Seven Theses for the Evaluation of Music

Dr. Peter Kwasniewski · March 6, 2014

Let us listen consistently to the greatest works in music and make them the exemplars, the teachers, the inspirations and consolations of our interior life as aesthetic beings.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Music List • “Ascension of the Lord”

Readers have expressed interest in examining my “music list” for this coming Sunday.

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—Jeff Ostrowski

PDF Download • “For Pentecost Sunday”

There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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—Jeff Ostrowski

PDF Download • “Organ Accompaniment”

The following declaration will probably smack of “blowing my own horn.”

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—Jeff Ostrowski

“Thee” + “Thou” + “Thine”

Regarding approval for the “Revised Standard Version (Catholic Edition).”

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—Jeff Ostrowski

“Reminder” — Month of May (2026)

Since a new month has arrived, it’s my pleasure to remind you that…

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—Jeff Ostrowski

Simplified Version • “Canon in D” (Pachelbel)

I don’t care what people say; I love this piece!

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—Jeff Ostrowski

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

Seven Theses for the Evaluation of Music

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About Dr. Peter Kwasniewski

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