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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What passion cannot music raise and quell!

Veronica Brandt · November 23, 2013

203 St. Cecilia [1] Click to enlarge image OR YESTERDAY’S FEAST, a piece of non-liturgical poetry praising the power of music. If you have read it before, you won’t mind seeing it again. If you haven’t read it, you are in for a treat.

Best read aloud.

A Song for Saint Cecilia’s Day by John Dryden,

From harmony, from Heav’nly harmony
    This universal frame began.
  When Nature underneath a heap
    Of jarring atoms lay,
  And could not heave her head,
The tuneful voice was heard from high,
    Arise ye more than dead.
Then cold, and hot, and moist, and dry,
  In order to their stations leap,
    And music’s pow’r obey.
From harmony, from Heav’nly harmony
    This universal frame began:
    From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in man.

What passion cannot music raise and quell!
    When Jubal struck the corded shell,
  His list’ning brethren stood around
    And wond’ring, on their faces fell
  To worship that celestial sound:
Less than a god they thought there could not dwell
  Within the hollow of that shell
  That spoke so sweetly and so well.
What passion cannot music raise and quell!

  The trumpet’s loud clangor
    Excites us to arms
  With shrill notes of anger
    And mortal alarms.
  The double double double beat
    Of the thund’ring drum
    Cries, “Hark! the foes come!
Charge! charge! ’tis too late to retreat!”

  The soft complaining flute
  In dying notes discovers
  The woes of hopeless lovers,
Whose dirge is whisper’d by the warbling lute.

  Sharp violins proclaim
Their jealous pangs, and desperation,
Fury, frantic indignation,
Depth of pains and height of passion,
  For the fair, disdainful dame.

But oh! what art can teach
What human voice can reach
  The sacred organ’s praise?
  Notes inspiring holy love,
Notes that wing their Heav’nly ways
  To mend the choirs above.

Orpheus could lead the savage race;
And trees unrooted left their place;
  Sequacious of the lyre:
But bright Cecilia rais’d the wonder high’r;
When to her organ, vocal breath was giv’n,
An angel heard, and straight appear’d
  Mistaking earth for Heav’n.

Grand chorus

As from the pow’r of sacred lays
  The spheres began to move,
And sung the great Creator’s praise
  To all the bless’d above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And music shall untune the sky.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

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