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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Returning from Rio

Fr. David Friel · August 4, 2013

EVER IN MY LIFE did I expect to go to Rio. This time last week, however, I was standing on Copacabana Beach in Rio de Janeiro, preparing to concelebrate the closing Mass of World Youth Day with our Holy Father, Pope Francis. Rather than add to the blog-o-squabble concerning the music, let me instead say a word about the silence.

At several points throughout World Youth Day, we were gathered on Copacabana Beach. We were surrounded by many noises—talking, traffic, the roar of the sea, etc. Against what one might have expected, though, the crowd actually became utterly silent at a few different moments.

The first such moment came when Pope Francis asked for a moment of silence to pray for a pilgrim who had been injured in a car accident. But this was only a warm up.

On the evening of the vigil, there were reportedly 3 to 4 million people on the beach and in the nearby streets. Were it not for the palpable presence of Christian charity, this would have been chaos. In the midst of all these people, it was the Real Presence that instructed order upon the gathering. When the Blessed Sacrament was exposed for adoration on the altar, those 3 to 4 million people became truly, utterly, deafeningly silent. From where I knelt on the beach, my group and I were able to relish in this beautiful silence. The only human voice we could hear was an occasional, “Sombrinha!” (Portugese for “umbrella”), the shout of an irreverent salesmen who continued to canvas the beach. The silence was stunning.

The third occasion of deep silence came after the reception of Holy Communion at the papal Mass on Sunday. With similarly enormous crowds, it was edifying to stand in the midst of huddled, silent masses, each person offering thanksgiving to God for the gift of His grace. Accomplishing this feat would be difficult in most of our parishes; that it was accomplished in a crowd of millions I interpret as a sign of the Spirit’s presence.

Dr. Kwasniewski recently completed an excellent series of blogs on silence. Every good musician, moreover, knows the essential role that silence plays within a piece of music. I was privileged to experience hallowed silence on a grand scale. Perhaps an even greater challenge is to cultivate this silence in an abiding way in our hearts.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

Recent Posts

  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026
  • “Rare Photographs” • Hannibal Bugnini
  • “Regina Caeli” • More Than You Wanted To Know
  • Music List • “5th Sunday of Easter” (Year A)

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