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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Fear of the Lord

Dr. Peter Kwasniewski · November 7, 2013

225 Hieronymus Bosch “Last Judgment” (Hieronymus Bosch) S SAINT Thomas Aquinas explains in the Summa theologiae (II-II, qu. 19), the gift of the Holy Spirit that corresponds to the theological virtue of hope is fear of the Lord.

There are two basic types of fear: servile and filial. Servile fear is the slave’s fear of a master who will punish him for wrongdoing. Filial fear, also known as reverential fear, is the good child’s fear of dishonoring a loving parent. The Spirit’s gift to us is filial fear, as befits adopted “sons in the Son.”

At this point one would do well to recall the traditional Catholic understanding of punishment. The one who does wrong to another has wilfully violated or withheld the good owed to that other, and therefore deserves to be deprived, against his will, of some good of his own. Punishment goes against what one would want for oneself according to sensuality or the will of nature; accordingly, it is displeasing. Rightly so: he who chooses to cling to a good in a disordered way, deserves to have some good taken away from him without his choice, for the restoration of order. Hence, one could say that servile fear is fear of being displeased, of being punished by a judge, and is thus essentially selfish; whereas filial fear is fear of being displeasing, of doing wrong to a friend, and is thus essentially concerned with the beloved, the honor and love due to him.

In this way, the more we love God, the less we will fear in the manner of slaves cowering before a punitive Master, but the more intensely we will hold in reverential fear His great paternal goodness, which is worthy of all of our loving service—indeed, worthy of far more than we can render to Him even in the measureless span of eternity—and against which we rightly fear to sin.

For Saint Thomas (and the larger tradition he inherits), there are two vices opposed to hope: despair and presumption (cf. II-II, qq. 20–21). Despair is a vice in the direction of defectiveness: it is to abandon one’s hope of attaining the goal of heaven when one is, in fact, capable of attaining it with God’s help. Presumption, on the contrary, is a vice in the direction of excess: one has an inflated hope, laying claim to some reward beyond one’s actual merits. Instead of soaring to heaven by God’s help (which is the very basis of our hope), we think to do it on our own—and that is a sin against hope.

Note that the one who despairs has a false understanding of God, much like a slave could have a false picture of a good master: God’s mercy is forgotten, and God’s desire to save us grows distant from our minds. One who presumes, on the other hand, has a false understanding of himself: he thinks he has what it takes to reach perfection. He loses the reverential fear that tells him how utterly poor he is as a creature and how great is the Lord’s uncreated glory. So he forgets God’s primacy in saving him.

WHAT PRECEPTS OR COMMANDS of the Law are given in regard to hope and fear (cf. II-II, qu. 22)? Saint Thomas observes that Sacred Scripture is constantly urging us to place our hope in God by way of promises, warnings, and commands, because so much is at stake when it comes to where we place, or do not place, our hope—no less a good than our very salvation, which can only come from God. God so loves us that He commands us to place our hope in Him, knowing what is best for us and willing our happiness.

Confronted with such fatherly generosity, how could we not love Him in return and run to Him with trust, casting off the slave’s despair and the presumption of the self-made man, approaching Him with reverent fear to receive from His outstretched hands the crown of immortality?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Saint Thomas Aquinas Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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