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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeb Bush And The Sacred Liturgy

Jeff Ostrowski · September 15, 2013

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.” — Rev. Adrian Fortescue (The Mass, 397)

HE TRUE NAME of “Jeb” Bush is John Ellis Bush. The nickname “Jeb” is for men with the initials J-E-B. For instance, a family friend’s name is “James E. Botega,” but we grew up calling him Jeb.

It doesn’t make “sense” to use the nickname Jeb. If you say, “Hello, Jeb Bush” you’re saying “Bush” twice, because “Bush” is included in the acronym “Jeb.” If you say, “Hello, Jeb Botega,” it doesn’t make sense, because “Botega” is already included in the acronym “Jeb.”

Certain features of the Liturgy also don’t make “sense,” but are kept because they come from tradition. Tradition is important to Catholics. When we adhere to our sacred tradition, we honor our Lord in a special way and give testimony to the Church’s antiquity.

A typical example of what I’m talking about is the Ite, Missa Est. This dismissal has a venerable history, although the first dismissal (Dismissal of Catechumens) fell out of use as the centuries went on. I have to be careful to limit my comments here, because (like so many other liturgical subjects) the Ite, Missa Est has a fascinating and complex history. As a matter of fact, the name “Mass” seems to have come from the dismissal. For our purposes, it is sufficient to mention that even after the Ite, Missa Est has been sung, the Traditional Mass continues with several other parts (Placeat, Blessing, Last Gospel) and some might argue this doesn’t make “sense.” If you want to learn more about the Ite, Missa Est, a good start would be Adrian Fortescue’s article.

It would be annoying if a loud mouth yelled out “His name is John” after someone addressed Jeb Bush with his nickname.

It would be equally annoying if a loud mouth yelled, “Hey, Priest, why are you wearing a Cope? Copes were used by monks when it was raining and there’s not a cloud in the sky!”

These things are traditions. Traditions are not required to make “sense.”

POPE EMERITUS BENEDICT reminded us in one of his books: “The Second Vatican Council did not reform the liturgy. It ordered its reformation.” In other words, the Council gave principles, but the actual reform was left to others. I’ve been deeply troubled recently, studying the polemical and biased account of this reform by Archbishop Annibale Bugnini. As time goes on, perhaps we can speak more about this. So much of the reform seems to have been haphazard, partisan, disorganized, and done by unqualified people who didn’t do their homework. “Change for the sake of change” (although contrary to Counciliar documents) seems to have been part of this.

Sometimes, traditions in existence for well over 1,000 years (like the Crosses in the Roman Canon) were gotten rid of because modern theologians were unable to fully understand their genesis or purpose. It’s almost like saying: “Hmmm, I don’t really understand what this is. Let’s get rid of it.” This is not appropriate when it comes to Liturgy. Heck, forget the Liturgy … this principle isn’t even applicable to cleaning one’s house!  I like to dispose of items whenever I don’t know: (a) what they are; (b) where they came from; or (c) their purpose. However, my wife doesn’t like when I do this … and I’ve come to realize it’s wrong. I especially hate reading the parts where Bugnini labels some ancient prayer or long-standing rubric “unsuitable” without giving an explanation. I subscribe to the theory that says, “If it was good enough for Catholics over the last 1500 years, it’s good enough for me.”

The Council was supposed to “update” the Church for modern man, right? Yet, many practices were brought back from antiquity (many of them invented, we now know) even though these had been abandoned for good reasons as the Church grew and theology developed. Many bishops and priests have suggested reforming the Reform, that is, bringing the current Rite into conformity with what the Second Vatican Council ordered. This needs to be examined.

P.S.

I’m not trying to be argumentative by using the word “polemical” to describe Bugnini’s book, but every time someone objects to his proposed changes he refers to “attacks” (his word) and this gets old really fast.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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