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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What’s So Great About The Mass Propers?

Jeff Ostrowski · November 5, 2013

229 St. Augustine St. Augustine of Hippo (†430AD) ISHOP SHEEN famously pointed out in his Preface to Radio Replies that the world is not progressing intellectually. (It’s doubtful Sheen would have changed his opinion if he were alive today, especially considering the nonsense being uploaded to the internet on a daily basis!) Those who aren’t familiar with the Preface can read it here, but here’s the gist of his argument:

In the early centuries, controversy centered on such lofty and delicate problems as the Trinity, the Incarnation, and the union of Natures in the person of the Son of God. What was the last doctrine to be defined in 1870? It was the capability of man to use his brain and come to a knowledge of God. Now, if the world is progressing intellectually, should not the existence of God have been defined in the first century and the nature of the Trinity have been defined in the nineteenth? In the order of mathematics this is like defining the complexities of logarithms in the year 42, and the simplification of the addition table in the year 1942.

A document approved by the USCCB in 2006 called “Directory for Music” seems consonant with Sheen’s theory, stating (among other things):

“Liturgical songs must never be permitted to make statements about the faith which are untrue.”

Wow … talk about going back to the basics! In so many ways, our liturgical life has also regressed over the last forty years. For example, consider the revision of the Lectionary. A Responsorial psalm was inserted into the Mass, based on a few enigmatic references of Pope Leo the Great and St. Augustine. (We’ll talk about St. Augustine again below). We know one thing for certain: not one of the hundreds of Responsorial psalms created by Bugnini’s team remotely resembles or sounds like anything the 5th century might have had. Amazingly, the Ordo Lectionum Missae even calls the Responsorial psalm a “special type of Gradual” (and this is repeated in the Introduction to the Lectionary).

LEAVING ASIDE THE TOTAL LACK of historical basis for the Responsorial Psalm, the superficial way the psalm batters “themes” from the readings is distressing. I’ve been planning to write about this for some time, and hopefully I can find time at some point. Briefly stated, the Responsorial psalm “interprets” the readings in a juvenile, simplistic way that is not profound. Whoever picked them out seems to have no understanding of the true depth of sacred Scripture. As Sheen hinted, if we were “progressing,” our understanding of Scripture ought to be getting deeper each year, not more superficial.

Regarding the effort to find a “theme” for each Mass from the readings (ignoring the Propers, of course!), many good people have been fooled by this notion, and we will continue to discuss this. However, Fr. Deryck Hanshell’s important article (“Elephantiasis of the Word”) is germane, and here’s an excerpt:

The notion has bedevilled us that the Mass must have a “theme.” But there is no need to seek for this. The theme of each and every Mass is one and the same: the redemption.

At the risk of sounding like a broken record, the Propers ought never to have been discarded, and the Second Vatican Council was called (in part) to help people pray the Mass, not replace the Mass. Consider the beautiful Alleluia Verse for the feast of the Purification:

Senex Púerum portábat: Puer autem senem regébat.
The old man carried the Child: but the Child governed the old man.
Modern Translation: The old man was carrying the infant child; but it was the child who was guiding the man.

This is a beautiful verse from a Sermon by St. Augustine (see below). What makes this verse truly unique is that it’s not from Scripture, whereas in the Roman Rite, most of the Propers are from the Bible. Some people think this entire feast (Mass & Office) were heavily influenced by the East, since the Eastern liturgies often use non-scriptural texts.

Bugnini tried to get rid of this verse in the new Missal. Happily, however, it was retained in the Graduale. But why replace the verse at all? On the one hand, they inserted the “Responsorial psalm” (based on an ambiguous statement or two by St. Augustine) which has no historical precedent. On the other hand, they tried to get rid of St. Augustine’s beautiful verse, which has been part of the liturgy for more than 1,000 years, as you can see here. It makes no sense.

By the way, one nice feature of the Lalemant Propers (simplified settings of the Propers in English) is the inclusion of solemnities, like St. Joseph, the Purification, the Annunciation, and so forth. Because they’re based on the Graduale texts (as the Church has asked), they have the beautiful verse from St. Augustine.

Sermon by St. Augustine the Bishop

Concerning that time it was written: And of Sion it shall be reported that he was born in her, and the Most High shall stablish her. O how blessed is the omnipotence of him that was born! Yea, how blessed is the glory of him that came down from heaven to earth! Whilst he was yet in his Mother’s womb, he was saluted by St. John the Baptist. And when he was presented in the temple, he was recognized by the old man Simeon, a worthy who was full of years, proved and crowned. This ancient one, as soon as he knew him, worshipped and said: Lord, now lettest thou thy servant depart in peace, for mine eyes have seen thy salvation.

He had lingered in the world to see the birth of him who made the world. The old man knew the Child, and in that Child became a child himself, for in the love wherewith he regarded the Father of all, he felt his own years to be but as yesterday. The ancient Simeon bare in his arms the new-born Christ, and all the while, Christ ruled and upheld the old man. Simeon had been told by the Lord that he should not taste of death before he had seen the birth of the Lord’s Christ. Now that Christ was born , all the old man’s wishes on earth were fulfilled. He that was come into a decrepit world now also came to an old man.

Simeon wished not to remain long in the world, but with great desire he had desired to see Christ in the world, for he had sung with the Prophet: Shew us thy mercy, O Lord, and grant us thy salvation. And now at last, that ye might know how that, to his joy, his prayer was granted, he said: Now lettest thou thy servant depart in peace, for mine eyes have seen thy salvation. The Prophets have sung that the Maker of heaven and earth would converse on earth with men. An Angel hath declared that the Creator of flesh and spirit would come in the flesh. The unborn John, yet in the womb, hath saluted the unborn Saviour yet in the womb. The old man Simeon hath seen God as little Child.   [Sermo 13 de Tempore, post init.]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Hymns Replacing Propers, Novus Ordo Lectionary Reform, Senex Puerum Portabat Last Updated: May 5, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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