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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

If the Shoe Fits

Andrew R. Motyka · September 11, 2013

Y MOTHER USED TO TELL ME the old cliche, “If the shoe fits, wear it.” Her implied corollary was, “If the shoe doesn’t fit, don’t wear it.” FUN FACT: the implement pictured to the right is known as a “Brannock Device.” My wife and I tossed around what we thought it was called (“Shoe Sizometer” was the front runner), and learned that.

Traditionalists have gotten a bad shake for many years in the Church. They’re always getting lumped in with dissident and schismatic groups, even when they are no such thing. For this reason, along with being unable to celebrate what is now called the Extraordinary Form in many places, Trads (a term I use not derogatorily, but with affection) tend to be a bit defensive about any criticism against them. I’m asking you to let down those defenses for just a few minutes, and consider the following:

Traditionalists have a reputation problem. Some of the criticism against them is perfectly justified, some not, and some is just collateral damage because the critic is recalling previous bad experiences with trads. As a semi-Trad myself (note that, in my effort to escape a label, I’m just creating more labels), I have some suggestions for behavior, especially online, that bastion of rational discourse without any hyperbole or extremism. Ever.

NOTE: I am obviously not addressing all Trads here, hence the title of this post. I am guilty of some of these myself.

One of the biggest problems I’ve noticed with online Trads is that of tone. This is a pretty broad statement to make on a medium like the internet, which has all the subtlety of a chainsaw. What I particularly mean in the case of traditionalists is the tone of superiority. Many comments and posts I read are laced with disdain for the Great Unwashed that are part of the larger Church. Simply put, we don’t need that superiority. If the truth is really on our side, rhetorical bombs just aren’t necessary. Furthermore, that kind of tone acts more to drive people away than to win them over. I know that it’s easier to write another person off because they prefer guitars to polyphony, but condescension certainly doesn’t help the guitar lover, and it will also bleed over into anyone else who reads that discussion later. Remember this the next time you want to call Guitar Guy a heretic. Speaking of which…

Don’t assume the worst in others. I do this one all the time. If a liturgist or a politician is out of line with the norm, I’ll assume, even inwardly, that he truly desires the destruction of the Church. How much more likely is it that that person is taking a different approach, in a different spiritual state in life, or simply uncatechized? As I wrote in one of my first entries, many times a person, even an opinionated one, just doesn’t know. We do a lot more for the cause of tradition by speaking the truth firmly but gently and leaving the person with a good taste, so they remember The Kind (Even if Wrong) Trad instead of just That Jerk. A variation of this approach is…

The desire to see others kicked out of the Church. Some will defend this approach by saying that Benedict XVI predicted a smaller, more faithful Church. Please understand that this was not a desired scenario, but a facing of reality in the postmodern world. If Benedict wanted to rid the Church of the riff-raff, he could have. He didn’t, because that’s not what the Church is for. It’s for all of us, especially the ones who screw up on a consistent basis. I’m not saying that we should change the proclamation of the truth, just that seeking to purge the Church of dissidents is not going to happen, nor is it a Christian solution. Worse yet, I see Trads (only online, never in person, thank the Lord) hoping others end up in hell, either explicitly or implicitly. There is an accurate label for such people: sociopaths.

Overall, what the Trad community needs is a sane public face. No one wants to join a group of angry, bitter reactionaries (just ask most LCWR communities). They want to be a part of something that fulfills them and makes them happy. Also remember that Tradition is a means to an end: the salvation of the whole world through Jesus Christ. If your approach to forwarding the traditional practices of the Church and her liturgy gets in the way of that mission, then you’re doing something wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

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  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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