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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeb Bush And The Sacred Liturgy

Jeff Ostrowski · September 15, 2013

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.” — Rev. Adrian Fortescue (The Mass, 397)

HE TRUE NAME of “Jeb” Bush is John Ellis Bush. The nickname “Jeb” is for men with the initials J-E-B. For instance, a family friend’s name is “James E. Botega,” but we grew up calling him Jeb.

It doesn’t make “sense” to use the nickname Jeb. If you say, “Hello, Jeb Bush” you’re saying “Bush” twice, because “Bush” is included in the acronym “Jeb.” If you say, “Hello, Jeb Botega,” it doesn’t make sense, because “Botega” is already included in the acronym “Jeb.”

Certain features of the Liturgy also don’t make “sense,” but are kept because they come from tradition. Tradition is important to Catholics. When we adhere to our sacred tradition, we honor our Lord in a special way and give testimony to the Church’s antiquity.

A typical example of what I’m talking about is the Ite, Missa Est. This dismissal has a venerable history, although the first dismissal (Dismissal of Catechumens) fell out of use as the centuries went on. I have to be careful to limit my comments here, because (like so many other liturgical subjects) the Ite, Missa Est has a fascinating and complex history. As a matter of fact, the name “Mass” seems to have come from the dismissal. For our purposes, it is sufficient to mention that even after the Ite, Missa Est has been sung, the Traditional Mass continues with several other parts (Placeat, Blessing, Last Gospel) and some might argue this doesn’t make “sense.” If you want to learn more about the Ite, Missa Est, a good start would be Adrian Fortescue’s article.

It would be annoying if a loud mouth yelled out “His name is John” after someone addressed Jeb Bush with his nickname.

It would be equally annoying if a loud mouth yelled, “Hey, Priest, why are you wearing a Cope? Copes were used by monks when it was raining and there’s not a cloud in the sky!”

These things are traditions. Traditions are not required to make “sense.”

POPE EMERITUS BENEDICT reminded us in one of his books: “The Second Vatican Council did not reform the liturgy. It ordered its reformation.” In other words, the Council gave principles, but the actual reform was left to others. I’ve been deeply troubled recently, studying the polemical and biased account of this reform by Archbishop Annibale Bugnini. As time goes on, perhaps we can speak more about this. So much of the reform seems to have been haphazard, partisan, disorganized, and done by unqualified people who didn’t do their homework. “Change for the sake of change” (although contrary to Counciliar documents) seems to have been part of this.

Sometimes, traditions in existence for well over 1,000 years (like the Crosses in the Roman Canon) were gotten rid of because modern theologians were unable to fully understand their genesis or purpose. It’s almost like saying: “Hmmm, I don’t really understand what this is. Let’s get rid of it.” This is not appropriate when it comes to Liturgy. Heck, forget the Liturgy … this principle isn’t even applicable to cleaning one’s house!  I like to dispose of items whenever I don’t know: (a) what they are; (b) where they came from; or (c) their purpose. However, my wife doesn’t like when I do this … and I’ve come to realize it’s wrong. I especially hate reading the parts where Bugnini labels some ancient prayer or long-standing rubric “unsuitable” without giving an explanation. I subscribe to the theory that says, “If it was good enough for Catholics over the last 1500 years, it’s good enough for me.”

The Council was supposed to “update” the Church for modern man, right? Yet, many practices were brought back from antiquity (many of them invented, we now know) even though these had been abandoned for good reasons as the Church grew and theology developed. Many bishops and priests have suggested reforming the Reform, that is, bringing the current Rite into conformity with what the Second Vatican Council ordered. This needs to be examined.

P.S.

I’m not trying to be argumentative by using the word “polemical” to describe Bugnini’s book, but every time someone objects to his proposed changes he refers to “attacks” (his word) and this gets old really fast.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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