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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Give us our words back! (1 of 3)

Jeff Ostrowski · August 25, 2013

457 Manuscript Gregorian HE SECOND VATICAN COUNCIL famously declared in paragraph 23 of Sacrosanctum Concilium: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” But have you noticed they changed all the memorable passages of Scripture? What was so unsuitable about the old versions?

“Therefore, what God hath joined together, let no man put asunder.” — Mark 10:9
CURRENT: “Therefore what God has joined together, no human being must separate.”

“Behold, now is the acceptable time; behold, now is the day of salvation.” — II Corinthians 6:2
CURRENT: “Behold, now is a very acceptable time; behold, now is the day of salvation.”

“Render unto Caesar the things that are Caesar’s . . .” — Matthew 22:21
CURRENT: “Then repay to Caesar what belongs to Caesar . . .”

Did the good of the faithful “genuinely and certainly” require these changes? I’m fairly certain the piccoluomini would claim that these are not truly an “innovation” since Scripture has always been updated to some extent, but I’m not buying it. I cannot shake the feeling that our Pastor was correct years ago when he commented, “Jeff, if they don’t make changes like that, how do you expect them to keep copyrighting the Bible?”

I believe these changes have confused the faithful, helping create a situation where so many of our Catholic brethren possess a meager knowledge of the Bible. How we can expect anything else, when the translations are constantly changing?

A FEW WEEKS AGO, one of our readers emailed me an interesting quote. A former president of Universa Laus (a “progressive” group formed to counteract Pope Paul VI’s organization, CIMS) made the following statement on 27 June 2013:

DO NOT KNOW how many of you actually lived through the preconciliar period, but it is true to say that Catholics were an unbliblical people. Growing up before the Council, the prevailing mentality was one of “only Protestants read the Bible, Catholics don’t need to” — almost Calvinist in its arrogance. Yes, we knew the basic Gospel and Old Testament stories, but nothing apart from that.

When I left primary school in England, several years before the Council was summoned, every child in the class was given a copy of the Bible, courtesy of the local county council. This happened in every school. Because it was a Catholic school we received the Knox translation — very daring in those far-off days, because Douay-Rheims held sway for Catholics. (Every home had one, but no one ever opened it.)

When we were presented with our bibles, we were told “Whatever you do, don’t read it!”

I was born in the early 1980s, so I wasn’t there . . . but this statement just seems bogus to me. I have a hard time believing that nuns told young Catholics, “Whatever you do, don’t read the Bible!” Really? If anyone reading this was alive back then and recalls a teacher uttering such an injunction please let us know in the combox.


Click here to read Part 2.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

Recent Posts

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  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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