• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

A Personal Remembrance . . .

Corpus Christi Watershed · July 22, 2013

We have obtained permission to share the following reflection by Fr. Christopher Phillips, originally posted on 13 February 2013. Fr. Phillips knew Cardinal Ratzinger personally.

IKE SO MANY OTHERS, I have my personal memory of Pope Benedict, which took place some years ago, when he was the Cardinal Prefect of the Sacred Congregation for the Doctrine of the Faith.

In November of 1983 the small Commission of which I was a member had just finished our work on The Book of Divine Worship. As is the case with the Ordinariates, the Pastoral Provision came under the authority of the Congregation for the Doctrine of the Faith, working in conjunction with the Congregation for Divine Worship. Cardinal Ratzinger had greeted us as we began our deliberations, but we saw no more of him during the time of our meetings. When we finished, however, we were told that the Cardinal Prefect would like to invite us to a dinner to celebrate our accomplishment.

We were given the name of a very nice restaurant on the Via della Conciliazione, only a block or two from where we had been meeting. We were told to be there at such-and-such a time, and we would be taken to a private dining room upstairs.

As I said, the Commission was comprised of a small group (perhaps a dozen or so), and when we entered the room we were individually greeted by Cardinal Ratzinger. I had the good fortune to have been befriended by then-Archbishop (later Cardinal) Virgilio Noe, who was the chairman of our Commission. He had always seen that I was given time to speak at our meetings, and he often showed little kindnesses during our deliberations. For this final dinner, he made sure I was seated between him and the Cardinal Prefect.

Could I have imagined at that time that I was sitting and conversing with the future Pope? Not in a million years! It was dramatic enough to have had that time with him as a Cardinal. A few years ago I was able briefly to meet him again at one of the General Audiences, and I couldn’t help but remember the time we had shared so many years before.

And now, the man with whom I was privileged to share dinner and some conversation is the Pope who is making history in such an unexpected way. From that evening onward, I felt a connection with him, and I cannot describe how happy I was when he was elected to be the Successor of St. Peter. And because of that experience with him — fleeting though it was — I made the mistake of feeling [his resignation] personally. I know now why at first it upset me so. But over these past few days I have come not only to accept it, but to see it as part of God’s plan for the Church, and for Benedict himself.

Our beloved Holy Father — soon to be Joseph Ratzinger again — is not retreating, nor is he easing into retirement. He is going deeper into the Heart of God, where he will pray and suffer and intercede. It is almost as when the high priest of the Temple went into the Holy of Holies to plead for God’s mercy upon His people. However, unlike the high priest of old who would return, Benedict will remain veiled from us. But we will know he is there, praying for us and suffering for us and interceding for us, until his life on this earth is over.

This whole thing is a gift from God to us, even though it did not seem so at first. And the next Pope, already known by God, will be a gift as well. Such extraordinary happenings foretell extraordinary challenges ahead for the Church. But God is not letting us face the battle empty-handed and leaderless. We will have a new Pope. And we will have the man whom we have known as Benedict quietly and steadily protecting us with his prayers.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.