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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Book Review: Killing Jesus

Fr. David Friel · April 20, 2014

DMITTEDLY, I am a little late to throw my hat in the ring. Nevertheless, I would like to share my thoughts about one of the best-selling books of the last year, since one of my Lenten projects was to read it. Co-authored by Bill O’Reilly and Martin Dugard, Killing Jesus: A History is an exploration of the Person of Jesus and a view into the experience of life in ancient times.

[DISCLAIMER: I don’t like television; I seldom watch television; I don’t even own a television. As such, my reasons for reading this book and blogging about it have nothing to do with Bill O’Reilly, his politics (about which I know little), or his news show (which I understand draws sharply divided responses from the general populace). My interest is Jesus and what this book has to say about Him.]

With its concise subtitle, this book claims to be “A History.” What is meant by that would be difficult to intuit without reading the book. Categorizing this text in the history genre, to me, seems at once accurate and inaccurate. If the purpose of the subtitle is to dissuade potential readers from expecting a devotional work, then the term “history” works well. The book includes more than a few imaginative sections, however, wherein historical events are told in narrative format, and at these times the term “history” appears misapplied. A librarian could have real difficulty assigning a Dewey Decimal System number to this volume, but arguments could be made for the 200’s, the 900’s, or even the 92 biography section.

What I enjoyed most about this book was its presentation of major characters in the life and times of Jesus. These characters include Herod & Pompey the Great, John the Baptist & Mary Magdalene, Caiaphas & Pontius Pilate. So often, these can become mere names confined to the pages of history texts, rather than dynamic persons who shaped history. In developing these characters and others, the authors obviously utilized extra-Biblical sources. The book also describes in great detail for readers several important locations, such as Sepphoris, Jerusalem, and the Kidron Valley. In general, the sketches of both characters and places were helpful in establishing the wider context of Biblical life & times.

Another aspect of the work that I enjoyed is the authors’ decision not to divide the supposed “historical Jesus” from the “Christian God.” Since the advent of the historical critical method, it has become vogue to separate the “Jesus of history” from the “Christ of faith,” but O’Reilly and Dugard seem content to address matters factually and leave it to the reader to determine whether Jesus constitutes a divide or a unity.

Many reviewers have criticized the authors’ tendency to take the Gospels at face value, rather than treating them with the trenchant skepticism that is more acceptable in modern academia. For my own part, as a believing Christian who accepts wholeheartedly the canon of Sacred Scripture, I do not question the historicity of the Gospels. Actually, I rather appreciate the matter-of-fact acceptance of what the Evangelists have written. What other sources exist that are more worthy of trust?

Most of the “inaccuracies” highlighted by other reviewers are not so much true historical inaccuracies as points of squabble among the authors’ adversaries. For instance, was Paul a “former Pharisee who became a convert to Christianity,” as the authors describe him? Presuming that by “Christian,” one means a follower of Christ, this seems like a perfectly true statement.

I possess no faculties to grant an imprimatur, but for those who are concerned about issues of orthodoxy or scandal, I found nothing questionable in Killing Jesus. What I found was an eminently readable portrait of Jesus of Nazareth that has helped me to see His life in fuller context and to recognize some of the many factors that precipitated His death.

Is this book the definitive account of Jesus’ life? No, we still have the four Gospels for that. But is it a worthwhile companion that might spark new ideas, perspectives, and questions in the heart and mind of a believer? I believe so.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.