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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Twelve Films I Recommend to Catholic Artists

Gwyneth Holston · January 20, 2014


GWYN_Diary of a Country Priest Big
LTHOUGH TRULY meaningful films are few and far between, there are some that are profound on both artistic and theological levels. Most of the films on my list have subtitles and are in black and white. It takes more effort to watch these movies, but they stick with you for a long time.

Here are my favorites in no particular order. They withstand repeated viewing because of their richness and complexity. Most of them are available through the Criterion Collection.

Please comment with your recommendations!

1. Jeux Interdits (1952). Two young children cope with the idea of death on a small farm in France during WWII. This is suitable for teens and adults.


GWYN_Jeux Interdits

2. Diary of a Country Priest (1951). Excellent film adaptation of the book. A young priest is stationed in a difficult parish and all he does seems to result in failure. A visual representation of spiritual turmoil. This is suitable for all ages, but children and teens may find it incomprehensible.


GWYN_Diary of a Country Priest Small

3. The Flowers of St. Francis (1950). A series of vignettes that are of such purity and charm that they come very close to the spirit of the written version. This is suitable for all ages.


GWYN_Flowers of St Francis

4. The Seventh Seal (1957). A Swedish fantasy drama about the meaning of life. This is suitable for all ages, but I don’t think children would enjoy it.


GWYN_The Seventh Seal

5. Black Narcissus (1947). An incredible novel by Rumer Godden that follows the story of a group of Anglican nuns who attempt to found a mission in India. The intoxicating landscape attacks each of the nuns differently. This film is suitable for adults.


GWYN_Black Narcissus

6. La Grande Illusion (1937). A film by Jean Renoir that questions war via a dialogue by a cast of complex characters. Suitable for all ages, but only appreciated by adults.


GWYN_La Grande Illusion

7. The Ninth Day (2004). The story of a Priest who is on leave from a concentration camp for nine days. Each day he must converse with a young Nazi officer on the topics of good and evil. Suitable for teens and adults.


GWYN_The Ninth Day

8. The River (1951). Startlingly beautiful yet brutally unexpected film adaptation of Rumer Godden’s coming of age novel of a British girl in India. Suitable for adults.


GWYN_The River

9. The Mission (1986). Two Spanish Jesuits work in a South American mission and must defend them. Suitable for adults.


GWYN_The Mission

10. Pickpocket (1959). Interesting portrait of a man who flirts with temptation and almost loses his identity. Visually exquisite. N.B. The little girl from Diary of a Country Priest plays an adult in this film. Suitable for teens and adults.


GWYN_Pickpocket

11. Whistle Down the Wind (1961). When an injured wife murderer takes refuge on a remote Lancashire farm, the owners three children mistakenly believe him to be the Second Coming of Christ. This is suitable for children.


GWYN_Whistle Down the Wind

12. Angels with Dirty Faces (1938). A priest tries to stop a gangster from corrupting a group of street kids. This film is suitable for children.


GWYN_Angels with Dirty Faces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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