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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

First Time Attending A Novus Ordo Mass

Jeff Ostrowski · June 26, 2014

336 Eagle ROWING UP, I attended a “typical” Catholic school of the 1990s, where the wacky theories of the time were taught. For example, our religion teacher said Adam & Eve never really existed, but were probably some form of evolving animal. Another teacher said God is certainly not omniscient, but does possess “a general idea how things will turn out in the end.”

Songs like Anthem (Tom Conry) and Sing A Simple Song Unto The Lord reigned supreme during Mass, and we were forced to do hand motions. Even though I was very young, I’ll never forget a comment uttered by the lady in charge of playing the piano for Mass: “I’m having a hard time finding Communion songs in this hymnal.” Our hymnal was Glory & Praise: the one with the bizarre Flying Eagle Picture.

When my parents couldn’t take it anymore, we sought out the Extraordinary Form, even though that required driving long distances. I attended the EF exclusively for a number of years and learned to especially cherish the quiet, peaceful, low Masses (even though I’m probably not supposed to admit that).

WHEN I RETURNED TO THE NOVUS ORDO, the priest would read some random-sounding verse at the beginning of Mass and at Communion. This was before the New Translation, and the language often struck me as pedestrian, as one might address a man on the street. (Cardinal Burke has said the language sounded “juvenile.”) I failed to realize these were the ENTRANCE and COMMUNION antiphons assigned to each Mass.

Why didn’t I realize this? Because I’m ignorant? Yes, I am ignorant — but maybe it would have been easier with a book like the JOGUES MISSAL, which clearly shows each member of the congregation what these antiphons are all about. Here’s an example:

      * *  Sample Page (PDF) — from the Jogues Illuminated Missal

Because there is no official translation of the Graduale Romanum, we chose a dignified-yet-modern translation done by Solesmes Abbey in the 1990s — the same translation used in publications like the Simple English Propers (CMAA, 2011). If you download the PDF version of the 1965 Missal, you’ll notice that the Solesmes translations are extremely similar. For example:

      * *  Comparison (PDF) — Between 1965 Missal & Jogues Missal

To view a fascinating version from 1806 — very similar to our translation — click here.

How wonderful it is to become familiar with these antiphons! Here’s the one for the 2nd Sunday of Advent — how lovely!

EOPLE OF SION, BEHOLD the Lord shall come to save the nations; and the Lord shall make the glory of his voice to be heard, in the joy of your heart.
(Ps 79:2)   O shepherd of lsrael, hearken, O guide of the flock of Joseph!
V. Glory be to the Father.   Repeat: People of Sion.

Doesn’t that just scream Advent?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“As a little child, Christ is presented in the temple, the Lawgiver obeying His law. Here the Redeemer offers Himself and is redeemed at a pauper’s price.”

— Father Augustine Thomas Ricchini (d. 1779)

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