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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aparecida

Fr. David Friel · October 13, 2013

ESTERDAY WAS THE FEAST of Nossa Senhora Aparecida. Because she only appears on the calendar of saints particular to Brazil, I couldn’t celebrate her liturgically. I did, however, offer Mass for the memorial of the Blessed Virgin Mary on Saturday with Our Lady of Aparecida specially in mind.

One of the greatest blessings of my pilgrimage to World Youth Day in Rio was a side trip to the mammoth, 45,000-seat basilica in Aparecida. It was not the size of the place, of course, that made the visit remarkable. It was rather the opportunity to stand and pray in the presence of the miraculous statue of our Lady that is as important to Brazilians as the tilma is to Mexicans.

One day in October 1717, there were three fishermen out on the river Paraíba. The fishermen were having a hard time finding any fish, so they called upon Our Lady of the Immaculate Conception for assistance. When they lowered their nets, they caught a headless statue of the Blessed Virgin. After lowering their nets again, the head, too, was salvaged. Then, much like the similar Gospel story, they lowered their nets one more time and made a tremendous catch of fish. From that day forward, they attributed the miraculous catch to the intercession of our Lady. She was given the title “Nossa Senhora Aparecida,” meaning, “Our Lady Who Has Appeared,” referring to the statue dredged from the river. The dark colored statue, less than three feet tall, is presently enthroned in the great Basilica in Aparecida and serves as the precious icon of the Patroness of Brazil.

Before arriving at World Youth Day, Pope Francis paid a visit to the shrine. He said in his homily there:

Today, looking forward to the World Youth Day which has brought me to Brazil, I, too, come to knock on the door of the house of Mary—who loved and raised Jesus—that she may help all of us—pastors of God’s people, parents and educators—to pass on to our young people the values that can help them build a nation and a world which are more just, united and fraternal.

Throughout the World Youth Days, themselves, a replica statue of Aparecida was displayed to the side of the altar erected on Copacabana Beach. At one point, the Holy Father even blessed the crowd with the statue. The pope’s love for the Blessed Mother, in particular under this title, was evident.

This weekend, at the direction of the Holy Father, we are consecrating the whole world to the Immaculate Heart of Mary. Many parishes around the globe are offering the same prayer at the conclusion of Masses all weekend. As a product of Catholic schools staffed by the Sisters, Servants of the Immaculate Heart of Mary (Immaculata, PA), I am thrilled by this consecration. In this month of the holy rosary and on this anniversary of the apparitions at Fatima, what better could we do than consecrate this world in which we live back to God, Who gave it to us?

The Holy Father is inviting us to step closer to the Blessed Virgin. When we strive to be like Mary, we embrace her virtues—kindness, gentleness, compassion, humility, strength, peace. When those virtues become a part of us, something miraculous transpires. Our Lady “appears” again. She appears in us and through us to all those around us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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