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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Returning from Rio

Fr. David Friel · August 4, 2013

EVER IN MY LIFE did I expect to go to Rio. This time last week, however, I was standing on Copacabana Beach in Rio de Janeiro, preparing to concelebrate the closing Mass of World Youth Day with our Holy Father, Pope Francis. Rather than add to the blog-o-squabble concerning the music, let me instead say a word about the silence.

At several points throughout World Youth Day, we were gathered on Copacabana Beach. We were surrounded by many noises—talking, traffic, the roar of the sea, etc. Against what one might have expected, though, the crowd actually became utterly silent at a few different moments.

The first such moment came when Pope Francis asked for a moment of silence to pray for a pilgrim who had been injured in a car accident. But this was only a warm up.

On the evening of the vigil, there were reportedly 3 to 4 million people on the beach and in the nearby streets. Were it not for the palpable presence of Christian charity, this would have been chaos. In the midst of all these people, it was the Real Presence that instructed order upon the gathering. When the Blessed Sacrament was exposed for adoration on the altar, those 3 to 4 million people became truly, utterly, deafeningly silent. From where I knelt on the beach, my group and I were able to relish in this beautiful silence. The only human voice we could hear was an occasional, “Sombrinha!” (Portugese for “umbrella”), the shout of an irreverent salesmen who continued to canvas the beach. The silence was stunning.

The third occasion of deep silence came after the reception of Holy Communion at the papal Mass on Sunday. With similarly enormous crowds, it was edifying to stand in the midst of huddled, silent masses, each person offering thanksgiving to God for the gift of His grace. Accomplishing this feat would be difficult in most of our parishes; that it was accomplished in a crowd of millions I interpret as a sign of the Spirit’s presence.

Dr. Kwasniewski recently completed an excellent series of blogs on silence. Every good musician, moreover, knows the essential role that silence plays within a piece of music. I was privileged to experience hallowed silence on a grand scale. Perhaps an even greater challenge is to cultivate this silence in an abiding way in our hearts.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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