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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Summer Programs at the Thomas More College of Liberal Arts

Gwyneth Holston · April 8, 2014


GWYN_Catholic Writers

CATHOLIC WRITERS WITH JOSEPH PEARCE
One week, June 22 – June 28 $550 includes room, tuition, books and meals

This one-week program, designed for high school juniors and seniors, will illustrate the manner in which writers throughout the ages have communicated truth through the medium of beauty. Taught by Joseph Pearce, writer in residence at Thomas More College and author of almost twenty critically-acclaimed books, the program will enable students to understand the greatest works of Christian civilization. Those who enroll in the program will also be offered the opportunity to write a book review, the best of which will be published in the St. Austin Review (www.staustinreview.com), an international journal of Catholic culture of which Professor Pearce is the editor.


GWYN_Drawing
NATURALISTIC DRAWING AT THE INGBRETSON STUDIO
Two weeks, July 20 – August 2 $1500 includes room, tuition, art supplies and meals

Established in 1982, the Ingbretson Studio provides a direct link to the 19th Century Boston School approach. The “Boston School” sought to combine the truth of impressionist color with good draughtsmanship, sound composition and skillful paint handling. The 19th Century Boston Art Program will consist of days spent at the studio doing charcoal cast drawings, evening lectures at Thomas More College, and weekend trips to local museums. If you are seeking to refine your skill as an artist and lover of beauty and tradition, this is not a program you want to miss! Participants have the option of completing one or two weeks of the program.


GWYN_Iconography

ICONOGRAPHY WITH DAVID CLAYTON
One week, July 27 – August 2 $550 includes room, tuition, art supplies and meals

This one-week program is taught by the College’s artist in residence, David Clayton, an internationally known painter of icons, who was trained in the natural sciences at Oxford University and in the techniques of Baroque painting at one of the ateliers of Florence. He has received commissions at churches and monasteries in the U.S. and in Europe, and has illustrated a variety of Catholic books, most recently one written by scripture scholar and apologist Scott Hahn. Students will learn the techniques of traditional icon-painting as well as have the opportunity to attend evening lectures on art and beauty.


GWYN_GBP
GREAT BOOKS PROGRAM
Two weeks, July 6 – July 19 $975 includes room, tuition, books and meals

At the 2014 Great Books Program, you will join other students in discovering the inspiring well-springs of truth and the ever fresh source of Western civilization. During this two-week program, you will surround yourself with a community of learners dedicated to renewing that spirit of learning and living developed in the schools of Greece and Rome, and in the universities of the Middle Ages. Here you will build friendship meant to last as you study, play sports, hike, and pray together. Moreover, you will experience the healthy balance of prayer, work, and leisure—essential to the undergraduate life of Thomas More College.


GWYN_leadership

CATHOLIC LEADERSHIP INSTITUTE
Two weeks, July 6 – July 19 $975 includes room, tuition, books and meals

Join a small group of aspiring young leaders who will study the social and political teachings of the Catholic Church. Spend part of your summer working with faculty and tested leaders at Thomas More College. Dedicate yourself for two weeks to the challenges of the classroom and the opportunities for real leadership and service in southern New Hampshire and Northeast Massachusetts. Seminars, formal dinners, excursions, and works of service provide the backdrop for the two-week program.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

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