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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dogma as the Servant of Mystery

Dr. Peter Kwasniewski · May 15, 2014

HRISTIANITY LIBERATES the intellect through revealing what is true about God, Christ, man, the world. As such, Christian revelation enables the mind to know absolute truth, even if incompletely, and enables the mind to express these truths propositionally, as all the Councils from Nicea to Trent succeeded in doing.

Credal or conciliar statements are icons that reveal and conceal, signposts that cannot signify the fullness of what they target but are, for all that, in no way deceptive or false. Theology certainly has a propositional and therefore a “scientific” side to it, which must not be allowed to become totally dominant but which cannot be suppressed without damaging the fabric of revealed doctrine. As a modern theologian notes, the intention of proclaiming a dogmatic definition “aims at protecting the mystery which is the object of faith, which is not totally accessible to reason. This is possible because human reason can always see if some assertion curtails the totality or catholicity of the mystery. Thus the definitions surround the mystery like cherubs armed with swords of flame.” Theology cannot be a true spiritual exercise unless it is also episteme, that is, certain knowledge that can be grasped but not ever exhausted by the intellect. St. Thomas’s distinction between apprehension and comprehension, or Gabriel Marcel’s distinction between “problem” and “mystery,” are germane here.

In her formal and systematic theology the Catholic Church is not detracting from or ossifying a living faith but, on the contrary, drawing further riches from its inner mysteries, in order that faith may put its roots still more deeply into revelation and shield itself from the narrowness of error. In this way, dogmatic theology or the dogmatic impulse undergirds the life of prayer, mystical ascent, and communion; without it, these other things could not prosper, or prospering, would begin to deviate like a plant untended by the gardener. Each age seems to spawn its own diseases that bid fair to overtake and kill the garden; no age finds the Church unprepared to extirpate them.

Formulas intensify and clarify just what the mystery is. The mystery is amplified in its very character as mystery when it is defined, because it is no longer “floating out there” but is tied to a definite affirmation about glorified reality as revealed to us by God, even though we can never reach the bottom of this affirmation. The difference between “Christ is somehow present here in the Eucharist” and the definite idea that “the glorified Christ is truly and really present here, body, blood, soul, and divinity, under the appearances of bread and wine which are no longer substantially bread and wine,” is worthy of consideration. The former is a vague, though nicely suggestive, idea. The latter is definite, a strong triumphant proclamation of a supernatural truth that we can never comprehend but can definitely and clearly believe.

From this follow many consequences for liturgy, worship, and prayer. The Scholastics were able to be ultraconceptual because of their transconceptual love of God, their great love of His glory and honor and sublimity. This is how they could work so superhumanly hard and accomplish so much. Because we moderns, in contrast, have such an anemic spiritual life, afflicted by Cartesian intellectualism, we project this cold-bloodedness back onto the medievals. But the spiritual life of the medievals was ecstatic, mystical, enveloped in prayer and liturgy. The great scholastics, such as Bonaventure, Albert, and Thomas, were holy fools, knight-errants of crucified eros. That is the only explanation of their almost divine concentration, comprehension, and devotion. Where did Albert get the strength and apostolic fervor to visit every diocese of Germany on foot, in addition to writing what will occupy some 40 folio volumes in the critical edition of his works, in addition to his constant preaching, teaching, and praying? If one reads about the life of Thomas the accomplishments are no less miraculous. The pope who said Tot miracula, quot articula―as many articles as he wrote, so many miracles did he perform―was not merely engaging in verbal wit.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

He stood firm against nepotism, rebuking his predecessor Pope Pius IV to his face when he wanted to make a 13-year-old member of his family a cardinal and subsidize a nephew from the papal treasury.

— Re: Pope Saint Pius V (d. 1572)

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  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”

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