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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Summer Programs at the Thomas More College of Liberal Arts

Gwyneth Holston · April 8, 2014


GWYN_Catholic Writers

CATHOLIC WRITERS WITH JOSEPH PEARCE
One week, June 22 – June 28 $550 includes room, tuition, books and meals

This one-week program, designed for high school juniors and seniors, will illustrate the manner in which writers throughout the ages have communicated truth through the medium of beauty. Taught by Joseph Pearce, writer in residence at Thomas More College and author of almost twenty critically-acclaimed books, the program will enable students to understand the greatest works of Christian civilization. Those who enroll in the program will also be offered the opportunity to write a book review, the best of which will be published in the St. Austin Review (www.staustinreview.com), an international journal of Catholic culture of which Professor Pearce is the editor.


GWYN_Drawing
NATURALISTIC DRAWING AT THE INGBRETSON STUDIO
Two weeks, July 20 – August 2 $1500 includes room, tuition, art supplies and meals

Established in 1982, the Ingbretson Studio provides a direct link to the 19th Century Boston School approach. The “Boston School” sought to combine the truth of impressionist color with good draughtsmanship, sound composition and skillful paint handling. The 19th Century Boston Art Program will consist of days spent at the studio doing charcoal cast drawings, evening lectures at Thomas More College, and weekend trips to local museums. If you are seeking to refine your skill as an artist and lover of beauty and tradition, this is not a program you want to miss! Participants have the option of completing one or two weeks of the program.


GWYN_Iconography

ICONOGRAPHY WITH DAVID CLAYTON
One week, July 27 – August 2 $550 includes room, tuition, art supplies and meals

This one-week program is taught by the College’s artist in residence, David Clayton, an internationally known painter of icons, who was trained in the natural sciences at Oxford University and in the techniques of Baroque painting at one of the ateliers of Florence. He has received commissions at churches and monasteries in the U.S. and in Europe, and has illustrated a variety of Catholic books, most recently one written by scripture scholar and apologist Scott Hahn. Students will learn the techniques of traditional icon-painting as well as have the opportunity to attend evening lectures on art and beauty.


GWYN_GBP
GREAT BOOKS PROGRAM
Two weeks, July 6 – July 19 $975 includes room, tuition, books and meals

At the 2014 Great Books Program, you will join other students in discovering the inspiring well-springs of truth and the ever fresh source of Western civilization. During this two-week program, you will surround yourself with a community of learners dedicated to renewing that spirit of learning and living developed in the schools of Greece and Rome, and in the universities of the Middle Ages. Here you will build friendship meant to last as you study, play sports, hike, and pray together. Moreover, you will experience the healthy balance of prayer, work, and leisure—essential to the undergraduate life of Thomas More College.


GWYN_leadership

CATHOLIC LEADERSHIP INSTITUTE
Two weeks, July 6 – July 19 $975 includes room, tuition, books and meals

Join a small group of aspiring young leaders who will study the social and political teachings of the Catholic Church. Spend part of your summer working with faculty and tested leaders at Thomas More College. Dedicate yourself for two weeks to the challenges of the classroom and the opportunities for real leadership and service in southern New Hampshire and Northeast Massachusetts. Seminars, formal dinners, excursions, and works of service provide the backdrop for the two-week program.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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