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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Confusion and Annoyance” — Pope Paul VI on the New Liturgy (1965)

Jeff Ostrowski · March 26, 2014

714 Paul VI N CERTAIN MATTERS, Catholics are free to disagree with statements by a pope so long as they express their disagreement in a respectful manner. Speaking for myself, I don’t agree with everything Pope Paul VI said in the following quotation — specifically his third paragraph. If you have any thoughts, please feel free to share them in the combox.

[ The following address was given by Pope Paul VI on 17 March 1965. ]

N AN AUDIENCE such as this our talk must deal with the topic of the moment, namely, the application of the liturgical reform to the celebration of the Mass. What we would really like, except that the public nature of this audience makes it unfeasible, is-as we do in private conversations-to ask your own views on this great change. It certainly merits our consideration. We believe, however, that your reply to our question would be much the same as those we have already heard.

CONFUSION AND ANNOYANCE:

Liturgical reform? The answers can be reduced to two categories. The first type of reply is that which manifests a certain confusion and therefore a certain annoyance. Previously, they say, there was peace, each person could pray as he wished, the whole sequence of the rite was well known; now everything is new, startling, and changed; even the ringing of the bells at the Sanctus is done away with; and then those prayers which one doesn’t know where to find; Holy Communion received standing; Mass ending suddenly with the blessing; everybody answering, many people moving around, rites and readings which are recited aloud … In short, there is no longer any peace and we now know less than we did before; and so on.

We shall not criticize these views because then we would have to show how they reveal a poor understanding of the meaning of religious ceremonial and allow us to glimpse not a true devotion and a true appreciation of the meaning and worth of the Mass, but rather a certain spiritual laziness which is not prepared to make some personal effort of understanding and participation directed to a better understanding and fulfilment of this, the most sacred of religious acts, in which we are invited, or rather obliged, to participate.

AN IRREVERSIBLE DEVELOPMENT:

We shall repeat what pastoral priests and teachers of religion have been saying frequently these days. First~ that in the beginning there will be a certain amount of confusion and some irritation is inevitable. It is of the very nature of a reform of religious practices which are deeply rooted and cherished, a reform both practical and spiritual, that it should cause some upset and be sometimes difficult. Secondly, that explanation and preparation and a certain degree of attentive assistance will speedily remove the uncertainties and soon give rise to an appreciation and enthusiasm for the new order. Because, thirdly, one must not imagine that after a short time we will once again be silent and devotional or lazy, as formerly.

No, the new scheme of things must be different and must prevent or stir up the passivity of those attending Mass. Previously it was enough to be there; now we must participate. Previously our presence was sufficient; now we demand attention and action. Previously one could doze or perhaps even have a chat; but no longer; now one must listen and pray. We hope that very soon both priests and people will be able to obtain the new liturgical books, and that in their new form, whether literary or typographical, these will reflect the dignity of the old books. The congregation will be alive and active—participation means that the activity flows from the soul, whether it be through paying attention, responding, singing, or gesturing.

The harmony of a communal act performed, not merely according to its external form, but under the interior impulse of the sentiment of faith and piety, endows the ceremony with a special power and beauty. It becomes a choir or symphony, the rhythm of an immense wing flying towards the heights of divine mystery and joy.

ENTHUSIASM AND PRAISE:

The second category of comments regarding the first celebrations of the new liturgy which have reached us is rather that of enthusiasm and praise. They say: now at last one can understand and follow the complicated and mysterious ceremonial; at last one can take pleasure in it; at last the priest speaks to the people and one can see that he is acting with them and for them. We have moving evidence from the ordinary people, from children and young people, from critics and onlookers, from holy people earnest in devotion and prayer, from men of wide and serious experience and of real culture. The evidence is positive. An old and most distinguished gentleman, a man of wonderful spirit and of a most refined spirituality, and therefore never fully satisfied, felt obliged to go along to the celebrant after the first celebration of the new liturgy to express to him frankly his happiness at having at last, perhaps for the first time in his life, participated to the full spiritual measure in the holy sacrifice.

TWO SPIRITUAL ACTS:

It may be objected that this type of interest and this type of holy excitement will quiet down and quickly settle into a new and peaceful habit. What is there that man will not grow accustomed to? But it is to be hoped that the religious enthusiasm stirred up by the new form of a worship will not lessen and that with it there will be a consciousness of the obligation to perform simultaneously two spiritual acts: on the one hand a true and personal participation in the ceremony, with all that this implies which is essentially religious; on the other hand, communion with the assembly of the faithful, with the “Church.” The first of these acts tends towards love of God, the second to the love of our neighbor. This is the gospel of love realizing itself in the souls of our time; it is truly something beautiful, new, wonderful, full of life and hope.

But you will have understood, dear sons and daughters, that this liturgical innovation, this spiritual renewal, cannot take place without cooperation, without your free and serious participation. We so desire your cooperation that, as you have seen, we have made it the subject of our talk; and in the confidence that you will indeed give it willingly we promise you many, many blessings from the Lord, of which we assure you with this our apostolic blessing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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