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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Book Review: Killing Jesus

Fr. David Friel · April 20, 2014

DMITTEDLY, I am a little late to throw my hat in the ring. Nevertheless, I would like to share my thoughts about one of the best-selling books of the last year, since one of my Lenten projects was to read it. Co-authored by Bill O’Reilly and Martin Dugard, Killing Jesus: A History is an exploration of the Person of Jesus and a view into the experience of life in ancient times.

[DISCLAIMER: I don’t like television; I seldom watch television; I don’t even own a television. As such, my reasons for reading this book and blogging about it have nothing to do with Bill O’Reilly, his politics (about which I know little), or his news show (which I understand draws sharply divided responses from the general populace). My interest is Jesus and what this book has to say about Him.]

With its concise subtitle, this book claims to be “A History.” What is meant by that would be difficult to intuit without reading the book. Categorizing this text in the history genre, to me, seems at once accurate and inaccurate. If the purpose of the subtitle is to dissuade potential readers from expecting a devotional work, then the term “history” works well. The book includes more than a few imaginative sections, however, wherein historical events are told in narrative format, and at these times the term “history” appears misapplied. A librarian could have real difficulty assigning a Dewey Decimal System number to this volume, but arguments could be made for the 200’s, the 900’s, or even the 92 biography section.

What I enjoyed most about this book was its presentation of major characters in the life and times of Jesus. These characters include Herod & Pompey the Great, John the Baptist & Mary Magdalene, Caiaphas & Pontius Pilate. So often, these can become mere names confined to the pages of history texts, rather than dynamic persons who shaped history. In developing these characters and others, the authors obviously utilized extra-Biblical sources. The book also describes in great detail for readers several important locations, such as Sepphoris, Jerusalem, and the Kidron Valley. In general, the sketches of both characters and places were helpful in establishing the wider context of Biblical life & times.

Another aspect of the work that I enjoyed is the authors’ decision not to divide the supposed “historical Jesus” from the “Christian God.” Since the advent of the historical critical method, it has become vogue to separate the “Jesus of history” from the “Christ of faith,” but O’Reilly and Dugard seem content to address matters factually and leave it to the reader to determine whether Jesus constitutes a divide or a unity.

Many reviewers have criticized the authors’ tendency to take the Gospels at face value, rather than treating them with the trenchant skepticism that is more acceptable in modern academia. For my own part, as a believing Christian who accepts wholeheartedly the canon of Sacred Scripture, I do not question the historicity of the Gospels. Actually, I rather appreciate the matter-of-fact acceptance of what the Evangelists have written. What other sources exist that are more worthy of trust?

Most of the “inaccuracies” highlighted by other reviewers are not so much true historical inaccuracies as points of squabble among the authors’ adversaries. For instance, was Paul a “former Pharisee who became a convert to Christianity,” as the authors describe him? Presuming that by “Christian,” one means a follower of Christ, this seems like a perfectly true statement.

I possess no faculties to grant an imprimatur, but for those who are concerned about issues of orthodoxy or scandal, I found nothing questionable in Killing Jesus. What I found was an eminently readable portrait of Jesus of Nazareth that has helped me to see His life in fuller context and to recognize some of the many factors that precipitated His death.

Is this book the definitive account of Jesus’ life? No, we still have the four Gospels for that. But is it a worthwhile companion that might spark new ideas, perspectives, and questions in the heart and mind of a believer? I believe so.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough

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