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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Help! What does Fr. Deryck Hanshell mean?

Jeff Ostrowski · August 23, 2013

463 General Inst. HANT CAFE has quoted the USCCB Secretariat of Divine Worship on 18 February 2012 saying that the GIRM “never speaks to every possible scenario that could take place” but only the “normative practice.”

If you don’t know what the “GIRM” is, download this 2011 version:   2011 Copy of the GIRM

As you read the rest of this article, please remember this 18 February 2012 statement.

REV. DERYCK HANSHELL (†1994) was an impressive Jesuit priest. Among other things, he served as master of Campion Hall (Oxford), Chairman of the Association for English Worship, assistant editor of a famous Jesuit magazine (The Month), and was associated with the papal nunciature in London. Here are several of his wonderful articles:

      * *  Several Articles by Fr. Deryck Hanshell • From Sacred Music Journal

While much of what he says is wonderful, I have some questions:

1st Question:   Why does Fr. Hanshell instruct the priest to stand “in front of the Altar, with his back to the people” for the beginning of Mass? The Roman Missal, the GIRM (#50), and Bishop Peter J. Elliott say the priest begins Mass “at the chair” (and, presumably, stays there fore what follows). Fr. Hanshell says the priest should go to the chair for the Collect.

2nd Question:   Why does Fr. Hanshell say that the Collect can be read from the Altar?

3rd Question:   Why does Fr. Hanshell say the priest should bow at the Confiteor?

4th Question:   Why does Fr. Hanshell say the priest should stand “in front of the Altar, with his back to the people” for the Creed? Bishop Peter J. Elliott says the priest stands at the chair for the Creed. (The GIRM and the Roman Missal don’t say where the priest should stand, as far as I can tell.)

5th Question:   Can anyone explain the reason why Fr. Hanshell says the following? “Readings need not be taken from the Jerusalem or modern American versions. The Revised Standard or the Douai are at least to be preferred.”

BY THE WAY, be careful when reading Fr. Hanshell’s articles, because sometimes he’s suggesting certain rubrics be changed. Here are some excerpts to back up what I mentioned above:

Page 3:   The priest standing (and bowing) before the altar for the penitential rite, his proceeding to the ambo, his going up to the altar: all this is eloquent of what is being done; and not least would it be so were he to go in procession to the pulpit.

Page 4:   The priest having ascended to the altar and kissed it, turns round, descends from the altar or takes a few paces away from it, turns to the altar again, bows deeply, and making the sign of the cross says “In the name of the Father” etc. Bowing again slightly the priest then turns to the people and greets them with “The Lord be with you” or one of the alternatives, following this with the Fratres agnoscamus. [ … ] Turning again to the altar and bowing deeply the priest then begins the Confiteor (if he is following this form of the penitential rite). He straightens up for the absolution (so called), and then follows the Kyrie recited in the same position and the Gloria if it is to be said. It seems appropriate that for the acts of penitence and adoration in this part of the Mass the priest should adopt the position here outlined. He can then go to the chair for the recitation of the collect. The server should hold the book which otherwise will have to be placed on a lectern: it is uncouth for the priest to hold it himself and this also prevents his extending his hands as he should do. Or else, though less suitably, the collect can be read from the altar.

[ … ]

Page 5:   It adds somewhat to the solemnity if the priest goes to the center in front of the altar and faces it for the creed, if this is to be said. All should bow deeply at the Incarnatus est except on the feasts of the Annunciation and the Nativity when all genuflect.

[ … ]

Page 5:   The priest then takes his position before the altar as at the opening of Mass, bows (slightly) and proceeds to his place at the altar for the offertory.

[ … ]

Page 9:   Not all perhaps will agree with all that has been said here, but if nevertheless it contributes to a more thorough awareness of what celebrating Mass entails it will have served its purpose.

Page 12:   In general, the order of Mass as we now have it, is to be seen as a modification of the previous order and not as something “new.” As was earlier suggested, the revised Mass is a later edition of the same western Mass (in its Roman form). The tendency has been to highlight where the present Mass differs from what went before, while minimizing what remains unchanged. We need to reverse this tendency. In emphasizing the present rite’s continuity with the previous one, such details as the use of the chalice veil should not be ignored.

Page 20:   I think the time is arriving when some of the old rubrics and gestures too hastily discarded will be brought back. Meanwhile it is for us surely to make the most of what is at present laid down. The principal ceremonies of the Mass have by no means been abrogated, though some have been modified. For instance in the creed we are to bow instead of (except on two occasions) genuflecting. The result is that ordinarily nobody does anything. It would help perhaps if priests made a proper bow and not just a slight inclination, and if they turned towards the altar when they did so. To stand before the altar facing it and with their backs to the people for the creed, and for the Confiteor at the beginning of Mass, bowing deeply for the appropriate periods would be better still.

[ … ]

Page 24:   They don’t have to be in the Jerusalem version or any modification of it. The Revised Standard Version is at least to be preferred.

[ … ]

Page 24:   Care to bow to the altar for the Confiteor and at the Incarnatus est, if indeed genuflection at the latter point should not be speedily and authoritatively reintroduced.

[ … ]

Page 26:   Readings need not be taken from the Jerusalem or modern American versions. The Revised Standard or the Douai are at least to be preferred.

[ … ]

Page 26:   Care should be taken to bow to the altar for the Confiteor and at the Et incarnatus est, if indeed genuflection at the latter point should not be speedily and authoritatively re-introduced.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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