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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are You a Servant Leader?

Richard J. Clark · December 13, 2013

URING THIS BUSY LITURGICAL SEASON, when music directors are often overwhelmed, there is little time to think, no less listen to others. However, it still might make sense to take stock of what kind of leaders we are. It is not enough to just be a good musician. We must be smart about our leadership.

A colleague recently sent me this article: How to Become a Servant Leader, by Emma Johnson. Although written for those in the business world, the wisdom here fits beautifully in the world of sacred music. Putting moral, ethical or even altruistic reasons aside, there is a simple pragmatism here of getting the very most productivity out of not only employees but also volunteers, especially if one is a director.

The opening line alone is intriguing: “Bossing around employees is so passé.” The very essence of what a conductor must do is tell people what to do. This doesn’t change, but giving people the tools and emotional environment to accomplish what a director asks is key.

Emma Johnson writes:

“Bossing around employees is so passé. Developing people, treating them with respect, encouraging their talents and input—these are trends that research has proven build strong companies and give them the competitive edge. Servant leadership—the philosophy of focusing first on the needs of employees and customers—has gained popularity in recent years, with numerous Fortune 500 firms like TDIndustries, Aflac and Synovus subscribing to its principles.

“If you really listen to your colleagues and figure out how to get them what they need, they will perform at a higher level, which improves the customer experience, which affects business results,” says Kent Keith, CEO of Greenleaf Center for Servant Leadership…The essence of servant leadership—serve the employees first, and success with clients will follow—might appear to be the antithesis of modern business.”

She breaks down the basic areas of “Servant Leadership” into five areas:
• Listen
• Appreciate
• Respect
• Develop
• Unleash (Let the gifts of your musicians shine!)

This model is perfectly applicable to music ministry. Furthermore, leadership and authority are two very different things. Some with authority do not command respect. Many without authority have more influence than those in charge. Servant leadership in no way compromises authority or clarity of direction. It does not necessarily mean making everyone happy. In fact, a Servant Leader will usually earn the respect and trust of others. Do so, and you can change the world.

Finally, I offer a FREE DOWNLOAD (PDF) of a setting of Psalm 96 for the Christmas Mass at Midnight based on chant Puer natus for SATB, Schola, Organ, and 2 Trumpets. Were I a better servant leader, I would have made this tool available sooner! (One may discern much from negative example.)

The multipage PDF includes:
• Full score
• Trumpet parts
• Choir/Cantor part
• Congregation insert.

To find Responsorial Psalms for the entire liturgical year by several extraordinary composers, look to the Chabanel Responsorial Psalms. These are made available for FREE by a true servant leader, Jeff Ostrowski.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • Jeffrey Tucker: “USCCB Deserves Scorn for Maintaining Strict Copyright Over Liturgical Texts.”
  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”

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