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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Twelve Films I Recommend to Catholic Artists

Gwyneth Holston · January 20, 2014


GWYN_Diary of a Country Priest Big
LTHOUGH TRULY meaningful films are few and far between, there are some that are profound on both artistic and theological levels. Most of the films on my list have subtitles and are in black and white. It takes more effort to watch these movies, but they stick with you for a long time.

Here are my favorites in no particular order. They withstand repeated viewing because of their richness and complexity. Most of them are available through the Criterion Collection.

Please comment with your recommendations!

1. Jeux Interdits (1952). Two young children cope with the idea of death on a small farm in France during WWII. This is suitable for teens and adults.


GWYN_Jeux Interdits

2. Diary of a Country Priest (1951). Excellent film adaptation of the book. A young priest is stationed in a difficult parish and all he does seems to result in failure. A visual representation of spiritual turmoil. This is suitable for all ages, but children and teens may find it incomprehensible.


GWYN_Diary of a Country Priest Small

3. The Flowers of St. Francis (1950). A series of vignettes that are of such purity and charm that they come very close to the spirit of the written version. This is suitable for all ages.


GWYN_Flowers of St Francis

4. The Seventh Seal (1957). A Swedish fantasy drama about the meaning of life. This is suitable for all ages, but I don’t think children would enjoy it.


GWYN_The Seventh Seal

5. Black Narcissus (1947). An incredible novel by Rumer Godden that follows the story of a group of Anglican nuns who attempt to found a mission in India. The intoxicating landscape attacks each of the nuns differently. This film is suitable for adults.


GWYN_Black Narcissus

6. La Grande Illusion (1937). A film by Jean Renoir that questions war via a dialogue by a cast of complex characters. Suitable for all ages, but only appreciated by adults.


GWYN_La Grande Illusion

7. The Ninth Day (2004). The story of a Priest who is on leave from a concentration camp for nine days. Each day he must converse with a young Nazi officer on the topics of good and evil. Suitable for teens and adults.


GWYN_The Ninth Day

8. The River (1951). Startlingly beautiful yet brutally unexpected film adaptation of Rumer Godden’s coming of age novel of a British girl in India. Suitable for adults.


GWYN_The River

9. The Mission (1986). Two Spanish Jesuits work in a South American mission and must defend them. Suitable for adults.


GWYN_The Mission

10. Pickpocket (1959). Interesting portrait of a man who flirts with temptation and almost loses his identity. Visually exquisite. N.B. The little girl from Diary of a Country Priest plays an adult in this film. Suitable for teens and adults.


GWYN_Pickpocket

11. Whistle Down the Wind (1961). When an injured wife murderer takes refuge on a remote Lancashire farm, the owners three children mistakenly believe him to be the Second Coming of Christ. This is suitable for children.


GWYN_Whistle Down the Wind

12. Angels with Dirty Faces (1938). A priest tries to stop a gangster from corrupting a group of street kids. This film is suitable for children.


GWYN_Angels with Dirty Faces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

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