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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Funeral

Aurelio Porfiri · June 20, 2014

348 Requiem AM DEAD. And now, here I am viewing my own funeral. The people in attendance are not aware that I am looking at them. My coffin is entering at the sound of irreverent songs.

“Hey, it’s me!” I want to shout. “Why are you showing such disrespect? Yes, I am a sinner but one who devoted his life to sacred liturgical music. Sing my compositions.” Oh… the priest is now explaining that unfortunately the choir was not available today because they have a retreat which is a polite way to say that the choir cannot manage to sing my music.

The Mass is going on… and now to my dismay they are reading the responsorial psalm! With all that I have written about that already forgotten … the responsorial psalm should be sung, should be sung, should be sung … but no one can hear me anymore. The Mass with its spoken psalm and tired songs is going on and on.

I can see people standing there out of a sense of obligation. Just my family is really mourning me, while the others are mourning the homily that is too long. Ahh… the homily… in the homily the priest that barely knew me is explaining to everyone how good I was. Well that’s what my family told him anyway. But, if you ask my family what do you expect them to tell you? That I was a scum? Why not just take three minutes to say: “he was a sinner and he fell many times but even when he was on the floor his eyes were still looking to Jesus and his hand was yearning for a saving hand” … isn’t that true?

Ok, the Mass is ending: no chant, no songs from my thousands of compositions, no Latin… I should suggest to my family not to pay the church. What’s happening now? Oh no… someone has to share the memories he has about me. OK, you will miss me and I was good, so good that in the whole time I was in need you were so kind as to never make a phone call. Please “friend”, make it short. OK, it is finished. My family has had the good taste to be silent; we don’t need words to share our love. Now I am going out and the people are clapping. Clapping?! Clapping because I passed away? Maybe it was a good performance? Maybe they are happy I am dead?

OK, OK… NOW YOU’VE CAUGHT ME: I am still alive. I’m just thinking about the many funerals I have seen and imagining my own funeral liturgy, glib and ineffective. I would like to make a proposal for priests: when planning a funeral liturgy, imagine that it’s your own funeral, and then understand more the need for a dignified and sacred service. Do you agree? Good! And no clapping, please…


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Responsorial Psalm Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Eucharistic Prayer II, on account of its particular features, is more appropriately used on weekdays or in special circumstances.”

— §365 from the “General Instruction for the Roman Missal”

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  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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