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Views from the Choir Loft

Twelve Films I Recommend to Catholic Artists

Gwyneth Holston · January 20, 2014


GWYN_Diary of a Country Priest Big
LTHOUGH TRULY meaningful films are few and far between, there are some that are profound on both artistic and theological levels. Most of the films on my list have subtitles and are in black and white. It takes more effort to watch these movies, but they stick with you for a long time.

Here are my favorites in no particular order. They withstand repeated viewing because of their richness and complexity. Most of them are available through the Criterion Collection.

Please comment with your recommendations!

1. Jeux Interdits (1952). Two young children cope with the idea of death on a small farm in France during WWII. This is suitable for teens and adults.


GWYN_Jeux Interdits

2. Diary of a Country Priest (1951). Excellent film adaptation of the book. A young priest is stationed in a difficult parish and all he does seems to result in failure. A visual representation of spiritual turmoil. This is suitable for all ages, but children and teens may find it incomprehensible.


GWYN_Diary of a Country Priest Small

3. The Flowers of St. Francis (1950). A series of vignettes that are of such purity and charm that they come very close to the spirit of the written version. This is suitable for all ages.


GWYN_Flowers of St Francis

4. The Seventh Seal (1957). A Swedish fantasy drama about the meaning of life. This is suitable for all ages, but I don’t think children would enjoy it.


GWYN_The Seventh Seal

5. Black Narcissus (1947). An incredible novel by Rumer Godden that follows the story of a group of Anglican nuns who attempt to found a mission in India. The intoxicating landscape attacks each of the nuns differently. This film is suitable for adults.


GWYN_Black Narcissus

6. La Grande Illusion (1937). A film by Jean Renoir that questions war via a dialogue by a cast of complex characters. Suitable for all ages, but only appreciated by adults.


GWYN_La Grande Illusion

7. The Ninth Day (2004). The story of a Priest who is on leave from a concentration camp for nine days. Each day he must converse with a young Nazi officer on the topics of good and evil. Suitable for teens and adults.


GWYN_The Ninth Day

8. The River (1951). Startlingly beautiful yet brutally unexpected film adaptation of Rumer Godden’s coming of age novel of a British girl in India. Suitable for adults.


GWYN_The River

9. The Mission (1986). Two Spanish Jesuits work in a South American mission and must defend them. Suitable for adults.


GWYN_The Mission

10. Pickpocket (1959). Interesting portrait of a man who flirts with temptation and almost loses his identity. Visually exquisite. N.B. The little girl from Diary of a Country Priest plays an adult in this film. Suitable for teens and adults.


GWYN_Pickpocket

11. Whistle Down the Wind (1961). When an injured wife murderer takes refuge on a remote Lancashire farm, the owners three children mistakenly believe him to be the Second Coming of Christ. This is suitable for children.


GWYN_Whistle Down the Wind

12. Angels with Dirty Faces (1938). A priest tries to stop a gangster from corrupting a group of street kids. This film is suitable for children.


GWYN_Angels with Dirty Faces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The Latin language, “far from being held in little regard, is certainly worthy of being vigorously defended.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
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