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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Personal Remembrance . . .

Corpus Christi Watershed · July 22, 2013

We have obtained permission to share the following reflection by Fr. Christopher Phillips, originally posted on 13 February 2013. Fr. Phillips knew Cardinal Ratzinger personally.

IKE SO MANY OTHERS, I have my personal memory of Pope Benedict, which took place some years ago, when he was the Cardinal Prefect of the Sacred Congregation for the Doctrine of the Faith.

In November of 1983 the small Commission of which I was a member had just finished our work on The Book of Divine Worship. As is the case with the Ordinariates, the Pastoral Provision came under the authority of the Congregation for the Doctrine of the Faith, working in conjunction with the Congregation for Divine Worship. Cardinal Ratzinger had greeted us as we began our deliberations, but we saw no more of him during the time of our meetings. When we finished, however, we were told that the Cardinal Prefect would like to invite us to a dinner to celebrate our accomplishment.

We were given the name of a very nice restaurant on the Via della Conciliazione, only a block or two from where we had been meeting. We were told to be there at such-and-such a time, and we would be taken to a private dining room upstairs.

As I said, the Commission was comprised of a small group (perhaps a dozen or so), and when we entered the room we were individually greeted by Cardinal Ratzinger. I had the good fortune to have been befriended by then-Archbishop (later Cardinal) Virgilio Noe, who was the chairman of our Commission. He had always seen that I was given time to speak at our meetings, and he often showed little kindnesses during our deliberations. For this final dinner, he made sure I was seated between him and the Cardinal Prefect.

Could I have imagined at that time that I was sitting and conversing with the future Pope? Not in a million years! It was dramatic enough to have had that time with him as a Cardinal. A few years ago I was able briefly to meet him again at one of the General Audiences, and I couldn’t help but remember the time we had shared so many years before.

And now, the man with whom I was privileged to share dinner and some conversation is the Pope who is making history in such an unexpected way. From that evening onward, I felt a connection with him, and I cannot describe how happy I was when he was elected to be the Successor of St. Peter. And because of that experience with him — fleeting though it was — I made the mistake of feeling [his resignation] personally. I know now why at first it upset me so. But over these past few days I have come not only to accept it, but to see it as part of God’s plan for the Church, and for Benedict himself.

Our beloved Holy Father — soon to be Joseph Ratzinger again — is not retreating, nor is he easing into retirement. He is going deeper into the Heart of God, where he will pray and suffer and intercede. It is almost as when the high priest of the Temple went into the Holy of Holies to plead for God’s mercy upon His people. However, unlike the high priest of old who would return, Benedict will remain veiled from us. But we will know he is there, praying for us and suffering for us and interceding for us, until his life on this earth is over.

This whole thing is a gift from God to us, even though it did not seem so at first. And the next Pope, already known by God, will be a gift as well. Such extraordinary happenings foretell extraordinary challenges ahead for the Church. But God is not letting us face the battle empty-handed and leaderless. We will have a new Pope. And we will have the man whom we have known as Benedict quietly and steadily protecting us with his prayers.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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