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Views from the Choir Loft

Holy Michael Archangel

Veronica Brandt · September 28, 2013

Jaume Huguet's St Michael The painting belongs to an altarpiece of Sts Michael and Stephen, originally in the church Santa Maria del Pi in Barcelona. Painted by Jaume Huguet (c.1415 – 1492) Not one, but two hymns that the omniscient Google didn’t know about, in honour of St Michael the Archangel.

The first, an unattributed gem from The English Catholic Hymn Book (W. Knott & Sons, Revised and augmented edition 1955)

1. Holy Michael, great Archangel,
Nerve thine arm and bare thy sword,
Lead us with thy dazzling legions,
In the battle for the Lord:
Sure defence and trusty safeguard,
Let thy mighty strength afford.

2. Not with flesh and blood we wrestle,
Not as man with man contend,
But against the powers of darkness,
Who on craft and lies depend:
Treachery and shame and violence,
All the cause of Hell befriend.

3. Through God’s threefold fair creation,
Through the earth, the sea, the sky,
Wander Satan’s loathly spirits,
Luring souls of men to die:
Cast them down, O Prince of Angels,
By the power of God most high.

4. All who pouring out their life blood,
More than conquer in the fight,
All who in th’ unequal combat,
Fall beneath the oppressor’s might:
Christ the King’s great Standard-Bearer,
Lead into the Holy Light!

Download the sheet music of this hymn set to the tune Regent Square HERE

The second, a translation of Te splendor et virtus Patris by F C Husenbeth (1796-1872):

1. The splendour of the Father’s rays,
Thee, our heart’s life, we gladly praise,
Jesus, our hymns to Thee we bring,
And ‘midst Thy prostrate Angels sing.

2. Ten thousand warriors armed on high,
Embattled angels fill the sky:
Michael the conquering chief appears,
On high the glorious cross he rears.

3. He with salvation’s sign unfurl’d,
The dragon down the abyss has hurled,
The rebels with their chief are driv’n,
Scathed by the lightning flash, from Heav’n.

4. Then faithful at the chieftain’s side
Pursue the hateful king of pride,
Till from the Lamb a heavenly crown
Rewards us with unquenched renown.

5. To God the Father glory give,
To God the Son through whom we live,
The like, O Holy Ghost, to Thee,
Which ever was, shall ever be.

Download this hymn set to the tune Old Hundredth HERE

What’s your favourite tribute to St Michael?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sheet Music Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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