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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More On “Mass Facing The People”

Jeff Ostrowski · September 27, 2013

“Where do the conciliar texts speak of communion in the hand, for example, or where do they enjoin the so-called altar facing the people, which is scant testimony to that ‘giving perfect glory to God’ which the liturgy constitution says (in para. 5) is the goal and purpose of worship? The answer is: Nowhere.” — Bishop Rudolf Graber of Regensburg (July, 1985)

374 Josemaría Escrivá St. Josemaría Escrivá celebrating Mass HE RISING POPULARITY of the internet has made it more difficult for people to misrepresent the teachings of the Second Vatican Council. At this point in time, a good number of Catholics realize that the Council never once mentioned “Mass facing the people,” and the current (2011) rubrics still assume the priest will be ad orientem. A multitude of documents treating this question can be found here.

The current rubrics tell the priest when he must turn around and face the people. This would be superfluous were he already facing them. However, the current rubrics also (sometimes) tell the priest when he must turn back around (i.e. resume facing the Altar), and this is often overlooked.

For example, look at rubric #157 of the General Instruction for the Roman Missal (2000):

157.  Oratione conclusa, sacerdos genuflectit, accipit hostiam, eamque aliquantulum elevatam super patenam vel super calicem tenens, versus ad populum, dicit: Ecce Agnus Dei …

157.  At the conclusion of this prayer, the priest genuflects and takes up the host (which he elevates slightly above the paten or chalice), and, having turned toward the people, says: “Behold the Lamb of God …. “

As soon as that’s over, the rubrics say:

158.  Postea, stans ad altare conversus, sacerdos secreto dicit: Corpus Christi …

158.  Then, having turned back around to face the altar, the priest says silently: “May the Body of Christ …”

THESE RUBRICS have been there since the very beginning. For instance, here’s what the 1969 GIRM said for that section:


The interesting thing is, contrary to what we might expect, these rubrics have been strengthened over the years. (On this, see Rev. Hunwicke’s article, here.)

By the way, don’t forget that, over the last forty years, the numbering system for the GIRM has changed, slight modifications have been made, and the Missal rubrics have been slightly altered as well. However, as I already mentioned, the rubrics which indicate the direction of the priest have been strengthened through the years.


REMINDER:  It is also lawful to celebrate Mass “facing the people” according to current Ecclesiastical law, even though this practice was never mentioned by Second Vatican Council.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

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