heart of the Church!

Colloquium Update II

Colloquium Update III

Colloquium Update IV

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“It is required of a man that he should share the passion and action of his time at peril of being judged not to have lived.”

— Oliver Wendell Holmes

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