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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Funeral

Aurelio Porfiri · June 20, 2014

348 Requiem AM DEAD. And now, here I am viewing my own funeral. The people in attendance are not aware that I am looking at them. My coffin is entering at the sound of irreverent songs.

“Hey, it’s me!” I want to shout. “Why are you showing such disrespect? Yes, I am a sinner but one who devoted his life to sacred liturgical music. Sing my compositions.” Oh… the priest is now explaining that unfortunately the choir was not available today because they have a retreat which is a polite way to say that the choir cannot manage to sing my music.

The Mass is going on… and now to my dismay they are reading the responsorial psalm! With all that I have written about that already forgotten … the responsorial psalm should be sung, should be sung, should be sung … but no one can hear me anymore. The Mass with its spoken psalm and tired songs is going on and on.

I can see people standing there out of a sense of obligation. Just my family is really mourning me, while the others are mourning the homily that is too long. Ahh… the homily… in the homily the priest that barely knew me is explaining to everyone how good I was. Well that’s what my family told him anyway. But, if you ask my family what do you expect them to tell you? That I was a scum? Why not just take three minutes to say: “he was a sinner and he fell many times but even when he was on the floor his eyes were still looking to Jesus and his hand was yearning for a saving hand” … isn’t that true?

Ok, the Mass is ending: no chant, no songs from my thousands of compositions, no Latin… I should suggest to my family not to pay the church. What’s happening now? Oh no… someone has to share the memories he has about me. OK, you will miss me and I was good, so good that in the whole time I was in need you were so kind as to never make a phone call. Please “friend”, make it short. OK, it is finished. My family has had the good taste to be silent; we don’t need words to share our love. Now I am going out and the people are clapping. Clapping?! Clapping because I passed away? Maybe it was a good performance? Maybe they are happy I am dead?

OK, OK… NOW YOU’VE CAUGHT ME: I am still alive. I’m just thinking about the many funerals I have seen and imagining my own funeral liturgy, glib and ineffective. I would like to make a proposal for priests: when planning a funeral liturgy, imagine that it’s your own funeral, and then understand more the need for a dignified and sacred service. Do you agree? Good! And no clapping, please…


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Responsorial Psalm Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    “Music List” • 23rd in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 7 September 2025, which is the 23rd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. My singers really enjoy singing the resplendent COMMUNION ANTIPHON with its Fauxbourdon verses.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Saint John Vianney, several centuries ago, taught clearly that canonizations are not infallible.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

Recent Posts

  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”
  • “Music List” • 23rd in Ordinary Time (Year C)
  • PDF Download • Draft Copy (Pamphlet)
  • “Entrance Chant” • 23rd (Ordinary Time)

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