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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Thank You, But Hold the Applause

Richard J. Clark · September 6, 2013

AM NOT SURE HOW AND WHEN it all began, but it has been increasingly common for congregations to applaud at the end of a recessional song or hymn. While this is a very well intended gesture of appreciation for the music ministers, it is indicative of both something right and something not entirely right. A close cousin of this is loud talking in the pews after (or before) mass while others are literally kneeling and trying mightily to pray.

Before I sound too grumpy, there are a few things here that are in the right direction and a few that are not. On the bright side, for someone who used to witness with regularity one third of the congregation disappearing after communion in order to beat the traffic, I am happy to see this practice becoming far less common than it was perhaps a decade or two ago. It is good that people are happy to be at church. It is a very good thing for people to form a close community. This cannot be overlooked with depressing statistics about declining mass attendance. (That is an issue for a dissertation, not a brief blog entry.)

But perhaps in part, the overall decline in mass attendance can be attributed to what is not quite right in this circumstance.

Pope Benedict XVI famously wrote:

“Wherever applause breaks out in the liturgy because of some human achievement, it is a sure sign that the essence of liturgy has totally disappeared and been replaced by a kind of religious entertainment. Such attractiveness fades quickly—it cannot compete in the market of leisure pursuits, incorporating as it increasingly does, various forms of religious titillation.” (The Spirit of the Liturgy, pg. 198-199)

Mass cannot, nor should not compete on a level of entertainment. “Such attractiveness fades quickly.” The mass brings something else entirely different. It is in our very human nature, the need to worship God. Our brains are wired for contemplation. It is within our very soul to connect with the divine. This desire and need is very human. Vatican II states:

“Christ indeed always associates the Church with Himself in this great work (of the liturgy) wherein God is perfectly glorified and men are sanctified. The Church is His beloved Bride who calls to her Lord, and through Him offers worship to the Eternal Father.”(Sacrosanctum Concillium §7)

Take the case of applause at the end of mass. Certainly, everyone understands the expression of such appreciation. However, quite interestingly, the more transformative the music, the less likely there will be applause. The more closely the music is connected with the liturgical action, the more it “adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites.” This is turn builds hearts, souls, minds, and a sense of close community.

At the end of a Recessional on Palm Sunday, it would seem very inappropriate to applaud or talk loudly after such a solemn occasion. This is because the people are filled with a deep interior silence that is moved by the transformative power of Jesus’ sacrifice for us all.

Speaking as a musician, it feels very uncomfortable to hear applause. If anything should be applauded, it should be the Eucharist and the Word. Of course, this is silly. As such, applauding music is just as silly. We don’t applaud the lectors or altar servers, greeters, or ushers, etc. Yet, they all serve an important ministry.

Finally, the best way to show appreciation for your music ministers is not through applause — for if there is applause, we have somehow failed to convey a sense of awe and reverence. For music ministers, there is no greater thrill than to hear a congregation singing with full hearts, minds and voices. Still, it is never about us.

Soli Deo gloria!
To God alone the Glory!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

“No official approbation is required for hymns, songs, and acclamations written for the assembly.”

— Statement by the “Bishops’ Committee on the Liturgy” (10-NOV-1996)

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