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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are You a Servant Leader?

Richard J. Clark · December 13, 2013

URING THIS BUSY LITURGICAL SEASON, when music directors are often overwhelmed, there is little time to think, no less listen to others. However, it still might make sense to take stock of what kind of leaders we are. It is not enough to just be a good musician. We must be smart about our leadership.

A colleague recently sent me this article: How to Become a Servant Leader, by Emma Johnson. Although written for those in the business world, the wisdom here fits beautifully in the world of sacred music. Putting moral, ethical or even altruistic reasons aside, there is a simple pragmatism here of getting the very most productivity out of not only employees but also volunteers, especially if one is a director.

The opening line alone is intriguing: “Bossing around employees is so passé.” The very essence of what a conductor must do is tell people what to do. This doesn’t change, but giving people the tools and emotional environment to accomplish what a director asks is key.

Emma Johnson writes:

“Bossing around employees is so passé. Developing people, treating them with respect, encouraging their talents and input—these are trends that research has proven build strong companies and give them the competitive edge. Servant leadership—the philosophy of focusing first on the needs of employees and customers—has gained popularity in recent years, with numerous Fortune 500 firms like TDIndustries, Aflac and Synovus subscribing to its principles.

“If you really listen to your colleagues and figure out how to get them what they need, they will perform at a higher level, which improves the customer experience, which affects business results,” says Kent Keith, CEO of Greenleaf Center for Servant Leadership…The essence of servant leadership—serve the employees first, and success with clients will follow—might appear to be the antithesis of modern business.”

She breaks down the basic areas of “Servant Leadership” into five areas:
• Listen
• Appreciate
• Respect
• Develop
• Unleash (Let the gifts of your musicians shine!)

This model is perfectly applicable to music ministry. Furthermore, leadership and authority are two very different things. Some with authority do not command respect. Many without authority have more influence than those in charge. Servant leadership in no way compromises authority or clarity of direction. It does not necessarily mean making everyone happy. In fact, a Servant Leader will usually earn the respect and trust of others. Do so, and you can change the world.

Finally, I offer a FREE DOWNLOAD (PDF) of a setting of Psalm 96 for the Christmas Mass at Midnight based on chant Puer natus for SATB, Schola, Organ, and 2 Trumpets. Were I a better servant leader, I would have made this tool available sooner! (One may discern much from negative example.)

The multipage PDF includes:
• Full score
• Trumpet parts
• Choir/Cantor part
• Congregation insert.

To find Responsorial Psalms for the entire liturgical year by several extraordinary composers, look to the Chabanel Responsorial Psalms. These are made available for FREE by a true servant leader, Jeff Ostrowski.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

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