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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Simple English Choral Propers by Jon Naples

Guest Author · May 29, 2014

HIS WORK uses unaltered, the offertories of the Simple English Propers chants by Adam Bartlett. This work treats each chant as cantus firmus. Retaining the chant properties of the SEP, I have expanded each into a full blown motet.

These pieces give parish choirs of all sizes and skill levels the ability to observe the content of the propers in a polyphonic offertory. They may also serve as an excellent stepping stone for the beginning choir to approach polyphony.

      * *  Pentecost Sunday — Free PDF

      * *  Trinity Sunday — Free PDF

      * *  Corpus Christi Sunday — Free PDF

      * *  Assumption of the Blessed Virgin Mary — Free PDF

— The parts are generally invertible. Meaning, the women’s part(s) may be sung by men and vice versa.

— Choirs are advised to first to learn the antiphon melody in unison, then learn the verse tones in SATB, then their respective part of the polyphony.

— In the verse tones, the choir changes pitch on the words in bold type.

— In the antiphons, black notes (equal to a square note of chant) are the basic unit of time and in turn, determine the duration of the half notes, dotted half notes, and whole notes.

— The conductor is advised to observe two and three-beat groupings according to the rhythm of the text and melody combined.

— For reasons of musical interest most of the pieces contain two contrasting settings of the antiphon. Antiphon I should be heard after the odd numbered verses, and Antiphon II after the even numbered verses. Long antiphons have one setting.


We hope you enjoyed this guest post by Jon Naples.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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