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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

First Time Attending A Novus Ordo Mass

Jeff Ostrowski · June 26, 2014

336 Eagle ROWING UP, I attended a “typical” Catholic school of the 1990s, where the wacky theories of the time were taught. For example, our religion teacher said Adam & Eve never really existed, but were probably some form of evolving animal. Another teacher said God is certainly not omniscient, but does possess “a general idea how things will turn out in the end.”

Songs like Anthem (Tom Conry) and Sing A Simple Song Unto The Lord reigned supreme during Mass, and we were forced to do hand motions. Even though I was very young, I’ll never forget a comment uttered by the lady in charge of playing the piano for Mass: “I’m having a hard time finding Communion songs in this hymnal.” Our hymnal was Glory & Praise: the one with the bizarre Flying Eagle Picture.

When my parents couldn’t take it anymore, we sought out the Extraordinary Form, even though that required driving long distances. I attended the EF exclusively for a number of years and learned to especially cherish the quiet, peaceful, low Masses (even though I’m probably not supposed to admit that).

WHEN I RETURNED TO THE NOVUS ORDO, the priest would read some random-sounding verse at the beginning of Mass and at Communion. This was before the New Translation, and the language often struck me as pedestrian, as one might address a man on the street. (Cardinal Burke has said the language sounded “juvenile.”) I failed to realize these were the ENTRANCE and COMMUNION antiphons assigned to each Mass.

Why didn’t I realize this? Because I’m ignorant? Yes, I am ignorant — but maybe it would have been easier with a book like the JOGUES MISSAL, which clearly shows each member of the congregation what these antiphons are all about. Here’s an example:

      * *  Sample Page (PDF) — from the Jogues Illuminated Missal

Because there is no official translation of the Graduale Romanum, we chose a dignified-yet-modern translation done by Solesmes Abbey in the 1990s — the same translation used in publications like the Simple English Propers (CMAA, 2011). If you download the PDF version of the 1965 Missal, you’ll notice that the Solesmes translations are extremely similar. For example:

      * *  Comparison (PDF) — Between 1965 Missal & Jogues Missal

To view a fascinating version from 1806 — very similar to our translation — click here.

How wonderful it is to become familiar with these antiphons! Here’s the one for the 2nd Sunday of Advent — how lovely!

EOPLE OF SION, BEHOLD the Lord shall come to save the nations; and the Lord shall make the glory of his voice to be heard, in the joy of your heart.
(Ps 79:2)   O shepherd of lsrael, hearken, O guide of the flock of Joseph!
V. Glory be to the Father.   Repeat: People of Sion.

Doesn’t that just scream Advent?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

Recent Posts

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  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”

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