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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeb Bush And The Sacred Liturgy

Jeff Ostrowski · September 15, 2013

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.” — Rev. Adrian Fortescue (The Mass, 397)

HE TRUE NAME of “Jeb” Bush is John Ellis Bush. The nickname “Jeb” is for men with the initials J-E-B. For instance, a family friend’s name is “James E. Botega,” but we grew up calling him Jeb.

It doesn’t make “sense” to use the nickname Jeb. If you say, “Hello, Jeb Bush” you’re saying “Bush” twice, because “Bush” is included in the acronym “Jeb.” If you say, “Hello, Jeb Botega,” it doesn’t make sense, because “Botega” is already included in the acronym “Jeb.”

Certain features of the Liturgy also don’t make “sense,” but are kept because they come from tradition. Tradition is important to Catholics. When we adhere to our sacred tradition, we honor our Lord in a special way and give testimony to the Church’s antiquity.

A typical example of what I’m talking about is the Ite, Missa Est. This dismissal has a venerable history, although the first dismissal (Dismissal of Catechumens) fell out of use as the centuries went on. I have to be careful to limit my comments here, because (like so many other liturgical subjects) the Ite, Missa Est has a fascinating and complex history. As a matter of fact, the name “Mass” seems to have come from the dismissal. For our purposes, it is sufficient to mention that even after the Ite, Missa Est has been sung, the Traditional Mass continues with several other parts (Placeat, Blessing, Last Gospel) and some might argue this doesn’t make “sense.” If you want to learn more about the Ite, Missa Est, a good start would be Adrian Fortescue’s article.

It would be annoying if a loud mouth yelled out “His name is John” after someone addressed Jeb Bush with his nickname.

It would be equally annoying if a loud mouth yelled, “Hey, Priest, why are you wearing a Cope? Copes were used by monks when it was raining and there’s not a cloud in the sky!”

These things are traditions. Traditions are not required to make “sense.”

POPE EMERITUS BENEDICT reminded us in one of his books: “The Second Vatican Council did not reform the liturgy. It ordered its reformation.” In other words, the Council gave principles, but the actual reform was left to others. I’ve been deeply troubled recently, studying the polemical and biased account of this reform by Archbishop Annibale Bugnini. As time goes on, perhaps we can speak more about this. So much of the reform seems to have been haphazard, partisan, disorganized, and done by unqualified people who didn’t do their homework. “Change for the sake of change” (although contrary to Counciliar documents) seems to have been part of this.

Sometimes, traditions in existence for well over 1,000 years (like the Crosses in the Roman Canon) were gotten rid of because modern theologians were unable to fully understand their genesis or purpose. It’s almost like saying: “Hmmm, I don’t really understand what this is. Let’s get rid of it.” This is not appropriate when it comes to Liturgy. Heck, forget the Liturgy … this principle isn’t even applicable to cleaning one’s house!  I like to dispose of items whenever I don’t know: (a) what they are; (b) where they came from; or (c) their purpose. However, my wife doesn’t like when I do this … and I’ve come to realize it’s wrong. I especially hate reading the parts where Bugnini labels some ancient prayer or long-standing rubric “unsuitable” without giving an explanation. I subscribe to the theory that says, “If it was good enough for Catholics over the last 1500 years, it’s good enough for me.”

The Council was supposed to “update” the Church for modern man, right? Yet, many practices were brought back from antiquity (many of them invented, we now know) even though these had been abandoned for good reasons as the Church grew and theology developed. Many bishops and priests have suggested reforming the Reform, that is, bringing the current Rite into conformity with what the Second Vatican Council ordered. This needs to be examined.

P.S.

I’m not trying to be argumentative by using the word “polemical” to describe Bugnini’s book, but every time someone objects to his proposed changes he refers to “attacks” (his word) and this gets old really fast.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The conciliar norms regarding reform of the liturgy have given the choir’s function greater prominence and importance. The choir is responsible for the correct performance of the parts that belong to it…”

— “Musicam Sacram” (5 March 1967)

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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