Views from the Choir Loft

Chant antiphon for peace

Veronica Brandt · September 7, 2013 ·

ODAY IS A DAY OF PRAYER and fasting for peace in Syria. At 7pm in Rome the Pope will lead the rosary for the crowds in St Peter’s Square. There have been many suggestions for ways to join in, including alms-giving, taking the time to teach young ones about war here on earth and the peace which Christ gives and bringing people together to pray.

Gregorian chant is a great resource for transcending cultural differences and joining people in prayer. There is a simple chant especially for peace. It has been a good one to teach to children as it is fairly short and has that great yearning sound to it.

Da pacem Domine in diebus nostris, quia non est alius, qui pugnet pro nobis nisi tu Deus noster.

Grant peace, Lord, in our days; for there is no other who will fight for us, except thee, our God.

Here is a recording of my son and me singing it.

You can find the score in gregobase or download and print this arrangement matching the antiphon with Psalm 50, Miserere Mei.

Our Lady, Queen of Peace, pray for us! (and happy birthday for tomorrow!)

“>Here is the link for the top photo.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.

Could Pope St. Pius X Sing?

“On 12 March 1908, the complete publication of the Roman Gradual was issued by the Vatican Press. On that very day, Dom Pothier solemnly presented the first copy to the Holy Father. A witness of the audience says that Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement pro aliquibus locis—it was the Introit of the new Feast of Our Lady of Lourdes. The Pope sang it with perfect taste to the last note.” (Catholic Choirmaster, February 1915)

—Jeff Ostrowski

Julius Bas Accompaniment

A very prolific harmonizer of Gregorian chant in the early 20th century was Mr. Julius Bas. He often uses a very strange technique, wherein he employs rests to eliminate the Alto, Tenor, and Bass voices. Consider what he did with “Lumen ad revelationem” here:

* JPEG • Lumen ad revelationem

It seems quite lazy, and I’ve never seen anyone else use such a technique, although Dr. Peter Wagner often switched to parallel octaves when he ran out of ideas… (Yuck!)

—Jeff Ostrowski

Hitting wrong notes

Fr. Valentine Young, OFM, used to say: “The organist can play 1,000 correct notes and one wrong note—and the only thing people will care about is the wrong note.” Last Sunday I hit some wrong notes, and felt bad. Then I remembered a story about Rudolf Serkin and started to chuckle. Charles Rosen (or was it Leon Fleisher?) told the story of Serkin playing a Beethoven Sonata in front of a large audience. The theme is all in octaves; but Serkin hit some wrong notes, and played parallel 7ths instead. This so unnerved him that every time the theme returned, he played the entire thing in parallel 7ths! We must remember that even the greatest hit wrong notes. Alfred Cortot, Vladimir Horowitz, Wilhelm Backhaus, Edwin Fischer, Sviatoslav Richter, Egon Petri—they all hit wrong notes, which we can hear on recordings. (Josef Hofmann was an exception, but he was super-human so he doesn’t count!)

—Jeff Ostrowski